Jeanskynebu
the audience applauded
Colibel
Terrible acting, screenplay and direction.
Mjeteconer
Just perfect...
Kamila Bell
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Steve Nyland (Squonkamatic)
Serviceable enough Italian produced historical Peplum drawing upon biblical scenario, directed by Spaghetti Western master Ferdinando Baldi at the beginning of his career. Orson Welles glowers and half-whispers his way through a marvelously pointless performance done in only by Goliath himself, who standing about twelve feet tall at 450 pounds is the focus of my thesis on the film.Which is specifically that the Italians -- no doubt limited by 1960 era morality -- made the wrong movie. The scenes with Goliath are its best, and the most enjoyable the one where he is promised command of an army (doesn't care) a roomful of gold (been there/done that) and the prettiest most wholesome women in the kingdom attending to his every bidding. SCORE!The hilarious scene where Goliath sits on a giant throne quaffing a barrel of wine while scantily clad damsels perform a Veil Dance for him should have been the departure point for a much more interesting story exploring just what went down. Though sadly Goliath returns on screen only to slaughter a few guards prior to his disappointingly brief showdown with David. After which the film persists in continuing for a while, missing the point that we weren't dialing in to watch Orson Welles palpitate. We were there for Goliath, and he ruled.
Rainey Dawn
King Saul has lost favor with God, war is imminent. The only man Saul is afraid of is the prophet Samuel. Samuel arrives to prophesies about a man that God will anoint a man king out of the land of Benjamin to rule over Israel - that man is David. David must fulfill the prophesy but King Saul is willing put up a battle or die before he will bow down to David and give up his throne. Before David can take the throne, he must fight Goliath. In the end, King David restores Saul back to the throne. This is a pretty decent version of the biblical story. It's not a big long Epic tale but of a good length to give us a movie version (around an hour and a half long).I do not rate films of this nature by how much it matches the bible tale nor do I rate these types of films by how much I believe the story is true. I rate them by how well entertained I was by them, how well it was filmed and acted out. My rating is not for my personal beliefs, but for how well I enjoyed it.4/10
Claudio Carvalho
In Jerusalem, the wicked King Saul (Orson Welles) is visited by the Prophet Samuel (Edward Hilton) after losing the Arch of the Alliance in a war against Asrod (Furio Meniconi), King of the Philistines. Samuel advises that God is not happy with him and the new king of Jerusalem would come from Bethlehem. Meanwhile the shepherd David (Ivo Payer) loses his sweetheart and soon he is summoned by Samuel to go to Jerusalem as the chosen by God. He becomes King Saul's adviser, but the ambitious Captain Abner (Massimo Serato) plots a scheme to get rid of David, and convinces King Saul to send him as an emissary to meet King Asrod. David is challenged by Asrod to fight against the giant Goliath (Kronos) and the impossible happens: David wins Goliath."David e Golia" is a cheesy Italian epic based on a biblical story from the Old Testament and with the attraction of Orson Welles in the role of King Saul of Jerusalem. The sets are poor, most of the acting is only reasonable but this movie is not bad, for a Sunday afternoon. My vote is six.Title (Brazil): "David e Golias" ("David and Goliath")
mark.waltz
Even the great biblical epics of Hollywood's golden age can't compare to the book they were based on. Most of them suffer from strange casting and overly campy dialogue. In the case of "David and Goliath", the issue is bad photography, obviously recycled sets and costumes, and horrendous dubbing. It's obvious that of the cast members, only Orson Welles (as King Saul) had English as his first language. Portly and imperious, Welles is the only actor to come out with his dignity intact. The actor playing Goliath simply laughs and sneers evilly in every scene he is in, and it is very uncomfortable to watch Philistene maidens dancing around him in an erotic way. The actor playing David seems about a decade too old for his role, and the other characters are simply too one dimensional to believe. The scene of David arriving in Jeruselem to find it overrun with corruption is interesting, although a bit far fetched with the encounters he makes, and the battle scenes are gratuitously bloody. It really looks like any other Italian sword-and-sandals trashy flick made throughout the 60's. The bible deserves better. For more interesting looks at the life of the future King David, check out "David and Bathsheba" (Gregory Peck, 1952) or even "King David" (Richard Gere, 1985). Leave this one for bible teachers to show pre-teenagers to learn the old testament.