Pluskylang Great Film overall

Brainsbell The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

DigitalRevenantX7 In the near future, the successor to the US National Guard, the TWF (True World Force) declares a state of emergency in a US metropolitan city due to impending earthquake & declares martial law, stating that anyone found on the streets without permission will be considered a looter & shot on sight. But there is no impending earthquake – a female alien has arrived on Earth for a vacation & is being hunted by the TWF, who are seeking to establish themselves as an authoritarian force. Two TWF soldiers, Weed & Payne, discover the alien, named Amelia, who looks human but has a genetic condition that causes her to change appearance every time she has sex, which she must do often since her species use sexual intercourse as nourishment in the same way that humans need food & that they are practically immortal. Weed falls in love with Amelia despite her polymorphic nature & being physically drained from the continuous sex, but the TWF's troops are getting closer to finding her. At the same time, a pirate DJ running an underground radio station discovers the TWF's plans for the alien & decides to marshal up all of his listeners – the street gangs prowling the city – to stop them.Dead Weekend is one of the more obscure entries in actor Stephen Baldwin's career, during the time before he became a born-again Christian & retired from this kind of schlock. The film also stars Tom Kenny as an underground DJ who acts as a sort of narrator (of sorts) on the situation & Nicholas Worth as the brash leader of the TWF.Dead Weekend is, when you come down to it, a softcore erotic drama / comedy / action thriller with an underground vibe that makes it interesting of sorts. But the film's script is frustratingly vague. We never learn what city the action is taking place in or even the exact time it is supposed to be occurring in, only that it's in the "near future". Joel Rose's script is also full of some howlers in the plausibility department – there is no humanly way that the National Guard would be replaced by some silly outfit calling itself the "True World Force" – the name alone would be laughed out of existence. It is also never clear how the TWF's scientists could detect an alien spacecraft entering the city or even what the alien looks like (I also found it hilarious that an underground radio station could accidentally hack into the TWF's communications network & overhear their leader's orders). Instead of displaying any superhuman abilities, the alien (named Amelia) only has the ability to feed off sexual intercourse & change her appearance every time she makes love. There is also a badly fumbled ending where Amelia carries her wounded lover to her spaceship before returning to the TWF soldiers standing in front of her & making some grand speech of how her people gain power from pleasure instead of destruction (which, if handled right, would be the closest the film gets to being profound).Having said that, Dead Weekend does have its uses. The film's low budget means that transformation effects are out of the question, even CGI morphing – instead the film simply changes actresses from one scene to another, a move that actually works better for the film since the continual replacement of Amelia's actress has an unnerving effect. The humour is a little on the haphazard side but Tom Kenny's motormouth delivery has its amusements.

amos-27 Yeah, well... where to begin. All apologies for those viewers who wasted precious moments of their otherwise entertaining lives to view my miscreation. Like all movies, it started with an idea, (to create an Ed Wood like-masterpiece) and then of course... spiraled downwards. My writing partner at the time, Joel Rose (a marvelous novelist) cranked out the screenplay in three weeks of uninterrupted laughter (fueled by a recently arrived kilo of Nepalese hash, flaky & pungent). Lo & behold, our erstwhile agent (Gaby) at the William Morris Agency soon had hooked a producer for this confection. Mind you, we were not wholly unaware of these guys' reputations as liars and thieves but... having my head on backwards, due to a certain addiction to a young Polish actress, I decided to proceed none-the-less. Fearlessness is often a positive thing, but in this instance, it was cause for more suffering than I'd had. In retrospect, my favorite part of the experience (and folk, it WAS a nightmare) was the fun Stephen Baldwin and I had under what I hope is the worst conditions to make a picture. If you can let go of your expectations, and check out Mr. Depp in the brilliant "Ed Wood", who's various concoctions inspired this, you may see the fun of this "awful" movie. Peace.

movieman_kev The least talented Baldwin falls in love with a shape shifting alien (the only vaguely interesting girl she turned into being "Honey, I Shrunk the Kids" TV show mom, Barbara Alyn Woods). His partner, Sledge Hammer is naturally against this. They both are members of the TWF & that military unit is after this alien under the public guise of looking for looters during an earthquake evacuation. The movie is horrid. Tough to believe that the year it was made Tom Kenny had the worst movie of his career, being this, and the BEST gig of his career, being on Mr. Show.Eye Candy: Afifi Alaouie, Jennifer MacDonald, Blair Valik, and Barbara Alyn Woods all provide boobageMy Grade: DWhere I saw it: Showtime Beyond

"Manos!" The people responsible for this masterpiece knew EXACTLY what they were doing! I can almost picture it: "What? No budget? Oh, well, let's have fun anyway!" It's as if the director used this flick as an opportunity to compile a resume' of styles (hence the random Homicide: Life on the Street camerawork in one scene), and the actors were just there for a good time. It's great.Set in the "not-too distant future", martial law has been declared in The City in leu of a looming earthquake. However, the earthquake is merely a ruse, a story fed to the public so the TWF (True World Forces) can capture an alien spotted over the city some few days earlier. A TWF agent runs into the alien (a *hottie* who can change her apperance, while always remaining - of course - a hottie), and the two go off and, um, compare their respective physiologies (yeah, that's it). Other things happen, too, but who pays attention to plot nowadays?The effects are poor, but it's the *little* things that really made this film. The chalk outlines. The phone book. The beautiful rooftop view of The City. The officer's club/strip joint/medicenter. These minute details were handled (fondled, even) with the utmost care, thus making this film the cinematic treasure it is. Don't be confused: this flick is BAD. But that's okay. It's as if the director & stars agreed to make as entertaining a film as they could with the $5.63 budget they had. I loved every minute of it!