Dotsthavesp I wanted to but couldn't!

Matialth Good concept, poorly executed.

TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

illeatyourdog Those individuals familiar with Asian cinema, as a whole, are aware that Japan is renowned, or notorious, for it's hyper-violent films and Korea is now garnering a reputation for viciously brutal films. Dog Bites Dog, while not necessarily getting as hyper-violent as the craziest Miike film, nor is it as unapologetically brutal as some Koreas more ambitious efforts, it is a perfect in between with its own brand of brutality all it's own. The greatest strength this film has though, like the greatest of the Japanese or Korean efforts, is that the brutality, rather than detracting from the film, actually develops the characters, if not, pushing the story forward. The two main characters are both incredibly vicious individuals with their own motivations and emotional underpinning for being as such. Sam Lee's character, for instance, is on the edge from the very start and slowly and surely, amidst various encounters with Chang's character, it is revealed why he is. Without spoiling this part of the story too much, it involves the morally ambiguous nature of his father. Chang's character, on the other hand, has his most primal instincts honed to, if not perfection, brutal efficiency. Surprisingly, Chang's story arch, while not necessarily revealing a more human side, actually reveals a side to our animal nature which many forget about which is the natural ability to recognize a fellow broken animal (and no I am not talking about Sam Lee, rather Pei Pei's garbage dump girl character). Ultimately however, for the first 80 minutes or so, it is a, more or less, straight forward cat and mouse, or Dog chase Dog, film in which every encounter ends in at least one death (seriously, once Sam Lee and Chang Square off, some one will die) and the fun part of movie is you never know who hands will commit the act. Which brings us to the film's one weakness. Unforunatley to delve into it would be yet another spoiler but, to put it simply, it is guilty of pushing one of the main points of the film since, rather then letting the point be made as is 80 minutes into the film, the film goes on for another 20 minutes or so to further emphasize it. Don't get me wrong, if transitioned better from the 80 minute mark to the climax and if the final act wasn't filled with sweet music (in fact if it, like the majority of the film, kept the music to the barest minimum and let the disturbing sound effects do their job), it still could have worked and not detract from the film. As it is though, despite the third act having the most vicious and bloody of the encounters, the way it was handled made it feel tacked on, and almost, insults the viewers intelligence since it felt it had to go this far to get it across. Nevertheless, it is still a breath of fresh air from Hong Kong cinema since even the most bloody of the martial arts films never reaches the level of viciousness and brutality while keeping the the character archs in tact.

slake09 All the good reviews you're reading - those are from big HK cinema buffs, and they are correct from their point of view; it's a lot better than the majority of the cop/gangster films coming out of HK. The plot has already been reviewed, so I'll skip that. It's enough to say that this film does have a plot, much more so than I expected.On the other hand, this isn't some fine piece of film making compared to what's available from the rest of the world. The characters are so totally unbelievable it will make you cringe. Informers are always scared wimps to be slapped around, cops are tough guys who do the slapping and the hit man is a super tough bad guy who talks little and kills a lot. If informers were so easily intimidated, why would other criminals have anything to do with them? If cops were that uniformly brutal they'd be arresting each other, because no one else would live in such a society. The hit man in this case at least had an excuse for being taciturn and psychotic.If you really like Asian cinema, especially HK cinema, then you'll like this one a lot. If you're not a big fan, better go rent something else.

thegirlwhogotoverit Dog Bite Dog isn't going to be for everyone, but I really enjoyed it. Full of slapping, stabbing and shooting (but don't worry – the lead's a terrible shot), it can best be described as a violent romp through Hong Kong and Cambodia. Edison Cheng plays Pang, a Cambodian assassin in town to kill a barrister. Despite being filthy from his journey, he's almost immediately seated at a huge table in the middle of an obviously expensive restaurant. If this sounds wildly implausible to you, you should probably avoid this film. It acted as my cue to suspend disbelief, and I had a lot more fun for it.Chasing Pang down is Wai (Sam Lee), a young, edgy cop who likes to smack people around almost as much as he likes to smoke. Wai walks a fine line that has Internal Affairs investigating him, and his father, a legendary Good Cop, is in a coma following a drug deal that went south (the implication is that Wai is letting his father take the rap for his own corrupt dealings).There are a car crashes, lots of killings, and a strange and awkward love story on offer here, all played out in almost comic-book style. I suspect the humour was deliberate (nobody uses gargantuan concrete bludgeons without an eye for the extravagantly absurd), though the over-the-top nature lost a number of my fellow audience members. There are at least three points where the film might have ended, and at 109 mins it may have benefited from more ruthless editing, or the deletion of one of the narrative threads (the light-hearted stuff worked well, so I would have left out the interactions with the three fathers).I'm inclined to give it a (high) pass, however, if only because of the ending – I've rarely heard so many people laugh so loudly at what should have been a poignant moment. This is one to see with a group of friends who love the ridiculous

Coventry It's remarkable and quite praiseworthy how writers and directors continue to make great movies out of one of the oldest and most (over)used story lines in cinema! "Dog Bite Dog" is basically not much more than just the simple story of an lone copper obsessively chasing a brilliant criminal, only Pou-Soi Cheang distinguishes his film from the rest by being extremely violent & relentless. This is unquestionably one of the grittiest and most uncompromising movies I've ever seen, with an atmosphere of constant nihilism and characters that seem to come walking straight out of hell! Not even the installments in Chan-Wook Park's trilogy of vengeance (with the exception of "Oldboy", perhaps) or any other infamous Cat-III film ever released were as sadistic and brutal as some of the events depicted in "Dog Bite Dog". Pang is a young and ruthless Cambodian assassin who lands in the crowded streets of Hong Kong to eliminate the wife of an eminent judge in a restaurant. When the police arrives at the place, young officer Wai sees how Pang hastily flees from the scene of the crime and follow him. The first actual confrontation between the two rabid dogs results in a gigantic blood bath, as Pang mercilessly kills several hostages and even Wai's long time friend and colleague. From then on begins a thrilling and action-packed cat and mouse game between the frustrated cop and the professional killer. The latter also saves a young girl from the constant sexual abuse of her father and stays with her at her shed in the local garbage dump. What makes this routine action/thriller so fascinating (apart from the explicit violence) are the main characters' backgrounds! Pang, the hit-man, is a Cambodian orphan and has been trained to fight & kill for money ever since he was a child. He knows no restrictions, has no mercy and barely speaks a word. Wai, the cop, became particularly ruthless and unorthodox ever since his role-model father (also a cop) lies in a coma after a drug-related incident. Lai doesn't question suspects and witnesses; he yells at them and he's prepared to sacrifice everything in order to stop his brand new nemesis. People with a weak stomach or tangled nerves are advised to stay away from this film, because the cruelty and shocks featuring in "Dog Bite Dog" can easily cause nausea. It's not the type of violence where bloodied heads and chopped off limbs fly through the air, but more like the intense and utterly disturbing type where people attempt to crush their opponents mentally as well as physically. The filming locations are effectively dark and eerie and the extremely sober music makes the already harrowing tone of the movie even more petrifying. The performances are terrific! I wouldn't be surprised if Edison Chen and Sam Lee treated each other like enemies on the film set as well, because their on screen hatred and disgust feels a little too legitimate. "Dog Bite Dog" is a powerful and unforgettable film, highly recommended if you can stomach it. If you fear you can't, just wait a few years for the inevitable American remake which will unquestionably soften the premise a little.