Spidersecu Don't Believe the Hype

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

nightroses This has got to be a sad film based on a true story. It doesn't mean that everything in the film is exactly the same as true life events but there were some changes made. School is rife with friendships and bullies. Here there was no bullying, it was friends and the girl's own friends who did the murder. The true story is much more complex but the film itself focuses on the two BFF's and the arrival of a new girl. The new girl Ashley breaks apart the besties by choosing to befriend one of them and isolating the other. Also making her new friend not go on a date with this boy. The actress playing Ashley comes across as a very evil teenager who abuses her mother at home. As the film was based on a true story, it could've been told better with more realness, such as both girls plotting and planning to kill their friend. It made only Ashley the cold blooded killer while the other girl was reluctant. The only message in the film is not to trust your friends and don't sneak out at night without notifying your parents. The film could've added more updates on the outcome of the murderess' trials and the Skylar Law put into place because of this.

adriianna-40299 I'm a sucker for a good lifetime movie, and this is one! Took twists I wasn't expecting and was excited all the way through. If you more looking for a good lifetime movie, look no further!

wes-connors In the opening minutes a woman stumbles, apparently drunk, and tongue-teases the final droplets from a tilted bottle of cheap wine. She knocks over a lamp and falls down. Another woman appears, and reveals herself as a bratty daughter. She won't help her mother get off the floor. Later, we learn the very beautiful young blonde is Tina Ivlev (as Ashley Tralman) and her alcoholic single mother is Michelle Clunie (as Tina). As the credits roll, we switch to a campus setting in the Los Angeles area. High school seniors Brittany Underwood (as Jade Thompson) and Lexi Ainsworth (as Sara Cowan) are best friends forever (BFF). Into their Spanish language classroom struts Ms. Ivlev. She is attracted to Ms. Underwood and quickly maneuvers herself into the BFF twosome. Very quickly, the three have formed the "Death Clique" of the title and we wait to see who is going to die, if anyone...This story, written by Barbara Kymlicka and directed by Doug Campbell is supposedly "Inspired by true events." Hopefully, anyone connected to the actual individuals who "inspired" this TV movie have received apologies. The crime does not ring true...Of the main cast, Ms. Ainsworth does the best; helped by her smaller stature and youthful looks, she is able to appear convincing. Ivlev resembles a young Michelle Phillips with Faye Dunaway's attitude; she needs a star-making role. Underwood does her best with the part. Dependable mom Barbara Alyn Woods (as Lana) is routine but effective. Of the minor cast, Connors' Clayton and Weil are well-cast. The scene where Mr. Weil tries to undo Ainsworth's jeans is most memorable. Weil wiping her kiss off his mouth to end the scene was a nice touch. Director Campbell also helps the young women send subtle Lesbian signals; other than one bed scene, it's too shy for the millennium. And, there is no getting over the inadequacies herein. When police detectives walk into a classroom to make arrests, instead of having an administrator call suspects discreetly, you just have to laugh at the absurdity of it all.*** Death Clique (4/12/2014) Doug Campbell ~ Tina Ivlev, Brittany Underwood, Lexi Ainsworth, Barbara Alyn Woods

ray-280 In 2012, Skylar Neese was murdered by two of her friends; in 2014, her story was murdered by Hollywood. Some films are so bad they are good; this one is so bad it gives Below Utopia a run for its money.My ongoing prayer that Lexi Ainsworth won't make me look stupid by making my prediction of an Oscar for her within a decade or so just took a slight hit, but through no fault of her own. The fate of her character in the film appears a metaphor for the actress's true opinion of the material. Given absolutely atrocious writing, and a nearly-as-atrocious supporting cast, she did her best to save it, but the patient died anyway. In this film, Lexi is like the slow kid stuck at the doorbell after her friends rang it and ran way, leaving her to account for the sins of her peers.Sara Cowan (Lexi), Jade (Brittany Underwood), and new-girl Ashley (Tiina Ivle) form the titular clique, with one meeting the titular fate. The unattractive Ivlev chews the scenery as if she'd smoked six joints on an empty stomach on her way to an all-you-can-eat buffet. Her impact on the film is that of a nuclear weapon. The exceptionally hot Brittany Underwood reveals that she is a much stronger television actress who comes much more into her own with a long-term role. Her take on Jade seems to be that of "submissive lesbian stoner." As Sara, Lexi mails it in, but does so with first-class postage for a script she could easily have performed in her sleep. The best she could give is what she gave: an absence of even minor mistakes. Having seen both Underwood and Lexi on soaps for years, I know what each are capable of. The emotional range she displayed in the scene she turned in on GH when Mac killed Warren could have won film awards. With compelling material, and a competent cast, she'll shine, but this film has neither.Ideally, a world-class actress should be able to sit and wait for that killer script, but in the real world the bills have to be paid, and films like this have their place in the profitable true-crime niche, where the confines of the story tend to suffocate an actor's ability to take over a film. Rarely has this been made more apparent to me than here.