Eko Eko Azarak: Misa the Dark Angel

1998 "The dark angel has landed"
4.9| 1h35m| NA| en| More Info
Released: 15 January 1998 Released
Producted By: GAGA Communications
Country: Japan
Budget: 0
Revenue: 0
Official Website:
Info

Misa Kuroi is a good witch, but wherever she goes, evil follows. When a dying girl appears out of nowhere shouting Misa's name, our heroine goes to work. Following the clues, Misa transfers to the prestigious Saint Salem School for Girls and joins the Drama Club. Soon all the girls depart for a mysterious Drama Camp, deep in the woods.

Genre

Horror

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Director

Katsuhito Ueno

Production Companies

GAGA Communications

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Eko Eko Azarak: Misa the Dark Angel Audience Reviews

Karry Best movie of this year hands down!
ShangLuda Admirable film.
Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.
winner55 I got the first three of these films in a set and thought this the big finale, but apparently more episodes have come out - I'm not sure why....Although the word "homoerotic" ought to include art concerning lesbians as well as gay men, it is usually used for the latter, so we will have to coin a new word here, "lesbo-erotic". The "Eko Eko" series is a lesbo-erotic witch story about a young white which battling the dark forces of Satan and his kin. Earlier entries had explicitly sapphic material, this operates a little more implicitly and will be more accessible for main-stream audiences.I also found the story easier to follow and easier to bear here. The series as a whole is amusing at best, but let's face facts - it's trash. Considerable effort has been made to duplicate the old Hammer Vampire films of the early 1970s. Well, there's nothing wrong with that, that's why this series is amusing; but "art"? The best horror film you're likely to see in quite a while? Afraid - not. Although the story is tighter than the other entries, the fundamental problem with these films altogether is their lack of coherence. You will get confused here - very confused.What the hell is Satan doing in Japan anyway? And how did H.P. Lovecraft's Cthulu suddenly pop out of nowhere here? And why am I watching a Japanese direct-to-video remake of Hammer horror films from the early '70s?well, I had a couple hours to waste....well, that's about it, folks; you could probably do worse, you can certainly do better.
Death_to_Pan_and_Scan I have never read the 70's manga by Shinichi Koga, so I cannot say how well the film follows its source.I enjoyed the first 2 films in the series much more than this and feel it is missing director Shimako Sato's touch. This film is possibly less scary than its predecessors. Atmosphere? Not so much, I also don't think cheesy lumbering people in cloaks is all that scary as done in this film, they look more like a group of Jawas who are tall enough to form a basketball team. The film might be less action-packed than EEA2, it sure felt like it at times.Combine the schoolgirls-in-peril in an institution of learning with a witchcraft-obsessed founder of "Suspiria" with the dimensional doors to dangerous forest real estate of "Troll" and add a handful of names referenced from H.P. Lovecraft Cliff Notes and you have this film. It might be as good as Troll but is far beneath the others I've referenced. At times it has more action than the first EEA film, but they have replaced Kimika Yoshino as Misa Kuroi (of EEA 1 & 2) with Hinako Saeki (Sadako from the mediocre Ring Spiral film "Rasen"), who had played the role the previous year in the EEA TV series.The surgeon uncle apparently from the manga series has his first appearance in the film series. Misa goes off to join a drama club after catching sight of their script and surprise surprise, someone around there has been dabbling in black magic and must be stopped.Mentioning the names of some Elder Gods from Lovecraft isn't going to get me all in a tizzy; anyone can make meaningless references to the Elder Gods in a film without doing anything interesting with the Cthulhu Mythos. The most mediocre of Stuart Gordon's HPL-inspired films is better than this. Likewise having a bevy of cute schoolgirls does not a good movie make. The sentimental moments of the drama club girls walking around 'bonding' towards the start of the film with lame cheesy background music did not help create a mood for the film and almost put me to sleep. The producers also tried to add implied lesbianism back to the film series (sans the nudity of said sequences in the first film) in a failed attempt to titillate the audience. The absence of those scenes from EEA2 actually helped that movie by making it seem less like cheap exploitation gimmickry. Overall, this film is less satisfying than even the first one. I rate them in the following order from best to worst: EEA2, EEA1, EEA3.Tokyo Shock's DVD is also seriously lacking in special features whereas the other 2 films both had a 'making of' feature, recent updated interviews and theatrical trailer and film premiere clip, possibly because no one cared much about EEA3 to bother producing said materials. They didn't even retain the original Japanese ending credits for the EEA3 DVD.***SPOILER WARNING*** I love when movie trailers try to make the film's plot seem bigger and more important than it is, like 'the future of the whole world is at stake'. A homunculus wanting to be human and planning to brutally kill off 7 girls to pursue those ends may be a tragedy, but it isn't going to end the world as we know it. Whether or not you are a fan of it, Lovecraft's work was often about cosmic horror that could have wide-ranging effect over the entire human populace in the event that the Elder Gods decided to turn their attention to our rather insignificant (to them) existence. Killing seven people and turning a female Pinocchio into a real boy isn't the kind of thing I imagine the Elder Gods bothering with and it's a bit insulting to throw them into this plot in such a lame way, even Lucifer would probably have more important things to do on his daily itinerary, like toying mercilessly with Dudley Moore's love life.
Evan A. Baker This excellent film is visually very similar to the works of Sam Raimi and Peter Jackson. It is creepy, and I love the use of the Elder Gods from H.P. Lovecraft's Cthulhu mythos. In addition to being involving and genuinely scary, it has that certain undefinable "cool," just the right dynamic camera angles and groovy exaggerated sound effects, a few good blasts of blood, all mixed together in just the right proportions.
ZUMMUD This movie is based on 70's famous comic EKOEKO AZARAK by Shinichi Koga, as well as the T.V. series of the same title in 1997. The movie is basically the movie version of the T.V. show, so it is more joyful if you watch EKOEKO AZARAK The Series and EKOEKO AZARAK The Second before you watch this movie. The movie itself is, however, overwhelmed by the charm of Hinako Saeki, the young actress who played the role of Misa Kuroi, the most formidable high school witch, while the motif of Cthulhu Mythos (originally constructed by H. P. Lovecraft) and other elements are losing its power due to its low production cost. So it's the best to enjoy Hinako Saeki's atractiveness rather than waiting for a flashing SFX or CG effects.  The story line of the movie is focusing on the traumatic events of the young girls who are killed for the dark ritual. Then Misa Kuroi, the most powerful high school witch (also called Misa The Dark Angel), has to fight with her black magic power to protect her friends. So the story line is not truly matching with the motif of Cthulhu Mythos, so the image is simply used as another force of darkness that tries to devour the dark power of Misa, rather than the dry and mindless terror that Lovecraft has meaned. This is certainly watched as Another Tragedy of Misa, so it should be watched rather as a superheroine's tragedy than horror. This became the very last movie of Bang-Ho Chou, who played the role of Satoru Kuroi, the uncle of Misa and the master of surgery by magic. His serious and sometimes comical act has deepened the emotional side of the movie, as he portraited a hospitable uncle for Misa. The original comic by Shinichi Koga also has featured the surgeon uncle, since the character has been a loving one for the author. In conclusion, this movie is a good chance for the U.S. and European fans to watch a heroine figure that is totally different from Ripley in Alian series or Bond Girls in 007.ZUMMUD (Ji-Mudou)