Unlimitedia Sick Product of a Sick System

Lucybespro It is a performances centric movie

Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

flinched An opera singer calmly walks thru a large room inside a beautiful piece of architecture, a deserted and dilapidated building being devoured by nature. His beautiful song bounces off walls littered with graffiti. Broken windows, piles of rubble, lost jobs, a city in decay, nowhere to go but up, welcome to Detropia.This movie briefly takes us around Detroit and into the hearts & minds of its sparse population. We see that the only thing surviving and thriving is the indomitable spirit of its citizens. Most documentaries take the approach of inundating us with information. Don't expect to talk to economic experts or politicians, we talk to the ordinary citizen. We watch them live with their difficult day to day existence as they watch the city decay around them, all the while trying to understand complex causes to a complex problem. Solutions seems so distant all they can hope for is a miracle.Detropia shows the viewer a microcosm of the human condition through conversations with ordinary folks amidst a sea of ruins. The lovely cinematography continuously compares and contrasts beauty with ugliness, despair with hope. We see small flowers growing among the rubble, a bird rests upon a heap of garbage, people smiling and clinging to what little joy they have as they struggle to make ends meet.This is a wonderful and calm film that will require the viewer to have patience and be in a sombre mood. Expect sadness tinged with brief glimpses of hope and the answer to the question of whether your cup is half full or empty. I'm left with the feeling that the spirit may be strong in Detroit's citizens, but the realities of the world are slowly crushing them. Let us hope the spirit conquers all.

R H All I ask for out of a documentary is that it teaches me something and makes me feel. Although Detropia doesn't belong in the trash heap, it did not live up to these simple expectations I have put in place. Detroit definitely has an interesting story; in the 1930's it was one of the most populated states in the country, certainly the easiest place to find a good job. Slowly (with the passing of NAFTA in the late 90's- thanks Clinton) jobs left, followed by people. Detroit has seen the largest mass exodus in the country. The film informs us that almost 10,000 houses per month are torn down because they have been abandoned. The city is in ruins. I thought this would make for a good documentary.First of all, why is the city going through such problems. I think the directors blame the North American Free Trade Agreement, which is fine because it's probably true. However, they assume that the viewer knows all about NAFTA and exactly how it effected the Detroit auto industry. All they explain is that NAFTA happened and CEO's moved their jobs to Mexico, which caused factories to shut down. I would have appreciated a little more depth into NAFTA; maybe a 90 explanation of why NAFTA meant that companies could move down south, why it passed, who was for it, who was against it? Maybe an interview with a proponent and an opponent. Maybe try to get in touch with spokespeople from these companies. Instead we are left having to pause the movie and do our own research.As a drifter in his early 30's, I'm interested in cities like Detroit. I think places like this are where the revolution is gaining steam. The documentary spends a few minutes describing what is happening. Very briefly they say that there is a plan in the works to move people who live on the outskirts into the city, in order to create more density. Then, they would convert the outlying area to potentially urban gardens. This is a fascinating idea, revolutionary even, yet that's pretty much all we hear about it. We are shown clips of what appears to be a town hall meeting about the proposal, and then we hear three elementary school dropouts saying, "they be playing gardens? That's dumb yo. People be shooting each other over tomatoes." That's it. That's all we're told about the future of Detroit.Finally, I understand that a city that poor obviously has a pretty dismal education system (although that doesn't explain why the older people, who lived most of their lives during the boom, are also dumb as cow poop), but surely they could have found someone to interview who had the ability to put together intelligent sentences. The main characters are a video blogger (the closest of the bunch to an average IQ), a burned out owner of what appears to be a Blue's club, and a union leader/pimp. Are there no professors? Are there no community groups? Talk about lazy; it seems like the directors had a few friends in the area and interviewed them. Or maybe they just found the first few people they saw, and mic'd them up. Regardless, the documentary sucked. The only positive is that I'll now to more research on the city.

David Ferguson Greetings again from the darkness. Admittedly, I am tough on documentaries. My expectations are quite high. Reason being, documentary filmmakers need not be burdened with fluffy entertainment requirements. Instead, they can tell a story, debate an issue, or expose a wrong. Wasted opportunities annoy me.Have you heard anything about the economic hardships in the city of Detroit? Of course you have. It's been a story for more than two decades. So a documentary "exposing" the hardships in Detroit should at least offer a different perspective, debate options, or discuss the challenges of progress. Otherwise, it's a wasted opportunity, which is what we have here.The film is beautifully photographed and very well put together. It's just missing a reason to exist. It's a clump of different pieces that don't fit and provide little insight. We get a clueless local union president who is clinging to the past and offering no help to his constituents. We get some obscure video blogger whose main credentials seem to be that she lives in Detroit and has her own camera. We get a couple of guys sitting on a front porch making fun of any efforts by local officials to develop solutions.There seems to have been a very narrow focus on choosing who to interview. At least Tommy Stevens, a local bar owner, is an interesting guy to follow around. He holds out hope that GM will open a Chevy Volt plant and spur business at his club, so he can re-hire his cook. His hopes are dashed when he attends a local auto show and finds out that China has an electric car that at a significantly lower price than Chevy. He recalls the days that stubborn US automakers refused to acknowledge upstart Honda in the US.We are offered brief glimpses into some type of town hall meeting and the absolute rejection by the union of the "last" offer from American Axle. We are shown a few clips from inside the Detroit Opera, which the Big 3 automakers continue to finance. Lastly, we are introduced to a couple of young artists, who are part of a growing trend of relocations to inner city Detroit to take advantage of the low rents and low housing costs.All of the above are interesting enough, but again, it's been two decades and we only get one angry lady spouting off about Mayor Dave Bing's seemingly appropriately creative idea of consolidating the outlying areas into a smaller geographic area, so the city can provide services for its citizens and start the process of healing and growing.There seem to be two real issues worth analyzing. First is the unwillingness of so many to accept that change has already occurred ... so fighting change is a lost cause. Your city is broke. No need to make things worse. Secondly, looking into the true cause of the downturn could lead to interesting discussions of greed. Corporate greed as well as the greed of the people. The Chinese can make a car (and TV's, washing machines, etc) so much cheaper because they are not holding on to our standard of living. Detroit has been called the birthplace of the middle class, but just what is that definition today? These are some of the discussions that need to be had. Just one more look at houses being torn down and empty hotels ... all with the shiny GM towers in the background ... is just a re-hash of what we already know. So yes, the wasted opportunity has me annoyed.

elijah-davidson Detropia is a documentary focusing on the city of Detroit. The film explores the lives of a few of the city's residents including an auto worker's union leader, a night club owner, a blogger/waitress, the city's mayor, a young artist couple, and a few yon men who salvage scrap metal from dilapidated and destroyed buildings. The film lacks a strong narrative push as a whole and in the lives of the individuals it examines. Instead, Detropia acts as a snapshot of the city as a whole zeroing in on the problems facing the dying megalopolis.I adore documentaries like Detropia that focus on a place more than a specific person or problem. I always feel like I'm being allowed to wander the streets and observe the day-to- day lives of the people who inhabit them. It's cinematic people watching, and it's more intimate than I could be in real life. (Wandering city streets and interacting with random people is one of my favorite real life pastimes as well.) I don't think that anything really exists beyond people and relationships. Every city, government, company, church, or civic organization is really just a collection of people mutually committed to perpetuating their relationships with one another, and so I seek the truth of a place in the lives of the people who live there.Detropia doesn't really offer any solutions to Detroit's many problems. Instead, it focuses intently on what is broken and on the small glimmers of hope shining in the lives of the people trying to ensure the city's survival. I was particularly moved by the twenty-something artists who have moved into the abandoned city center to try to fill that decrepit place with life. In an obviously staged, but nonetheless poignant moment of the film, an opera singer explores an abandoned, graffiti-ridden train station. Standing in the main hall, he begins to sing, and his voice inundates that broken place with beauty which floods out across the city. I'm a Christian, and filling what's broken with beauty, making all things new - that's how I understand the gospel of Christ. For me, Detropia leaves no doubt that Detroit needs people committed to that kind of gospel to fill it with beauty again.