mark.waltz
Exotic Aquanetta, aka the captive wild woman, shows off her thespian talents in the third of the "Inner Sanctum" series as the model of that seductive romantic idol, Lon Chaney Jr. Jealous over his engagement to Jean Parker, the cold Acquanetta arranges an accident that leads to Chaney's blindness. The segment of Chaney losing his sight is very scary as his pupils fill the screen all white and the vision blurs down to darkness. A corneal transplant has eye doctor Jonathan Hale hoping that they can restores his sight. Paul Kelly as the psychiatrist friend of Chaney's notices Acquanetta's "primitive" nature, giving way to her obsession growing as she takes care of him after he dumps Parker. When a potential donor is murdered, Chaney's sight is restored, but the so-called dead man's eyes take over Chaney's personality as he faces trial for the murder of the person whose eyes he now possesses. With some intelligent medical information in regards to medical advancements, this has some intriguing developments, but predictably takes some strange twists. Chaney continues his thought process of speaking over the action, but fortunately he's not whispering this time around. The acting isn't bad here, and even Acquanetta is sincere, if unremarkable, but at least she's not insipid. There's just a lack of consistency in her line delivery. I just didn't find her obsession with Chaney realistic. Thomas Gomez is amusing as an easy going police detective with a knack of manipulating the truth out of suspects. Interesting to notice that a nightclub sequence features an outtake of a musical number from a Universal 1932 crime drama, "Night World", superimposed over shots of Chaney and Parker at a night club. A fun but far fetched story, it has periods of superb psychiatric visions into the human soul, but suddenly switches into the absurd with plot developments so outlandish that the film suddenly becomes cartoon like in its development.
Scott LeBrun
The third movie in the theatrical "Inner Sanctum" series is fine entertainment for old time thriller lovers. Lon Chaney Jr. is in fine form as Dave Stuart, a painter. He's engaged to rich girl Heather Hayden (Jean Parker), and this is in fact a union that her father Stanley (Edward Fielding) is eager to see come to fruition. One day Dave mistakes acid for his eyewash and blinds himself, and Stanley promises Dave that he will provide his own eyeballs for a risky cornea operation should the old man die. Well, the old man *does* get murdered, and Dave falls under suspicion. And, as it turns out, there are others who could conceivably benefit from the death."Dead Man's Eyes" is not what this viewer would consider a great mystery, but it *is* a solid and engaging diversion for barely over an hour. (All of the "Inner Sanctum" movies have very trim running times.) It does its job at setting up dubious characters and their motives, and having suspicion keep shifting from one to another. The filmmaking (Reginald LeBorg is the director) is efficient and to the point.The acting is wonderful from much of the cast. Lon Jr. is rather over emphatic at times, but there's no denying the sincerity of his performance. Parker is cute and appealing. Acquanetta, who plays Tanya, the model who is in love with Dave, is a striking beauty but not much of an actress. Paul Kelly is good fun as Alan Bittaker, Daves' chipper psychiatrist friend. Thomas Gomez is likewise a stitch as the smirking detective on the case. Jonathan Hale (as the eye surgeon), Fielding, and George Meeker (as Heathers' pathetic former boyfriend) are all rock solid.Fans of Lon Jr. would do well to check him out in this sort of atmospheric Universal B picture, where he's not required to put on elaborate makeup or dress in fanciful costume.Seven out of 10.
lugonian
DEAD MAN'S EYES (Universal, 1944), directed by Reginald LeBorg, the third in the "Inner Sanctum" mysteries based on the radio series owned and operated by Simon and Schuster Publishers, stars Lon Chaney, Universal's resident horror star, taking time away from both Wolf Man and Mummy characterizations. Opening in tradition with a man's head inside the crystal ball, addressing the audience by saying, "This is the Inner Sanctum, the fantastic world controlled by mass of living, cult seeking flesh. The mind, it destroys, distracts, creates monsters. Yes, even you, without knowing, can commit murder." Here's to another segment: The original screenplay by Dwight V. Babcock revolves around Dave Stuart (Lon Chaney), a struggling young artist nearly completing what might become his greatest painted masterpiece, with Tanya Czoraki (Acquanetta) posing as his model. It so happens that Tanya is secretly in love with Dave, and jealous of his engagement to marry Heather Hayden (Jean Parker), whose father, Stanley Hayden (Edward Fielding), likes Dave enough as if were his own son. This doesn't go well with Nick Phillips (George Meeker), Heather's jealous and former suitor. Alan Bittaker (Paul Kelly), a psychiatrist and Dave's closest friend, has a secret passion for Tanya. After a day's work painting on the canvas, Dave's ends his daily routine by cleansing his tired eyes with eyewash. While conversing with Alan, Tanya unwittingly moves the bottles in his cabinet, which causes Dave to accidentally place acid on his eyes, damaging his cornea and going blind. Because of his handicap and unable to finish his painting, he orders the canvas covered, breaks his engagement to Heather, and turns to self pity by boozing alcohol. The guilt ridden Tanya offers to help and keep Dave company by day, hoping in time he's transfer his affections towards her. However, Dave is given some hope by Doctor Samuel Welles (Jonathan Hale) that he might be able to perform a difficult operation of a cornea transplant that might have him see again. "Dad" Hayden agrees to donate the cornea of his own eyes to Dave, leaving that statement in his will at the time of his death. Because of Hayden's suspicions towards Tanya, he and Dave argue and part company. Wanting to apologize for his actions, Dave visits Hayden at his residence, only to be have Heather walk in and finding him standing over her father's dead body. Accused of his mysterious murder, Doctor Welles does follow through with the operation using dead man's eyes. With the operation unsuccessful, and hounded by Detective Druey (Thomas Gomez), Dave, in total darkness, takes it upon himself to clear his name and solve Hayden's murder and other subsequent murders connected to his supposed crime.Whether intentional or not, scenes involving artist later blinded, and jealous model, appear to parallel that with Rudyard Kipling's film based story, THE LIGHT THAT FAILED, recently produced by Paramount in 1939, starring Ronald Colman and Ida Lupino. Though not a murder mystery as DEAD MAN'S EYES, THE LIGHT THAT FAILED does involve Lupino's bravura performance as a model who eventually goes mad through endless hours of modeling by destroying the painted canvas. For Acaquanetta, fresh from her recent screen introduction title role as the CAPTIVE WILD WOMAN (Universal, 1943), is not a very good actress, and can't compare to Lupino. There are moments where Acaquanetta gives the impression she's reciting her worded lines one by one from cue cards with little or no emotion of expression whatsoever. Jean Parker, looking very much like Jean Arthur in both profile and hair style, comes off better, even through a couple of sudden shrieks. Thomas Gomez, doing a J. Carrol Naish police inspector reprise from CALLING DOCTOR DEATH (1943), adds a little flavor of his own as the hounding police inspector. Lon Chaney does exceptionally well as a tormented blind man, sporting sunglasses, feeling his way around the room with either hands of walking cane, and moments of how to handle himself with the outside world. These moments are briefly motivated in favor of murder mystery, which doesn't hurt the story in the least. Director LeBorg keeps the pace moving for 64 minutes, though abrupt blackouts and middle scene fade-ins are evident.As with other five features in the "Inner Sanctum" series, DEAD MAN'S EYES slowly faded away from television broadcasts starting by the late 1970s where, due to the Chaney horror film reputation, played part of "Fright Night" or any other Saturday evening horror film nights. Unlike the other five, DEAD MAN'S EYES became the only one to be presented on cable television's American Movie Classics during the 1989-90 season. One would wonder why the other five didn't take part in this presentation. Regardless, availability onto home video in 1997 on double bill with PILLOW OF DEATH (1945), and later onto DVD, has assured DEAD MAN'S EYES not completely blind to those curious about this nearly forgotten series of murder mysteries that entertained movie audiences back in the day when films of this nature were quite popular and commonly played. Next "Inner Santrum" episode: THE FROZEN GHOST (1945) Brrr. (**1/2)
simeon_flake
The Inner Sanctum mysteries afforded Lon Chaney the chance to stretch his acting chops, sans heavy monster makeup and "Dead Man's Eyes" may be the best of the lot, along with "Strange Confession".Chaney is a struggling artist who one day accidentally washes his eyes with acid, blinding him & leading to his prospective father-in-law drawing up an agreement that upon his death, his eyes should be used for an operation to restore Chaney's sight. Of course, the old man ends up getting murdered, leading to a pretty involving whodunit as Chaney & the police try to solve the mystery of Dad Hayden's murder.I don't know if the Inner Sanctum mysteries get much respect from critics, but I found most of them to be very engaging & this was definitely one of the better ones. I'm a big fan of Lon Chaney Jr., I think he deserves to be put up there with the all-time greats of horror, Karloff, Lugosi, Price. At barely over an hour, Dead Man's Eyes is an entertaining mystery.
