Stevecorp
Don't listen to the negative reviews
Spidersecu
Don't Believe the Hype
ThedevilChoose
When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Paul Magne Haakonsen
"Divergence" ("Saam Cha Hau") is a fairly average action thriller from director Benny Chan. So don't expect any major revelations or eye-poppers here.That being said, then "Divergence" is still a good movie, because it takes a well-used formula and manages to get something good out of it, and the movie is entertaining.The story is about policeman Suen (played by Aaron Kwok), assassin Koo (played by Daniel Wu) and lawyer To (played by Ekin Cheng) whose paths are intertwined and get trapped in a race against time.Initially, there is nothing new to the story, but Benny Chan still manages to tell a story that is entertaining and thrilling. And there are some pretty good visuals throughout the movie.As for the acting, well Daniel Wu really carried the movie here, and far outshone both Aaron Kwok and Ekin Cheng. As for Aaron Kwok, then he really didn't shine through in this movie and sort of just seemed to be running on autopilot. And Ekin Cheng wasn't really given enough time on the screen to fully make an impact."Divergence" is good entertainment if you enjoy action thrillers, just don't expect to get dazzled.
lastliberal
Not the slam bang police action of Infernal Affairs (the original, not the ripoff), but there is enough action to make it worth your while.It focuses more on the characters and their relationships: the cop, Suen Siu Yan (Aaron Kwok, the hit man, Koo (Daniel Wu), and the lawyer, To Hou Sun (Ekin Cheng).Suen has been looking for his girlfriend Amy for 10 years. To's wife Su Fong (Angelica Lee) looks like her and actually plays two parts, one in flashback. He acts like a stalker as he follows her everywhere.Eric Tsang from Internal Affairs is here, but he is a cop in Missing Persons, not a mobster.Kwok and Wu are great, and the action is good at times, but there just doesn't seem to be something that brings it all together.
sirkevinho1
After Aaron Kwok won the Golden Horse, the Taiwan's equivalent of the Oscar, for best actor, I got interested in this movie to try to figure out how this pop star who was considered a long shot by many people won the prestigious award. The first impression I got after I finished was, and I remembered clearly, sitting at my sofa, staring at the blank TV screen for a couple of minutes, and saying, "What just happened?" No, I was not blown by it. The opposite occurred. I was confused.The movie was a typical Hong Kong movie, with the usual grittiness and stylishness. It had its moments, but sometimes, for some strange reason, it felt slow. Maybe there was not the ridiculous amount of gunfire, car chases and explosions that we viewers of Hong Kong thriller films are most familiar with and what I am most fond with. Maybe the love line story was so unnecessary that it dragged the movie down. Whatever the case, the mysteries and the search for the truth got my attention and got me excited...till I reached the twist. The twist right before the ending was a little surprising, but in retrospect it became obvious because too many clues were given that even a 2 year old could guess it (not recommended for 2 year olds- they are too young to be subjected to bad films). Still, it could be forgiven because an effort was made and it was a decent twist, no matter how predictable it was. However, here was what killed the moving- the ending. Nothing good could be said about it. It felt like they were trying to make this movie sophisticated by leaving so many questions unanswered. The problem was, those questions were not rhetorical or philosophical questions that might make one reexamines one's life. Instead, those questions were questions about the plot; the ending made the writers look stupid and left the movie feeling unfinished. Not enough clues were given in the film to help the viewers to try to answer the questions that were left. I tried to answer those questions, but after a few moments of pondering, I gave up and started swearing at the writers for wasting almost 2 hours of my time and the favors I have to pull to borrow this movie. There was no way to answer them and it was dumb to even try.I could not say nothing good came out of this film. I finally understood the formula for the voting panel at the Golden Horse Awards. 2 words: star power. The guy was once part of the legendary 4 kings of Hong Kong pop music and even though the status had became history and he was struggling for the past few years, he still have draw power. Letting him win would be a feel good story and let people talk about it for days; it could boost popularity for the show, which saw its ratings down from last year and had been on the down side in recent years. This was not to put down Mr. Kwaok. He did a good job and it might arguably be the best performance of his career. However, compared to the other nominees, his performance still felt weak. I guess everything was for the ratings.My only advice: do not watch it just because Aaron Kwok won the Golden Horse for it. It is a meaningless piece of work and your time would be better devoted elsewhere.I give it 6/10, because an effort was made and only the ending sucked.
Harry T. Yung
Considerably better than movies in the same genre such as director Benny Chan's own recent New Police Story, "Divergence" would still come under the categorisation of "flick" in my book, albeit a fairly good one. One reason would be Ivy Ho's ("Shore West") script which is usually reliable. "Convergence" apparently is her first "macho" screenplay. The mission is to tie together the stories of three men, each at a cross-road, played by Aaron Kwok, Ekin Chang (sort of reunion of the Wind-Cloud duo from Storm Riders) and Daniel Wu, through a woman played by Angelica Lee. On the whole, the job is quite well done, with a reasonable degree of coherence, although it is not difficult to point to logical gaps, predictability and coincidences that really stretch one's imagination.At the end of the day, this is still an action flick, but one with more emphasis on the story line and character depiction. Some of the action sequences still reach jaw-dropping proportions, such as Kwok chasing Wu on the elevated freeway in the middle of brisk traffic, or a massive truck coming literally within inches of Kwok's body lying on the road. All these become even more impressive when you hear director Chan intimate in a radio interview that Kwok did not use any stunt replacement for these shots.Trying to keep this report spoiler free, I wouldn't delve into the characterisation other than saying that there are generally good efforts, with varying results. I would say though that TV superstar Lo Kar-leung outshines the three principals, while talented Angelica Li is underused. As usual for Hong Kong movies, the ensemble of "regular" supports is always a joy to see. In Divergence, we have Lam Suet, Jan Lam Hoi-fung, Sam Lee Chan-sam, as well as inimitable Eric Tsang Chi-wai. There's also Ning Jing showing her worth by demonstrating that she is just as alluring in her shaved head.
