Days of Eclipse

1988
7| 2h19m| NA| en| More Info
Released: 01 December 1988 Released
Producted By: Lenfilm
Country: Soviet Union
Budget: 0
Revenue: 0
Official Website:
Info

This bleak late soviet-era drama follows the career of Malyanov, a young medical school graduate who has been sent to work in Turkmenia. Here he runs into a hodge-podge of people of differing ethnicities, all of them victims of the government's earlier mania for relocating and eliminating whole ethnic groups and classes of people. These desperately unhappy people are unable to find any pleasure in this diverse companionship, but instead are antagonistic to it, and often resort to desperate measures in their doomed attempts to ease their pain.

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Director

Aleksandr Sokurov

Production Companies

Lenfilm

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Days of Eclipse Audience Reviews

Lawbolisted Powerful
Tayloriona Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Verity Robins Great movie. Not sure what people expected but I found it highly entertaining.
Matho The biggest problem with this movie is it’s a little better than you think it might be, which somehow makes it worse. As in, it takes itself a bit too seriously, which makes most of the movie feel kind of dull.
axapvov Everything seems random, trying maybe to turn a simple story into something more complex. I think there are too many different ideas mashed at once, the result being thematically disconnected, too vague and cold for any poetry to have a strong effect on me. It may be my fault since I lack knowledge about Russian history or geography but I believe the film should give me more tools to be a part of the dream, fantasy or whatever. Ideas follow each other without too much conviction or any strong link between them.Not entirely bad but in my opinion it's very far from the achievements of its genre, some of them by the same director.
tedg Making art is a matter of finding clouds in the sky of mind, forming them into objects, often glassy and jagged. Encountering art is a matter of deciding how to dance and carry, whether to digest or be wounded. For art to be powerful ,real art, you need both, which means that the artist has two challenges, the second of which is to seduce.This is successful only in the first, the birthing. One can clearly see that we have someone who knows what he wants and has the ability to make it so. This film is a completely coherent creation, each part bonding to the others in a way that conveys perhaps a too understandable effect. In this, it is much closer to ordinary Soviet film-making than Tarkovksy, to whom this fellow is often compared.So its a nicely machined object. There's craft, vision.But it didn't convey to me at all, probably because no matter how much I open myself, I don't have the nightmares it depends on. I imagine this resonated with its intended audience: citizens of a country cobble together from grotesquely primitive regions and managed with mechanical brutality.I image that if you live close to Islam, or close to a supremely backward people, mixed in with the opposing violences of occupation... where everyone is underemployed and no art finds a happy garden... where paper matters and there's no escaping the heat... where all that you and everyone around you just want to do is run away......it might resonate.Meanwhile, what you'll get is a dreamy meditation for others. He hasn't brought it to me.Ted's Evaluation -- 2 of 3: Has some interesting elements.
mark Rare astonishing movie in beautifully sepia colour, beautifully slow shots. The story is about a young Moscow doctor who went to the south to do someresearch and is struggling with loneliness, displacedness, temperature and so on. Also beautiful music, a piece of art
weintraube Loosely based on a great science-fiction novel Billion Years Before the End of the World by renowned authors Boris and Andrei Strugatsky, it one of my favorite films. It is hard to say what is more striking in this film -cinematography or the ideas it is about.