Lovesusti
The Worst Film Ever
AniInterview
Sorry, this movie sucks
Mjeteconer
Just perfect...
Senteur
As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.
blumdeluxe
"Emmmanuelle" tells the story of a young French diplomats wife in Thailand, getting introduced into alternative sexual lifestyles and thereby questioning the classic model of relationship and marriage she once had known.You can't say that there is no story at all. Of course you can see kind of a development from the beginning of the movie towards the end. Nevertheless most of the characters just remain too flat to impress and all in all the plot can be summarized in two or three sentences.I don't know in how far the idea of open relationships and marriages can be called revolutionary in that time, but I do think that the aura of the forbidden helped making this movie big. As for the message, everyone has his own idea of sexuality and erotic and for some, as we know, open models serve well. Still, rape and lacking consent are surely not a part of them and just show that some of the characters here are rather depicted as sociopaths than as people with differing sexual preferences.
Nazi_Fighter_David
"Emmanuelle" is an elegant, excellently photographed movie, but too often rolls in a syrupy pretension… It is about a young, French woman who joins her husband in Bangkok… There much of Emmanuelle's allure is that she isn't shy about her body, or even afraid to engage in sexual activity in semipublic places… There are a number of rousing, lesbian meetings very typical of French cinema, coupled with encounters with handsome, sensitive men who enjoy superficial lovemaking… The film really deals in sensual images and an over-blown, continuous repeating of its erotic philosophy… There is sensual intimacy between Emmanuelle and the other women that is rare in the cinema…My favorite moment when teen-ager Christine Boisson comes upon the nude Sylvia Kristel asleep… Without embarrassment, she leans forward and unusually caresses gently and affectionately Emmanuelle's breast with her finger
Cedric Sagne
This film used to be a classic adult piece and is based on the book, which in itself was judged scandalous when published in 1970 something. Now, thirty years later, it is a fairly stylish soft blue film, which is served beautifully by its soundtrack and somehow by photography, which remains charming and announces the David Hamilton style of Bilitis. As for the rest - and let's not talk about the supposedly adult character of the film, if anything it spread the word about "French" films in the English speaking world, but has the flavour of a 1970s film, which basically means handlebar moustache and burners, funky shirts and picturesque house furniture (especially in the opening scene in Paris).Some aspects of the script, such as a rape scene, young Marie-Anne are shocking today - apparently they were not so much back then.It ranks more as a drama with sex today and should be considered like Basic Instinct or The Lover or even Last Tango, rather than like soft porn. This style has very few exceptions that survive the years, oh! life is difficult for erotic romance.Still the supposedly intellectual approach to sexuality is fairly boring today, and rather pedantic. 5/10 for a nice soundtrack and photography and a script which does tell a story albeit a dull one.
Albert
Emmanuelle, a "girl" in her 20s, played by Sylvia Kristel, is an authentic and plausible character, who gives you the impression that she could in fact be experiencing the many erotic adventures - amongst them many lesbian encounters – which she embarks upon in Thailand. Maybe it helps to point out that Sylvia Kristel, born in 1952 in a small town in the Netherlands, was brought up in a very strict Calvinist family and went on to study English, in hopes of becoming a teacher, before she ran away from home, giving up all she had had, defying all of her relatives and friends, and started working as a model from the 1970s on in Amsterdam. In her first Emmanuelle film (a French erotic film), she acts the role of her life, becoming famous immediately in France, and soon thereafter in the world. She plays a young married lady, the wife of an ambassador, living in Thailand with her husband. There, she experiences many erotic adventures with and without him. The intriguing fact is that her husband encourages her to do so; he would like her to "improve" her sexuality and gain experience, ultimately learning to differentiate between love and sex. Sylvia Kristel plays Emmanuelle with such authenticity, and with the vulnerability and timidness, only a young woman of her age, lacking sexual experience, could have. In summary, she doesn't give you the impression that she is doing yet another boring porno- flick, where she is forced to do "some acting", in order for the movie to HAVE a plot, other than gynecological nudity scenes, or 3-minute "sex-adventures". The countless sequels to this first Emmanuelle film certainly don't measure up to the artistic standard - or even to the erotic standard - of this one. If you are willing to forget that it seems unrealistic that a young lady sleeps with other women and men, while her husband encourages her to do so, you are in for a really sensual and - for guys, a very realistic - account of what an unreserved, 20 year old, bi-curious girl might really experience in Thailand; the country of erotic massages and exotic climate.