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CommentsXp Best movie ever!

Ceticultsot Beautiful, moving film.

Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

otto-erik The Chinese philosopher Chuang-Tzu dreamed he was a butterfly and when he woke up he thought maybe he now was a man in a butterfly's dream. I think you can see the whole film as a dream and as such it is just perfect. In the real world it's of course impossible for a Japanese to be understood in Corea, speaking his own tongue -it's not like e.g. a Swedish actor in a Norwegian or Danish film- but in a dream it's even natural. Also, the "comical", bloody stay-awake-scenes should be seen as dream-scenes; I guess in real life you would drink a lot of coffee instead of stabbing yourself! So, my recommendation is: give the film a second chance and look upon it as a dream.

DICK STEEL Someone mentioned to me once that the films by Kim Ki-duk is like an acquired taste. Personally I had not taken that advice and dove into the deep end, only to find myself stuck in a confluence of mixed feelings, where some of the films had excited, others had disappointed going nowhere, though you must admit that there are always plenty of imagery in his films to admire, and a premise like none other.Within the first 20 minutes, we get introduced to the main characters, and the interesting, though weird premise that they find themselves in. Jo Odagiri stars as Jin, a man who often finds himself dreaming about some very vivid events, then out of curiosity one day, he visits an accident site that he dreamt about, and lo and behold, the exact same situation that he had seen subconsciously.His curiosity led him to dig further, and here he comes across Ren (Lee Na-yeong), a woman who sleepwalks. In more bizarre terms, Jin soon realizes that whatever he dreams of, Ren somehow will sleepwalk and execute it on his behalf, in real time. Hence the stage is set for this fantastical movie, where a couple find themselves having power over each other, and made more acute when they discover that perhaps their respective ex-lovers have got a part to play in their predicament as well.You'd come to expect that perhaps Jin and Ren would fall for each other, and this was even suggested at, but of course Kim Ki-duk would never go for the plain and ordinary. Instead he skews this potential love story into something more intense, and comical even especially when the couple try their very best not to fall asleep, one to prevent executing things against her wishes, while the other not wanting to impose his will onto another.Alas the ingredients that went into the film turned out to be not my taste. Everything went really weird especially when Kim settled for some gory moments of imagery to continue his story, some of which are squirmish enough to want to make you shut your eye from the nightmare. Also, having Jo Odagiri speak in Japanese throughout, and the only character to do so, seemed too strange as well, where everyone else was speaking in Korean. I suppose like Kim's earlier film in casting Chang Chen resulted in his character being mute, was nothing more than overcoming a technical challenge in making the actors speak the Korean language. Straddling the thin line between reality and fantasy would have afforded a tale told in this manner, but certainly this wasn't my cup of tea.The Closing Film of this year's Korean Film Festival, those in attendance will attest to bewildered voices whispering sighs of disapproval and sniggering at how ridiculous the film had unravelled itself into. I suppose if not for Jo Odagiri's role, many would have not batted an eyelid at yet another Kim Ki-duk offering for the masses. Was I disappointed? Yes, as the film could have been much more rather than a self-indulgent movie.

dbborroughs Kim Ki-Duk's tale of how a man and a woman become linked by dreams.It begins with Jin waking up from a vivid dream involving a car accident. Going to the scene he finds th police are investigating a hit and run accident. Following information from a traffic camera the police go to Ran's home find that she was asleep. Hauled to the police station Ran tries to protest but there are pictures of her driving the car. Jin tries to intercede and soon its discovered that Ran has taken to sleep walking recently.It seems that when ever Jin dreams Ran acts out his dreams but in an opposite way which means that Jin who is trying to see his ex-girlfriend whom he still loves, causes Ran to see her ex boyfriend whom she despises.This is a dark romantic tale is an often uncomfortable to watch since we know what the dreams mean. Ran is getting hurt because of what Jin is dreaming and there is little that the pair can do. Well acted, we feel for the characters because the actors makes it clear that sometimes its so hard to stay awake. They have created two nice characters that we feel bad for.Unfortunately the film has a couple of problems that work against the valiant attempts of the actors. First the score is not very good. It seems to belong to some cheesy exploitation film from the 1970's. For me it was all wrong and from the first notes it set a really bad mood. The other problem is that script doesn't really work. The characters are never fully fleshed out and as much as the actors try to breath life into them they sill feel a bit hollow or unformed. The trajectory of the story kind of seems too artificial. The film seems not to always be moving in a natural direction, I had the feeling that the director wanted it to go in a certain direction and thats the way it goes. This being a Kim Ki-Duk film it's ripe with a sense of darkness and or even dread. This is not a wholly happy tale even if it is ultimately a love story (there is some violent imagery).In the end I don't know what I make of it. I like the idea, I like the characters, but there is something about the way the film is told that rubbed me the wrong way. I think its an interesting misfire. (And lest you think that I don't "get" Kim Ki-Duk's style or his films, understand that I am a fan having all but his first three films in my collection.) if you're a fan of the director or adventurous, I think its worth trying for the characters and the pieces that work, but at the same time I'd wait for it to be a rental or (less likely) on cable.Between 5 and 6 with my feelings toward the film bouncing back and forth between the ratings

regnarghost A man and a woman's life becomes entangled as she does what he dreams, or in other cases,he experiences what she does while sleepwalking. Its a storyline that Kim-Duk should feel right at home with. And for the first twenty five minutes or so it looks promising. Rich atmosphere with tasteful use of music. I was just waiting for him to really start WORKING with the story and ideas at hand.I don't think he does that. To me it looks like Kim-Duks abandons much of his graceful soul-searching in favor of fleshy melodrama. Especially the awkward shouting-scene at the field, but the whole film has something contrived about it. The main-character are very illogical in their thinking, with may indicate that the film is meant to work on a allegorical level, but I'm dubious. The cinematography too strikes me as bland, with some interesting exceptions. There are faint echoes of 3-Iron here, the film that more and more stands out as his masterpiece, but lacks most of its subtle grace.Well, until the end that is. The breathtaking and magical scene where she "escapes" confirms that Kim-Duk still has it in him,(but I'm not wild about how it ties everythinkg together so neatly), as much as i respect him as an artist, i think Kim-Duk needs to relocate and form ranks.