Hellen I like the storyline of this show,it attract me so much

Lawbolisted Powerful

Acensbart Excellent but underrated film

Sexyloutak Absolutely the worst movie.

calvinnme This one starts out with such promise, but gets bogged down near the end. Still it is unique enough to be worth a watch. Nina Foch is walking along a bridge in the fog in the middle of the night, looking over the side, when she encounters a policeman. He asks if she is alright, asks her if she is contemplating jumping. She says yes to the first question, no to the second. He tells her to go home, that this is no place to be hanging around at this hour. She walks down the bridge a bit further when a car stops near her. Three men are fighting - actually two are attacking the third man. As one man gets ready to plunge a knife into the heart of another Foch's character screams loudly and repeatedly. And then she awakens. It has all been a bad dream.In burst the innkeeper where Eileen Carr (Nina Foch) is staying, and by his side, the guy (William Wright as Barry Malcolm) who was about to be stabbed in the dream! What IS going on here? Well, Eileen and Barry are instantly drawn to each other, and it turns out Eileen is a nurse suffering from shock from being in a shipwreck of an American navy vessel. She is at the inn for a long rest. Barry is more illusive about what he is up to. He asks her to spend a couple of days with him in San Francisco and says that she can stay with an aunt of his there. She agrees.Well it turns out Barry is a spy/courier for the allies, and while in San Francisco he goes to the house of wealthy Paul Devon (Otto Kruger), who gives him sealed orders on the coordination of the underground in Japanese occupied China with the final stages of the attack on Japan. Devon mentions that this mission is so super secret, that no matter what trouble he gets in he is not to contact him after he leaves his house. A car will pick him up at midnight at his hotel and then on to a plane to start him on his way to China.In the meantime Barry and Eileen are falling for each other, although this must be entirely chemistry because there is no time for character development here. At one point in the evening she even calls him "darling"? Hey Nina you didn't know this guy 24 hours ago, isn't this going a little too fast, even for wartime? Foiling the plans of our young lovers and the allies are two nasty Nazis who have found out what is going on and plan to kidnap Barry by being in that car waiting to take him on his mission. How will this all work out, watch and find out.I will tell you this much, these spies are VERY persistent. They do believe if at first you don't succeed try try again. It also involves grandfather clock repair, watertight buoyant envelopes, secret Navy experiments going on in San Francisco Bay, and, remember that dream Eileen had? It turns out to be a premonition.Just a couple of questions for both sides. For the allies - why was it necessary to list the names of the members of the underground - which is what the Nazis are after. After all, the members of the underground know who they are, they don't need a role call! As for the Nazis, why are they doing all of this work for the Japanese? Couldn't they be bothered to try and stop the invasion of their own country? Inquiring minds want to know but will never find out. Well folks, you can't say this one is a paint by numbers war picture, and it has ace direction from Budd Boetticher, here at only age 29 and his third year of directing. Notice how the cinematography sticks to close ups so Columbia's low budget roots do not show.

wes-connors On a foggy San Francisco night, dreamy Nina Foch (as Eileen Carr) takes a melancholy walk on the Golden Gate Bridge. The beautiful young woman is suddenly witness to a terrifying confrontation. Apparently, it ends with a murder, but Ms. Foch wakes up just before the deadly knife takes its final plunge. Fortunately, it was only a dream. Unfortunately, it begins to come true. Foch's wakening scream draws the attention of a man in the inn where she is staying. He looks exactly like the victim, William Wright (as Barry Malcolm), from her dream. Foch has never met the man before he appeared in her nightmare. He's a spy for the US, soon to receive a summons from agent Otto Kruger (as Paul Devon). After showing a romantic interest in Foch, Mr. Wright must deliver a top secret packet to Hong Kong...With a skillfully conceived story by Aubrey Wisberg, "Escape in the Fog" is an entertaining spy thriller. Director Budd Boetticher gets attention with the nightmarish opening and Foch delivers a fine characterization. On the downside, her romance with Mr. Wright is not initially believable; perhaps, if the actors had more quality time, the coupling would click. Most interesting is the fact that Foch's character has a supernatural power (seeing future events in her dreams). The explanation appears to be post-traumatic stress suffered during her stint as a nurse in World War II. Although this aspect of Foch's character is dispensed with early, she maintains interest. Watch for young starlet Shelley Winters as a hotel taxi driver and veteran D.W. Griffith player and "Tarzan" portrayer Elmo Lincoln as a lawman.****** Escape in the Fog (1945/04/05) Budd Boetticher ~ Nina Foch, William Wright, Otto Kruger, Konstantin Shayne

blanche-2 "Escape in the Fog" is an intriguing 1945 B movie directed by Budd Boetticher and starring Nina Foch and Otto Kruger. Foch is a nurse, Eileen Carr, honorably discharged from the service after a something akin to a nervous breakdown. She has a nightmare where she witnesses a man being attacked on the Golden Gate Bridge. Once awake, she meets the actual victim in her dream, Barry Malcolm (William Wright) who is staying in the same place. There's an immediate attraction, and he offers to take her to San Francisco with him.Once there, Malcolm, a special agent, gets orders from his boss, Paul Devon (Kruger) to go to Hong Kong to deliver a package to the Chinese underground. Devon's house has been bugged by the Axis, and they follow Malcolm to get the package. When it's revealed that the people who picked up Malcolm were not sent by Devon, Eileen realizes her dream is about to come true, and she rushes to the Golden Gate Bridge. The rest of the story takes place from there.This is a pretty preposterous tale, but entertaining nonetheless, with a strong performance by the lovely Foch. Baby boomers like myself remember her as an older woman and a constant television presence. Here she's young, and she and Kruger do an excellent job of holding this film together.If you can overcome the plot holes, you'll enjoy this one.

bkoganbing We've all got to start somewhere, it was in films like Escape In The Fog that somebody like Budd Boetticher could learn his trade before turning out good films. In fact the film was dated before it even hit the movie going public on June 25, 1945.The war on Europe was over for almost two months, of course not even Harry Cohn could control the events of history. So I'm wondering why even back then the public didn't question why a Nazi spy ring was helping out the Japanese. Another very bad historical inaccuracy was that the FBI had nothing to do with the Pacific or Asian theater. The cloak and dagger stuff was the territory of the OSS in that part of the world.When you're an FBI man like William Wright it sure good to have a psychic girl friend like Nina Foch. He's about to go on a mission to the Orient to deliver the names of key underground leaders to start a general uprising in China against the Japanese occupation. Germans who've been bugging Otto Kruger's house learn of this and the whole movie is spent with these guys who've already lost the war trying to help their allies. Who, by the way, they refer to as 'Japs'. When Foch is sideswiped by a speeding car and knocked unconscious she dreams about Wright's danger and sees what is about to happen to him on the Golden Gate Bridge. She goes there and foils the plot. All the stuff you'd expect from a nice noir film is there, the foggy atmosphere of San Francisco, the dimly lit sets, Budd Boetticher tried his best as did the cast. But they just weren't convincing, probably because they didn't believe this claptrap themselves.It's possible, but not likely that Nina Foch's dream and its psychic consequences might have been more developed and the developments were left on the cutting room floor. I think it was just a lousy screenplay. And Budd and Harry Cohn at Columbia Pictures had the fast moving events of history going against them here.