Hellen I like the storyline of this show,it attract me so much

Dotbankey A lot of fun.

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

MartinHafer This film begins with Jayne Mansfield rolling about in bed with money all over her. This seems to go on and on and on, as the only reason for the scene is to see this starlet in various states of undress. The film doesn't even pretend to be anything other than an exploitation film at the beginning--and it's obvious they only two things going for the film are hidden under Ms. Mansfield's towel.This is the story, believe it or not, of "Mr. and Mrs. Smithopolous" staying in a resort in the Mediterranean. Of course these are aliases, as it's Mansfield and her boyfriend. While she rolls in the dough, her man is busy laughing like a hyena while he's killing off his partner in crime. It seems that they have just robbed a shipment of old US dollars that are being returned to the States to be burned and Mansfield's beau doesn't want to split it with his partner. Eventually, the three end up on a supposedly deserted island--which turns out to have several people waiting. There, they wait until the coast clears...and one by one, people in this group start dying off mysteriously.The plot and action is VERY claustrophobic, as they spend almost all the film on this tiny island and this is bad because the actors are left trying to support the weight of the film. And, considering how bad the actors are, this is a chore they simply aren't up to. Cameron Mitchell basically spends the movie threatening and screaming while Ms. Mansfield does a great imitation of a brain-damaged bimbo (inexplicably, she claimed in real life to be a genius--this film will surely erase all doubts as to her intelligence or lack thereof).A skimpy plot and lousy acting--it's pretty obvious that this is a grade-C project from start to finish. Why some of the reviewers here on IMDb scored this one so high is beyond me. Stupid and dull.

shark-43 This 1960's oddity is a rare blend of pulp noir dialogue at it's worst, crisp B&W cinematography, snappy jazz score, Jayne Mansfield's round, doughy sex cat routine, Cameron Mitchell sweating and slugging people and every heist gone wrong cliché in the book (plus a little Agatha Christie thrown in for a good measure.) My friends and I were howling at the verbal "jousting" throughout the film and it is just loaded with one strange character after another. If you are expecting a well made taut heist film, rent Kubrick's The Killing - but for a fun, cheesy sixties crime crap in a blender - then this one is a hoot. Released in England with the much more subdued title When Strangers Meet, they slapped the Dog Eat Dog title on it in America and Mansfield died tragically in the now legendarily gruesome car accident. In fact Maynsfield is four months pregnant with future actress Law & Order:SVU's Mariska Haggerty (sp?) while filming this crime romp. There are cat fights, pistol whipping, Yugoslovian bartenders endlessly cleaning glasses, washed up madams, bald pimps and Cameron Mitchell bleeds more than any male lead in history (and Tim Roth was in an ENSEMBLE when he did all his marvelous bleeding in Resorvoir Dogs). Jayne Mansfield says a lot of unintentionally bad dialogue but her exclamation of "Crackers!" takes the cake...or the crackers...whatever.

tonstant viewer The first hour or so of this film seems to be one of those barely competent Euro-thrillers that smells of "deal" and little more.Evil killers laugh for 20 minutes at a time, a thug in a car tries to kill a pedestrian thug and the editing makes no sense, a voluptuous babe offers to sell out the entire male cast sequentially and all at once, we've all seen it a thousand times and on our own deathbeds we'll undoubtedly regret the time we wasted doing so.Then the picture goes off the rails, perhaps because of the three or maybe four directors. All pretense of continuity goes out the window, scars disappear and reappear on faces, characters die for silly reasons or no reason at all; basically staging and dialog disintegrate completely. We watch the film go around and around in ever-diminishing circles and finally disappear up its own backside.You think, "Oh, the poor actors," as they all get that haunted look, like "How did I ever get involved with this mess?" and "Who do I have to sleep with to get OFF of this picture?" and "Boy, will I murder my agent when I get back home!" and "Oh wow, I really need to go; I'll bet it's that schnitzel last night at the hotel." Jayne Mansfield does some of the best acting in the film, which'll give you some idea of what to expect. When Cameron Mitchell goes berserk and starts ripping up the furniture, he does it with a remarkably rehearsed air, along the lines of "We only have one sofa, so I have to get it right on the first take," and "Does Stuart Whitman have to put up with this stuff in his movies?" There is no psychological or sociological subtext to this film; it has no stylistic elegance or directorial signature hidden in a overlooked "B"; it is simply a desperate and cynical attempt to make money. The movie fails on every level. You don't even get to see Dubrovnik. Skip it.

gnb After her box office successes at Fox with hits such as The Wayward Bus, The Girl Can't Help it and Will Success Spoil Rock Hunter?, the event that was Jayne Mansfield carved a new, and ultimately more interesting, career for herself in several European independent films.Dog Eat Dog, released in 1964, was filmed in the former Yugoslavia and features Mansfield as Darlene, one third of a gang of crooks who have availed themselves of $1m in stolen cash. After escaping to a "deserted" island with several other money-mad misfits in tow, the body count starts to rack up and the hunt is on for a killer while everyone else tries to get away with the loot.Sure, this movie is obviously low budget but it's still a lot of fun. The locations are nice, the dialogue is suitably trashy, it's pretty well directed and plot-wise it's watchable right to the end. And where else can you see one time Fox Amazon Mansfield hareing round a desert island with mad hair and a black eye? Recently re-released on DVD with some tasty extras this movie is well worth a look and proof, if any was needed, that Mansfield's post Fox film period wasn't totally devoid of gems.