ChanBot i must have seen a different film!!

TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.

Freeman This film is so real. It treats its characters with so much care and sensitivity.

Leofwine_draca DEATH IS A WOMAN is a second-rate British spy drama filmed in Malta to give it an exotic Mediterranean flavour. The story sees espionage taking place when an agent is shipped in to uncover a drug smuggling ring involving the transport of heroin shipments, and our man's job is to find out who's doing it and stop them in their tracks.What sounds like it should be a light and breezy affair is in fact plodding and unworkable, suffering from wooden male leads and a leaden pacing. There's a dearth of action to boot that makes this tough to watch at times, and it's only the Swinging Sixties trappings that saw me through it. That, and an exemplary female cast, all of whom parade around in their bikinis and look exquisite. Actresses featured include Wanda Ventham, Patsy Ann Noble, and the arresting Caron Gardner. Watch out for typecast heavyweight Michael Brennan's cameo as a murderous butcher.

malcolmgsw This film was distributed by Associated British Paths who were on their last legs as is evidenced by this abysmal film.This is the company that made many fine films in the fifties including The Dam Busters and Ice Cold In Alex.Now they were reduced to making films like this.It is a very pale imitation of the James Bond films.Notwithstanding the fact that there is some location filming on Malta it would seem that every expense was spared.The film is poorly written acted and directed.It is quite difficult to believe just how badly Patsy Anne Noble tries to act.It shows how desperate the producers must have been.It is also difficult to understand why the film was given an X certificate.Presumably the brief nudity qualified it.However this would have reduced its potential audience.Mind you that must have been small enough to begin with.

gridoon2018 So what do you expect from a movie with a title like this? A deadly femme fatale who kills repeatedly and without remorse? You'll get that....but only twice, at the start and at the end of the film. Patsy Ann Noble is perfectly cast, and she is equaled, if not surpassed, in the hotness department by the two other female cast members, Wanda Ventham as the good girl and Caron Gardner as a ditzy conquest for the bad guy; this film comes from the era where the thick, strong, curvy, healthy look was the "in" look for women. But the story, after setting up an intriguing locked-room mystery, meanders, the underwater scenes are - as usual - boring, and there is FAR too much screen time given to an old drunk character, who turns out to be of no consequence to boot - was this actor a friend of the producers or something? This film would have been better without him. ** out of 4.

lost-in-limbo Striking title… stunningly exotic Mediterranean backdrop… beautiful women led by the voluptuous, but venomous Trisha Noble. Other than that, this unusual 60s British spy drama while seductive is methodically languid and openly predictable in its murder mystery layout. Blackmail, murder, drugs, money and women. It's a shame the plot isn't as entertaining like its scenery and intrusively bombastic musical score, as it's quite a stiltedly talkative stop and go affair with much narrative distractions and suspicions, but very little in the way of sustained suspense and thrills. An undercover English agent is sent to the Mediterranean islands to investigate dope smuggling, but instead finds himself the main suspect in a murder case when that man he is investigating ends up dead. So he goes about trying to clear his name, by finding the killer/s. The suspects are there, but it's just trying to connect the dots to how they did it. Director Frederic Goode executes some stylish camera shots getting plenty of local flavour, but outside of those strokes it's safely mechanical all round. The cast give able performances with Mark Burns, William Dexter, Shaun Curry and Wanda Ventham. But it is indeed Noble who steals the limelight ("You must admit. She's quite a dish"). A hypnotic, if too laid-back psychedelic 60s spy fare."It doesn't matter who he is or who's he working for. He's trouble. "