SoTrumpBelieve Must See Movie...

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Mandeep Tyson The acting in this movie is really good.

JohnHowardReid Copyright 18 August 1954 by Universal Pictures Co., Inc. No New York opening. U.S. release: 1 January 1955. U.K. release: February 1955. Australian release: 18 February 1955. Sydney opening at the Capitol: 18 February 1955 (ran one week). 8,544 feet. 95 minutes. SYNOPSIS: Mild-mannered deputy tackles the crooked saloon owner of Restful.NOTES: Third version of the 1930 Max Brand novel. Tom Mix starred in the 1932 movie, directed by Ben Stoloff from a script by Richard Schayer, with Claudia Dell as "Frenchy". This latter part was a natural for Marlene Dietrich in the 1939 version, directed by George Marshall no less. James Stewart was also perfectly cast as Tom Destry.VIEWER'S GUIDE: An unsavory fight between two women plus the usual "A"-western violence make this film unsuitable for children.COMMENT: While it is not a patch on the 1939 movie, Destry emerged in 1994 (the first time it was shown in color on local television) as solid entertainment. (It has since been re-broadcast many, many times). Audie Murphy makes a most suitable Destry, and there are equally sound character portrayals from the likes of raspy-voiced, crookedly smiling Lyle Bettger (our favorite heavy of the 1950s — and cast here in a major role), venal Edgar Buchanan (always a reliable player, but we like him best as the sort of frighteningly comic, seedy villain he plays here), Wallace Ford as a henpecked medico and Alan Hale as a brawny but not over-bright trail boss.As for Mari Blanchard, she plays well enough, but lacks the gusto of her dubbed singing voice. Overall, she has little charisma. Although adequately attractive, there's nothing to distinguish her from any other well-trained Universal starlet.The movie has been appealingly mounted in sets and costumes. Marshall has directed with pace and reasonable style. The climactic shoot-out is excitingly staged. And there are plenty of extras milling around. The script is suspensefully plotted, interestingly characterized and crisply dialogued. All told, despite comparisons with the 1939 movie, this re-make is nonetheless well worth seeing. P.S. I didn't mention Lori Nelson because her role is small. As for veteran Thomas Mitchell, he has the sort of role he can play standing on his head.

Tweekums When a man claims that he has been cheated out of his ranch in a game of poker by saloon owner Phil Decker the Sheriff goes to investigate; at first Decker seems reasonable even saying that he will return the man's ranch but as the sheriff turns to leave he is shot in the back. The town is clearly in Decker's pocket or terrified of him as the doctor certifies that the sheriff died of a heart attack and the mayor appoints Reginald T. 'Rags' Barnaby, the town drunk, as his replacement. What they didn't suspect was that Rags would take the job seriously; swearing to stop drinking and appointing Tom Destry, son of a legendary no nonsense lawman, to be his deputy. Rags is in for a disappointment when Destry arrives though...he emerges from the stagecoach unarmed and carrying a birdcage and a parasol! Decker's heavies have a good laugh when they see him; clearly he has made a poor first impression. He isn't quite the joke everybody things though and when he hears rumours about the old sheriff he starts to investigate; asking the right questions and even collecting bullets for a forensic examination. Inevitably though he will eventually have to strap on a gun and face Decker the old fashioned way... a western can't just end with an arrest! As well as having villains to deal with a western needs some potential love interest and here it is provided by Brandy; the saloon singer who helped Decker cheat at cards and Martha Phillips the nice girl he is clearly 'meant to be with'.As I've yet to see 'Destry Rides Again' I can't say how this compares but I did find this to be an enjoyable western; Audie Murphy is ideal in the role of the soft spoken Destry as he doesn't look like a traditional Hollywood tough guy despite an actual war record that proves he was more heroic than better known western stars. It helps that he was supported by s fine cast Lyle Bettger is suitably unpleasant as Decker, Thomas Mitchell was entertaining as Rags and Mari Blanchard was just right as Brandy; the bad girl who might just come good. There isn't a huge amount of action but what there is is pretty good and there is plenty of tension as we know our hero is unarmed most of the time.. there is also a rather entertaining fight between Brandy and another woman that ends with both of them getting soaked when Destry pours a bucket of water over them. With a good story, solid action and a surprising number of laughs I'd say this is well worth watching if you are a fan of the genre and a must see for fans of Audie Murphy.

alexandre michel liberman (tmwest) This is an outstanding Audie Murphy western. Directed by George Marshall who also directed the 1939 version this film manages to be as good with a slightly different, more dramatic style. Audie is an ideal Tom Destry, with a young boy's face and stature, but with self confidence. Mari Blanchard as Brandy has the talent and looks. The film reaches its high point when Murphy is made fun of by the bad guys at the saloon and replies by showing how he can handle guns. The final shootout is excellent with Murphy and Lyle Bettger seeing each other though a mirror. Probably because Audie and George Marshall made many average films, Destry did not get the praise it deserved from the critics.

zardoz-13 World War II hero Audie Murphy assumes the role that western icon Tom Mix created in the 1932 black & white version of Universal Studios' "Destry Rides Again" and that James Stewart recreated later for director George Marshall in the black & white 1939 remake "Destry Rides Again" as an easy-going lawman that prefers to ask questions first and sling lead second in the Technicolored rehash retitled "Destroy," ostensibly based on Max Brand's novel "Twelve Peers." There is a mite more irony in the casting of Murphy as a deputy sheriff who guzzles milk rather than liquor and shuns shooting irons than either Mix or Stewart. Basically, Murphy earned more medals during World War II on the battlefield for killing German soldiers as a U.S. Army infantryman than anybody else. Murphy squares off in this flavorful comic remake with actor Lyle Bettger, the epitome of 1950s' western villainy who went on to lock horns with the likes of Burt Lancaster in "Gunfight at the O.K. Corral" (1957) and Clayton Moore in "The Lone Ranger." Bettger fares even better as the smiling but slimy varmint that mustached Brian Donlevy played in "Destry Rides Again." The same cannot be said for raven-haired beauty Mari Blanchard who cannot hold a candle to the volatile Marlene Dietrich from the 1939 version. Interestingly, Donlevy's owl hoot went by the handle of Kent, while Bettger was named Decker, and Dietrich was called Frenchy whereas Blanchard was named Brandy.As the infamous Phil Decker, Bettger establishes is villainous credentials early on when he swindles a rough-hewn homesteader, Henry Skinner (Walter Baldwin, the original Floyd the Barber on "The Andy Griffith Show") out of the deed to his ranch in a rigged poker game. Decker does this with the help of saloon siren Brandy who splashes steamy hold coffee on Skinner so he is distracted long enough to have his ace-in-the-hole card switched for a lesser card. When the outraged Skinner tries to reclaim his IOU from Decker, Sheriff Joe Bailey (Trevor Bardette) intervenes. However, Bailey gets gunned down for his noble efforts when he turns his back on Decker's henchmen. Once the sheriff is dead and cold, the Honorable Hiram J. Sellers, Mayor (Edgar Buchanan of "Texas") follows Decker's wishes and swears in the town drunk Rags (Oscar winner Tomas Mitchell of "Stagecoach") as the new sheriff. Determined to clean up the crooked town of Restless, Rags recruits the son of legendary lawman, Tom Destry (Audie Murphy) to help him. Rags expects Destry to behave like the pistol packing image of his father, but Tom disappoints him when he arrives in town with no guns. Surprises galore ensue once Tom pins on the badge and appears to be aiding and abetting the greedy Decker.Although he never displayed a broad range of diverse roles as an actor, Audie Murphy acquits himself more than adequately with a personable performance. Director George Marshall doesn't let the momentum lag in this cheerful, upbeat oater for a minute. The finale in the saloon with Murphy swapping lead with multiple villains maintains the best western tradition in this clean-cut, freshly laundered 1950s sage-brusher. Lori Nelson as the good girl plays second fiddle to Blanchard's bad girl in this formula western, but she manages to rope the hero into her amorous embrace by fadeout. Alan Hale, Jr., who made a name for himself on CBS as the Skipper in "Gilligan's Island" lends solid support as a trigger-happy cattleman. "Destry" gives remakes a good reputation.