Deadland

2009 "The beginning of the end"
4| 1h47m| R| en| More Info
Released: 18 April 2009 Released
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Budget: 0
Revenue: 0
Official Website: http://www.deadlandthemovie.com/
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In the radiation-infected aftermath of World War III, one man's desperate attempt to find his wife in the wastelands that were once the United States inspires his fellow survivors to fight for humanity. The bomb has dropped, and in the blink of an eye, America has been plunged back into the Stone Age. Money is worthless, food is scarce, and those who once thought they were fortunate to survive the initial attack are now slowly being consumed from the inside out, the victims of an all-consuming nuclear scourge. ~ Jason Buchanan, Rovi

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Director

Damon O'Steen

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Deadland Audience Reviews

Mjeteconer Just perfect...
BallWubba Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.
Cooktopi The acting in this movie is really good.
Griff Lees Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.
Chris Woods if you see this movie, then buy it, just so you can destroy it so no one else can watch it. that's how bad this movie is. and don't bother with all the comments about what this movie could of been, it doesn't matter because it wasn't any of that. do not watch this movie, it is a waste of time. time you will never get back.so my review did not have enough lines. so i will explain more why this movie sucked. for starters the story line, although a good idea in theory, went no where, he spent half the movie walking around a forest, sometimes running, there was no character development, the acting was rigid and had no depth to it. the script was predictable and played out exactly how you thought it would.even the ending was more anti climatic then anything. this movie just failed to deliver on every aspect.
aaron_distortedreality I'm not sure the director, writers, actors, and crew really knew what they were trying to pull off here. thumbs up to the DP for a different over all look and feel, but its not original enough to separate it from other post apocalyptic films. this was little more then a "The Road" clone shot for thousands of dollars cheaper. the dry or highly overacted actors made me cringe more then the imminent danger and insanity of people left to survive the aftermath of such event. they don't seem to notice the currant situation of the destroyed world, other then some vague mentions of medication and the plague not hunger or radiation. its so over-dramatized in its flashback love story, but gives us nothing to find a connection with the characters so that we will care about their reunion. the cover of the DVD case delivers a different feel then what this movie even represents (main protagonist wearing a leather jacket, gloves and belt of shotgun shells wielding a sawed-off double barrel shotgun.) none of this ever is seen in the film. the protagonist never actually holds of fires a weapon at all. the reverse side of the DVD box has him firing an M-16 rifle, none such exist in the film. pictures of an abandoned city are seen on the cover and reverse. but the whole film is set in either the forests in Georgia or interiors set in L.A. Nevertheless this film is what is is, a low-budget version of "The Road" shaky at best. its bound to be some sort of low-budget cult movie.
Woodyanders Decent and determined survivor Sean Kalos (a fine and engaging performance by Gary Weeks, who also wrote the engrossing script) searches the harsh and barren wasteland for his missing wife Katie Johnson (a solid and appealing portrayal by the fetching Emily-Grace Murray) after a nuclear war devastates the country and causes civilization to fall apart. Sean runs afoul of both plague victims and brutal mercenaries and inspires hope in others he encounters during his odyssey. Director Damon O'Steen smartly eschews flashy pyrotechnics and mindless action to focus instead on a simple, moving, and involving human story. Indeed, this movie is given surprisingly substantial poignancy and dramatic resonance by the likable hero's touching and single-minded quest to be reunited with his beloved spouse. Weeks holds the picture together with his sturdy and charismatic presence; he receives strong support from Brian Tees as the scruffy Jax, William Katt as loopy code breaker Shiv, William Colquitt as the ruthless Commander Rufler, Davis Neeves as sweet and helpful prostitute Zoona, Harrison Page as wise underground resistance leader Red, Cullen Douglas as antsy worrywart Nathaniel, Chad Matthews as the conflicted P.O. Harris, and Brandon Waits as crude sleazeball P.O. Clarence. The moments of fierce violence are genuinely upsetting without being too nasty or graphic. The grim and desolate post-apocalyptic environment is plausibly depicted while the bright flashbacks are well integrated into the main narrative. Moreover, this picture makes an interesting point about the severe emotional price one pays to survive at any cost. The conclusion is very powerful and affecting. Rueben Steinberg's washed-out cinematography gives the film an effectively bleak grayish look. Patrick Morganelli's harmonic score likewise does the trick. A real sleeper.
Tom Most of the action of the film takes place 5 years after apocalypse in the forest. The main character who before the apocalypse was a cubicle worker survives 5 years in the forest and looks like just left the gym after heaving his hair trimmed. Neither his body or spirit are affected by the catastrophe. So maybe he is a superhero? Surprisingly all of the people are like that. As a result we have a fully nourished individuals chasing each other in the forest. Pretty much happy time? No, because there are a bad guys, paramilitary groups who supposedly rule the area, rape the women, take prisoners and have the cruel labor camps. Again the women kept by a the militants and gang raped multiple times look in the film like they just left the shopping mall on Saturday afternoon. The whole scenery as well as the plot make the film into something in between of Christian preachy film (with obvious not complicated characters) and porn (where people seem to be detached from the background they are put on). What could save the film? Probably more acting. It would be nice to watch a person trying to survive in the forest instead of a dude who just went for a walk to the park. Also women should have feelings, if not crying then with the mask of angry lesbian... anything.