Actuakers One of my all time favorites.

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.

Anoushka Slater While it doesn't offer any answers, it both thrills and makes you think.

Leofwine_draca A slightly different RKO Pictures movie to the normal - this one's in colour, with a bigger budget, and produced by disaster maestro Irwin Allen, no less. The story mixes in a little film noir with an outdoor action adventure template, and you can tell Allen's influence by the way an action scene has been shoehorned into the narrative at regular intervals. Avalanches, forest fires, you name it - they're here, although they have zero to do with the main storyline.Said storyline sees a woman (Piper Laurie, decades before she became the domineering mother in CARRIE) witnessing a murder in New York, and fleeing the murderer by escaping to a national park in Montana. There, she meets up with various characters, including the butch and heroic Victor Mature, a mild-mannered photographer (Vincent Price, no less), the voluptuous Betta St. John (playing an Indian!), and the thickset William Bendix.The narrative is a kind of whodunit, with the mystery angle played up for the first half or so (when the characters aren't contending with the random natural disasters, that is). Things become more wild and adventure-style in the second half, with a suitably exciting climax to finish things off. It's not a great film - to be honest, the plot seems all over the place at times - but it is a mildly engaging one nonetheless.

LeonLouisRicci There is one reason to view this...Technicolor. Oh, maybe another. The surreal beauty of the female Stars. They have the most wonderful eyes and sublime looks and are all attired in cheesy 1950's wardrobes with a Native American motif that is gorgeous. The 3-D may have been needed to propel rocks and fire out of the screen but these Women would have done it in 2-D. Aside from the eye candy there is little else here that is worthy of attention. There is an unfulfilled and predictable plot. Some cardboard performances stiffen things a bit, but it moves along at a welcome luscious pace.If the viewer could disconnect sight from brain this might be a winner. But alas it is all simply simple and nothing but postcard imagery with a Hollywood Magazine gloss.

XweAponX I saw this in the early 90's on AMC and I could have sworn the title was "Avalanche" and not Dangerous Mission.What struck me was how young Vincent Price was, and although he was not the master of horror he became later, in this film he was beginning to show his evil tendencies... Hidden under the guise of an almost Clark-Kent-ish character.I do not recall too much of the plot... Just that there was a forest file, and an avalanche, and maybe a couple other disasters, occurring within a short amount of time."How was your vacation to the National Park?"If you were Irwin Allen- Your answer would be:"I got caught up in an assassination plot, a crime drama, a forest fire and I got buried in an avalanche. How was YOUR vacation?"

sanzar "Dangerous Mission" probably occupied the bottom half of double bills, back when they had such things. The mission referred to in the title: find a missing witness (Piper Laurie) to a gangland murder. The cops want to put her in protective custody; the hoods want to shut her up (accidently on purpose).The first half of the picture tries to suggest that the unidentified hitman is actually leading man Victor Mature, but it's pretty easy to spot the fact that he's actually our hero. No, the villain in this piece is an unctuous Vincent Price, a "dangerous gunman from NYC". Having yet to perfect his evil leer, employed with ease in his many later horror pictures, Vinnie is still pretty smarmy in a greasy sort of way.Mature always seems to be reading his lines from well-placed cue cards and never works up too much of a sweat while he's tailing (in more ways the one) our wayward witness. He soon saves the day, rescuing our damsel from the clutches of the killer as well as saving her from a fall into a glacial crevasse. Price gets his in the end, thanks to his own misguided ineptitude!An avalanche & forest fire are thrown in to pad the running time, but little tension or suspense is generated during the thankfully short running time. The film is poorly edited (via "a chainsaw", according to Leonard Maltin)& the performances are uniformly trite (led by William Bendix' customary wooden performance in a supporting role).If it's on past 11:00 PM, don't bother! You'll never stay awake.