Desire Me

1947
6| 1h31m| NR| en| More Info
Released: 31 October 1947 Released
Producted By: Metro-Goldwyn-Mayer
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
Info

A war widow falls in love with the man who informed her of her husband's death.

Genre

Drama, Romance, War

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Director

Jack Conway, George Cukor, Mervyn LeRoy

Production Companies

Metro-Goldwyn-Mayer

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Desire Me Audience Reviews

ReaderKenka Let's be realistic.
Dotsthavesp I wanted to but couldn't!
Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.
Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
blanche-2 "Desire Me" from 1947 was a troubled film, with everyone hating everyone else, and George Cukor having his name removed from the credits. If only some of that passion had been on the screen, we might have a movie to talk about.As it is, "Desire Me" is the old story of a French woman, Marise (Greer Garson) who doesn't know if her husband, last heard of in a work camp, is dead or alive. A friend of his, Jean (Richard Hart) comes to see her. Her husband Paul (Robert Mitchum) was his friend at the camp, and talked about Marise incessantly. Jean knows all about her, and he was kept alive by Paul's stories. He felt he just had to meet her. He breaks the news to her that Paul is dead. Yeah, and guess what.First of all, you can see this plot coming a mile away. Secondly, though we hear about this great love that Paul and Marise have, we don't see any of it in flashbacks, just their wedding. Third, Jean is such an obvious phony, determined to push his way into her house and life, that it's ridiculous.The name Richard Hart didn't conjure up much for me, and after seeing him in this, I know why. Sadly he died four years later, at the age of 35, which is awful. I would say he was completely misdirected in this. The character of Jean (my opinion only) should have been warm, sincere, helpful, without a hint of pushiness so that he can inculcate himself into Marise's life. Robert Mitchum ultimately doesn't have much to do. He spent most of his time eating sandwiches with onion and Roquefort when he had scenes with Greer Garson, whom he thought was stuck-up. Cukor and Garson fought, and Cukor left the film.For all that, the film is quite atmospheric, with enough dry ice creating fog that you almost couldn't see anyone.Greer Garson is good given the material.If you're a fan of hers, watch this film; if not, skip it.
dbdumonteil Why didn't they transpose the action to the USA? That said,George Cukor's vision of Britanny is not this false:this is a place in France where religion plays a prominent part and Maryse feeling guilt and attending the Pardons ceremony make sense ;besides ,one of the supporting characters is a priest ,Maryse 's confidant (and confessor).He preaches a fatalistic moral,claiming that anyway Renaud was born a loser and it was meant to be ! "Desire me " is a story with an atmosphere of mystery ;in Cukor's filmography,it's close to "gaslight" "keeper of the flame" (a character who is not what he seems to be,just like in "desire")or " a woman's face ".And ,as Britanny is a French region the culture of which is full of legends ,it's not a bad choice after all;Paul is a male Rebecca whose presence can be felt everywhere ,on the shadow of a wall,in a tune played on the piano (it's an old French classic called "Vous Qui Passez Sans Me Voir" = you who pass by without seeing me),or in the boathouse .The ball ,on the other hand ,features music which doesn't sound Breton folk at all,in spite of the costumes.Like this?try these..." Les Louves" Luis Saslavsky "Carrefour" (Bernard,1938) remade as "Le Retour De Martin Guerre" (Vigne ,1983) remade as "Sommersby" (Amiel,1992)
wes-connors Frenchwoman Greer Garson (as Marise) tells her psychiatrist about her complicated relationship with two men. In flashback, her story begins (mostly) with the arrival of handsome Richard Hart (as Jean) at her coastal cottage, in Normandy. Mr. Hart has some bad news and some good news for Ms. Garson.The bad news is that he informs her that handsome husband Robert Mitchum (as Paul) has been killed by Nazis. The good news is that he, Hart, has fallen in love with Garson, through the stories told by buddy Mitchum. Lonely, Garson catches Hart bathing, and invites him to stay. Of course, Mitchum returns… An old storyline, updated for war and psychiatry. This was supposed to be George Cukor's picture, but he left; and, nobody received director's credit. Still, there are some nicely shot scenes, thanks to a nice, albeit too foggy as the film progresses, location. Joseph Ruttenberg photographs Garson and the coast with love.**** Desire Me (10/31/47) George Cukor ~ Greer Garson, Richard Hart, Robert Mitchum
bkoganbing After seeing Desire Me, I looked in Lee Server's new book about Robert Mitchum. He was as unhappy as with the film as everyone else was in 1947. The film is set in postwar Brittany and it has to do with Richard Hart arriving in a small Breton fishing village. He's decided to look up Greer Garson who's the widow of a former buddy Robert Mitchum from a POW camp. He woos and wins her and then Mitchum shows up.I have to say that Mitchum, Garson, and Hart are about as convincingly French as Barry Fitzgerald. And the story is just something you want to shout to the screen, get it over with, the story just plods along so. For MGM the film location for Brittany was the California coast at Monterey. Another reviewer mentioned about Garson nearly being drowned with a sudden wave during a scene on the beach. I'm sure that caused her to lose interest in the film. Mitchum and Garson hated each other. In typical Mitchum fashion for what he felt was Garson's condescending ways, he used to eat sandwiches with onions and roquefort cheese before their closeups. That ain't a look of passion Garson's giving out with when you see this.Because Cukor got into a fight with Garson as opposed to Mitchum who was in on a pass from that inferior studio RKO, he quit the film. Mervyn LeRoy came on, Jack Conway came on, a few others did who had a spare moment or two and the thing was finished. Not a moment too soon.And NO ONE wanted to be listed as director. So the film was inflicted on the public without a directorial credit. My only question is, if this thing had turned out like Gone With the Wind which was another collaborative effort, who would have gotten the Oscar nomination for Best Director?