Artivels Undescribable Perfection

Stevecorp Don't listen to the negative reviews

Stellead Don't listen to the Hype. It's awful

MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

wes-connors In the opening scene, a young woman is beaten to death near her Brooklyn, New York apartment. For a variety of reasons, her screams are mostly ignored by an estimated 15 neighbors. Lead detective Raul Julia (as Nick Rodriguez) and co-starring officers John Ryan (as Dave Lambert) and Phillip Clark (as Johnny Bellon) have a difficult task. The police aren't even sure of the perpetrator's gender...This crime drama aired as "The Movie of the Week" on ABC during the fall roll out of the network's popular anthology series. It looks like a spin-off series was considered, but advertisers would not have been happy with several instances of adult story aka "pushing the envelope" content; one co-star has sex with a witness and a guest star is clearly noted to be a lesbian. The aforementioned trio of co-starring lawmen perform their roles very well. In the leading role as a single father cop from Puerto Rico, Mr. Julia is terrific. His daughter is played by child actress Helen Hunt...What really weighs the story down is an endless assortment of guest stars, special guest stars and cameos. There are so many familiar faces, they become a distraction. This is especially evident in the early scenes, when we see Edward Asner (once "Lou Grant"), Art Carney ("Ed Norton"), Diahann Carroll ("Julia"), Cloris Leachman ("Phyllis") and Nancy Walker ("Mrs. Morgenstern") in quick succession. Of these, only Ms. Leachman (as Audrey Singleton) has a subplot worth following. Also made relevant is Eric Braeden (as Kosinsky), later best known for "The Young and the Restless"... Later stars benefit from being presented in relative isolation. Far from "Gilligan's Island", Tina Louise is almost a show-stopper. Out of "Dark Shadows", Kate Jackson breezes by on a walk. Big brother on "Leave It to Beaver" Tony Dow and lesser known Todd Susman are very effective suspects. Not being identified with a TV role, Sally Kirkland easily blends into the story. Surprisingly successful at being one of the least showy faces is "Here's Lucy" daughter Lucie Arnaz.****** Death Scream (9/26/75) Richard T. Heffron ~ Raul Julia, John Ryan, Phillip Clark, Cloris Leachman

perryvalentino Above average movie based on the Kitty Genovese murder case of 1964. Kitty Genovese was a lesbian and so is the first murdered victim in this movie. Movie shows how callous people can be by ignoring a poor girl's murder. It is an all star cast, which has Dinahann Carroll as a potential suicide victim, Tina Louise as a lesbian, Ed Asner as a jealous husband, Cloris Leachman as nymphomaniac wife, Lucie Arnaz, Lucille Ball's daughter, as a potential murder victim, Art Carney and Nancy Walker play an older couple who ignore the murder. Kate Jackson has a nice cameo but this is clearly Raul Julia's movie. It is also nice to see Helen Hunt as a child actress and Tony Dow, Wally on Leave it to Beaver, in a scene as well. Sadly, this was a true case. Of all the cameos, Tina Lousie gives the best performance as the lesbian, ex-girlfriend of the victim, who is taking in to be questioned. What would Ginger Grant say? Enjoy this fun movie.

rsoonsa Loosely based upon the appalling Kitty Genovese murder in 1964, wherein young Kitty was slain in front of her Queens apartment building as 38 onlookers refused involvement, this made for television movie, originally a back door pilot for ABC that failed to achieve high enough ratings deemed necessary for further production, shifts the action to Brooklyn and lowers the crime witness count to 15, a more manageable number for a film in which primary emphasis is placed upon casting of "guest stars" in lieu of attempting a measured approach into socio-cultural connotations of the tragedy. Originally titled HOMICIDE, and a year later THE WOMAN WHO CRIED MURDER for its second television showing, this work was heavily publicized but its meretricious courting of an audience ratings advantage brought negative reaction from most viewers, especially those still mindful of the original dreadful crime, and it quickly disappeared from distribution lists, effectively excising an initial top billing appearance for Raul Julia, as a New York City homicide detective. From among the celebrity packed cast emerge noteworthy cameo performances, including those of Art Carney, Tina Louise, Cloris Leachman, and Lucie Arnaz who chose a plot climactic role rather than one offered her that involved more screen time, and there is a polished turn from 12 year old Helen Hunt, as well as a poor one from Diahann Carroll, with solid acting from Julia and, as his detective partner, John P. Ryan. Breezily generic dialogue is composed for the detectives in a script that is full of bromides, as is the jazz-flavoured score. The film is capably directed, but the shade of Kitty Genovese trivializes this effort, baring its failure to explore a crucial event in modern U.S. urban history.

Brian Washington This film was very loosely based on the Kitty Genovese case in which a young woman was murdered in front of several people and none of them bothered to call the police. The beginning is pretty interesting as the police go from door to door to try to find out what happened from the various residents of the neighborhood where the killing happened (many of whom were appearing on various television shows at that time including Ed Asner, Cloris Leachman and Nancy Walker). This starts out as an interesting study of human nature but soon it becomes just another cop drama as the killer starts attacking various women. One woman, who happens to be pregnant, is almost raped and another woman is raped and killed in the elevator of her apartment building. Too bad, though. It had the potential of becoming an above average "movie of the week".