Kirpianuscus
Impressive portrait of Depression . and splendid meet between Lee Marvin and Ernest Borgnine. and,not the less, a young Keith Carradine as one of a cruel, liar, classic spoiled teenager looking for easy glory . a film who gives admirable cinematography, admirable performances, a perfect plot in each detail and a sort of lesson about the rules of the rules of hobos. long time, for me the performance of Borgnine was more than fascinating. not only for the character, so far by the many roles of him, but for the traits of bad guy who are more clear scene by scene. because that is the basic virtue of film - to be a realistic page of history. more than convincing, dramatic or touching. but usefull. for see the essence and for discover the attitudes in near reality. and, not the last, for feel. the old fashion cinema art.
Prismark10
Emperor Of The North Pole is directed by Robert Aldrich. It is tough violent film set in the depression era Pacific Northwest railroads and concerns hobos hitching a free ride on the trains and the railway guards fighting them off.One rail guard is Shack (Ernest Borgnine) he is a mean one and will kill any hobo who rides on his train and he enjoys it. Lee Marvin is the hobo who is determined to ride Shack's train and this leads to a clash of these two alpha males and two Oscar winning actors.Along for the ride is Keith Carradine as the young hobo who also gets involved in a tussle with Marvin and Borgnine. Carradine's character is a bit dim and gets in Marvin's way as well as being shifty and untrustworthy when he should be a protégé of Marvin.The film ends with a violent showdown between Borgnine and Marvin but the film does come across as confused as the relationship between Carradine and Marvin is never developed. Were they supposed to be uneasy allies or enemies as in the key final fight he is just a spectator.The film is filled with the depression period atmosphere and it is a muscular film, interesting and novel but I expected something with more substance from Aldrich such as a more shaded villain from Borgnine, his Shack is so disliked that other rail workers were hoping Marvin would successfully ride his train.
raymond_chandler
The essence of drama is conflict. Conflict arises from actions or intentions that are at cross purposes. These actions may be classified as 'good' or 'evil' , but these labels depend on the observer identifying with one side or the other. Taoism does not adhere to these classifications; in its pure form, it is amoral.The roles of antagonist and protagonist are similarly dependent on a moral judgment. In "Emperor of the North", Lee Marvin's character A No. 1 is clearly meant to be the protagonist; Ernest Borgnine's Shack is portrayed as the antagonist. Shack is obsessed with keeping (ho)'boes from hitching free rides on his train. A No. 1 takes on the challenge of doing so, in defiance of Shack (and railway regulations). The two men play out their duel on a train that is moving through forests and mountains on its way north to Portland, Oregon. If Marvin is the 'hero', it is a hollow triumph he seeks. There is no promise of a job waiting for him in Portland - he simply wants to 'beat' Shack and remain the widely acknowledged greatest boe there is. His peers are other rootless men who have been driven by circumstance to find work and food wherever they can. Their loyalties are to their empty bellies and, usually, their fellow boes. Some work in the railroad yards for whatever pay they can scrounge. One fascinating aspect of Emperor is the gambling that is shown as widespread: will A No. 1 succeed, or will Shack remain the unconquered, feared, and despised 'champion' of the rails?The time is late October, 1933. There is no welfare state, no food stamp program, no Social Security yet for everyone. These things are a part of Franklin Roosevelt's New Deal, which is in its infancy during this movie. FDR's voice is heard on the radio early on. He urges the citizenry to be scrupulous about the programs he has pushed through Congress; to "cooperate with me, in making this the most efficient, and the cleanest, public enterprise that the world has ever seen". To the men who ride the rails, the prize is their next meal.Marvin is his usual laconic self. He does not attempt to turn A No. 1 into a heroic or noble figure. He is just a guy who is self-assured and fiercely protective of his independence. His underplaying is a thing of wonder. He conveys the decency and humanity of A No. 1 with the slightest of head shaking and almost imperceptible nods and winks.Borgnine is simply awesome as Shack. His sadistic glee at casually maiming and bullying hapless vagabonds is palpable. He keeps his eyes wide open like a giant piranha the whole time. His kind can also be found in other movies, guarding prisons housing felons and herding Jews into the ovens of Auschwitz. Shack gets off on power over others. He is doing his job - maintaining security on the train - but perhaps a little too well. An early incident shows how things can get out of control if the boes are allowed free rein. In a country paralyzed by economic disaster, he protects the interests of the Establishment. If cattle do not arrive at their markets, people, innocent people, may suffer. Again, the morality of the various characters is relative to one's point of view. Is Order Good? Is Chaos Evil? In terms of the physical universe, good and evil are essentially meaningless concepts. A hawk killing a rodent is not evil: it is feeding.Keith Carradine plays Cigaret, a young drifter who follows A No. 1 around, while boasting of his own boe prowess. The relationship between the two reminded me greatly of "The Film Flam Man", where grizzled grifter George C. Scott mentors Army deserter Michael Sarrazin. The dynamic between the two men is much different in "Emperor", but there is an echo of one to be found in the other. The locations and down-home soundtracks of both movies are also similar.The supporting cast is overflowing with familiar character actors. Elisha Cook Jr appears briefly, nearly unrecognizable in an eye patch. Other notables are Malcolm Atterbury as Hogger the engineer, Harry Caesar as Coaly the coal stoker, Charles Tyner as Cracker, the boe assistant to Shack, Matt Clark as railyard boe Yardlet , Liam Dunn as hobo jungle resident Smile, Robert Foulk as a passenger train conductor, and Simon Oakland playing a policeman (again!). The ensemble meshes wonderfully, dutifully providing texture and a backdrop to the central conflict.Robert Aldrich directs the film without gimmicks while creating an immersive experience. The shots of 56-year-old Borgnine and 48-year-old Tyner nimbly running along the top of an obviously real moving train are incredible. As the train continues north, the lush scenery of Northern California and Oregon displays the inherent beauty of indifferent Nature, and provides contrast to the personal drama played out in the foreground. This film is all about survival. If Shack allows boes to ride his train, the company will replace him with someone who will not. And he knows it, which makes him just as desperate as the men he brutalizes. There can be no quarter given in this world, where every loose chicken represents another day of Life. I highly recommend this film. It is not grim, but it is not a comedy, either, although there are numerous humorous moments. It is the stuff that great dramas are made of.
mortalhero
I sat with my son and watched this movie the other day and I could see on his face during the intro he was ready to be disappointed. The intro music is crap that is reminiscent of the low budget films of the 70's. But I explained to my son that he should ignore the sound track because this is otherwise a really good movie. Afterwards he agreed that it really was a great movie and that the music was stupid.This is one of those films that really deserves to be considered among the best. It is definitely a mans movie, and I don't even remember seeing any women in it, but even my wife enjoyed it. There is no sex or sexual references, and the violence level, in my opinion, is reasonable. The characters are perfectly cast, and the dialog is, at times, poetic. In my opinion, they should re-release this movie with a new sound track. It deserves it.
