BootDigest Such a frustrating disappointment

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Rainey Dawn Apparently, from what I've read on it, George Hamilton ended up reading this script to the real Evel Knievel while he was in the hospital (again). And from what I've read, the real Evel Knievel ended up taking lines from this film and using them as his own, including him being the new gladiator of the new Rome.I know I saw this movie sometime either in the late 1970s to early 1980s - as a kid to preteen. I also remember seeing him jump on TV - I'm sure it was some marketing thing going on and might have seen him onwhen I was 5 (that would be about the right age that I started remembering things fairly well). Anyway, he was popular in the 1970s and early 80s and I do remember seeing his jumps on TV.The movie is "OK" I guess. It's nothing to seek out as a biography on him, it's really only a loose biography when he and Linda met and married. Apparently the real Evel Knievel approved of the film when the script was read to him - that's just a guess because the film was made.4/10

SimonJack This biographical movie opened on Sept. 10, 1971. Evil Knievel was just 32 years old at the time, but already a legend in America and beyond. Just three years later, he would attempt his jump across the Snake River Canyon. More on that later. In dissecting the movie and comparing it to Knievel's real life, most reviewers miss the real point of this film, I think. Knievel was at the peak of his popularity. Every stunt he did was to make money. He had a sense of showmanship about it. And, he had a huge ego. Already he had suffered many of the 300 plus broken bones in his life. He wouldn't be able to work as a daredevil much longer. So, the time was right for a movie on the legend. I don't know how the Knievel and Hamilton connection came about. Surely, Knievel must have provided a lot of information for this film. His background and trouble with the law while growing up in Butte, MT, isn't ignored; but is treated lightly and with a sense of humor. Knievel was known to espouse some values for children – about keeping away from drugs. Whether or not that's how he truly felt, he did in fact issue his warnings in public. It may have been part of his showman persona, but it was effective in helping paint an image of a daredevil hero. Later in life, Knievel assaulted and badly beat an author with a baseball bat. The public soon learned that his private life was far different from his public persona. But this movie is about Knievel's early life and rise to legend status. I think George Hamilton nailed the character in this film. He moves between deadpan seriousness, humor, and anxiety with ease. That must have been how the real Evel Knievel was – in the minds of viewers, but also in the glossy hype about the legend. Sue Lyon and Bert Freed do well in their roles. Most of the incidents in the film actually happened. But, how much of the details are fact or fiction – who knows? Now, for the historic jump that took place three years after this film. I remember watching it on TV. I don't recall if it was live (closed circuit) or a news cast, but the program showed Knievel's jump across the Snake River Canyon about five miles east of Twin Falls, Idaho. His cycle looked more like a rocket ship than a motorcycle. It was built specifically for the jump. The canyon at that point was about 1,600 feet across – from edge to edge; but the jump trajectory was 3,500 feet. Kneivel rocketed from South to North and he actually made it across the canyon. But his safety parachute had opened right at lift off and the drag held him up enough that strong northwest winds carried him back over the canyon where he descended to the floor. He came to rest just outside the waters and walked out without a scratch. I've been to the Snake River Canyon jump site. Today, a monument is located there. It's about five miles east of Twin Falls, ID. Take I-84 exit 173 and go south toward Idaho Falls about three miles. Watch for signs at the bridge over the Snake River Canyon. Follow the falls road to the jump site. While there, a visit to Shoshone Falls Park is a must. The falls are very impressive.

kittysheba1 I saw this movie in the dollar bin of the grocery store and I couldn't help smiling. I had no idea if it would be worth a sitting, but I discovered to my joy that this film captures the energy and twisted, booze-fueled optimism of 1971 only too well. There is a senior thesis and a kitsch musical trapped in this time capsule. It is both a on-the-spot knowing parody of 70's machismo and a hapless apology for it, a living testimony to a living person.George Hamilton in 1971 didn't seem to know how to act, he swaggered humorlessly and proclaimed, and chewed gum like Burt Reynolds. John Milius and a 90 year old Englishman scripted this, so Evel's lines are filled with references and heightened language that are quite outside the range of a dropout sociopath. And yet this movie isn't dead. It has an intentness, a brio, a sort of-- pertness. It deserves to have eyeballs given to it, over a few sittings, over a few lunch hours, using the DVD feature of your workstation in your cubicle. Go to your supermarket today!

fletcher100 I paid one dollar for this DVD and at first I was feeling ripped off, but then I started thinking about it and I should be grateful. I have found a holy grail, a real touchstone of bad cinema. If you think the opening dramatic shots of an empty stadium successfully fizzle with Evel's awkward camera address monologue, then wait until the opening credits roll on the chauffeur's butt. The script seems to be pasted together from press clippings, and ESL textbooks. But..... I just can't believe how bad George Hamilton is. He seems to have absolutely no connection to anything he says, the only internal monologue I can detect is "gosh I bet they think I am cute. really cute!". This is an epiphany! I now know how bad it can get.