Exoticalot People are voting emotionally.

Aubrey Hackett While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Janae Milner Easily the biggest piece of Right wing non sense propaganda I ever saw.

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

ksf-2 Robert Milton directed all of eleven films, and this was somewhere in the middle. Ann Harding stars as the prim and proper governess, who is only taking the job to be near Mr. Trent, a successful lawyer. Trent is played by Leslie Howard, who is slow to catch on, even when he is introduced to "the governess" out of costume, and without her wig. Harrington is played by Robert Williams, who would die quite soon, after making "Platinum Blond" with Jean Harlow. It's all well done, but moves quite slowly. There are complications, of course, and nothing is easy. Enjoyable enough, but so predictable. Harding was nominated for her part in Holiday; Howard was nominated for TWO oscars. and the awesome Alison Skipworth is in here as Mrs. Coggins... she had worked with W.C. Fields in FOUR films! great cast!

mysterv An enjoyable movie if you can suspend belief that Ann Harding can disguise herself as an older woman. Thankfully the story moves on beyond that concept. I found the Robert Williams role to be the most interesting part of the film and why I would recommend it, beyond that it does star Ann Harding and Leslie Howard. Without going into the story too much he plays a character that we do not know whether to like or not. There is a lot of gray in who he is. The same can be said for the Leslie Howard character. I have watched a number of movies from the thirties and this is one of the ones that I would recommend watching if you have a chance.

marcslope Ann Harding disguises herself as a dowdy nanny--tough job, and she doesn't quite bring it off here, she's too youthful and pretty--to be near barrister Leslie Howard, likably doing one of his oh-so-British-gentry romantic leads. It's the lightest of trifles, with some lapses of logic, and after the deception is revealed, the movie drags on needlessly for a half an hour or so. But Harding's always a pleasure to watch, even if she doesn't quite convince in either of her British (Mayfair and Cockney) accents. And a plus, as noted by others, is Robert Williams, who's so marvelous in "Platinum Blonde." He had a Spencer Tracy down-to-earth quality that shines here, and he's a natural light comedian (though his character's somewhat off--are we supposed to like him or not?). Nice production values, amiable supporting cast, and was there ever a greater year for clothes than 1931?

sobaok This is a charming, sweet, sometimes clever love story of a barrister and the lovely, dutiful daughter of a well-to-do family in London. Ann Harding wants to get from the grip of "family" (she's sort of a Cinderella here) -- leaves while they are on a holiday and disguises herself as a nanny named Mrs. Halifax. She is hired by Howard who has a small boy (likeable child actor) to look after the boy. Howard almost recognizes Harding beneath her "wig" but it takes a few days before he puts "two and two" together. There's all sorts of great old character actors (Alison Skipworth) who brighten the film with some earthiness before it floats away with ethereal Ann's delicate manner and beauty. One of the charms of a Harding film is looking at her shimmering blonde coiff. Here it's hidden half the time -- but she is quite wonderful in her part and the emotional charge of the story-line is sweet, heartfelt and reminds us of a lost innocence that used to be in early cinema -- that was really lovely.