SnoReptilePlenty Memorable, crazy movie

Intcatinfo A Masterpiece!

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

EighthSense I've watched films with Deneuve since her youth. Seeing this one last night gave me a peculiar, PHYSICALLY uncomfortable sensation, because of what plastic surgery has done to her face. She now has enhanced lips that have lost their elasticity,the top lip is thicker than her normal one was, and a strange, pained expression is permanently onto the whole face, which is strangely immovable.My discomfort was because my eyes "expected" her face and mouth to make the familiar movements as her natural ones did pre-surgery. They did not, and this was taking my focus away from the movie.Rupert Everett was not believable in his role of the beautiful rake. This role demands the likes of a young Warren Beatty, or a young Alain Delon, or Olivier Martinez, or Clive Owen, irresistibly handsome and also irresistibly sympathetic and attractive (all the more lethal). Rupert was very unlikeable with no charm, a harsh expression on his face most of the time, and what was supposed to he at his most seductive, was totally soulless. Anyone who saw the very young Warren Beatty seducing Vivien Leigh in"The Roman spring of Mrs. Stone" will know what I mean.

tzster i've seen this mini series and thought i reminded me of 'cruel intention', and was surprised that this is actually a later adaptation (2003), the storyline of both these films are as i later discovered a 18th century tale. nevertheless, i found this adaptation quite disappointing when compared to 'cruel intention', especially as it is a later adaptation. the setting and general appearance of dangerous liaison looked more sophisticated (less Hollywood) and serious, but to the contrary, it lack the central idea of teaching a morality lesson, and definitely lacked cohesion. the counter part role of everett in 'cruel intentions' was by far more convincing and was able to gain sympathy from the audience. for the most part it showed that he really did care for the maria character and has shown genuine sincerity. However, in dangerous liaison, not only did he cheat right in front of her, even when he told her to forget about him, the maria character is still clinging onto him. it completely lacked dignity and made her look extremely stupid. the major aspect especially as death of the maria character. as in cruel intention, she does not die, but carrys the legacy of the Everett character. i personally thought that was a much better ending than seeing the maria character in a bloodbath and the everett character just falling into the cliff for no reason.

debblyst Catherine Deneuve has always been one of my favorite stars, she's been in more good films than most, is obviously a very intelligent woman, an iconic beauty who has worked with the world's best filmmakers, so I try to see her every movie that reaches Brazil (not so many anymore). But this unspeakably inept adaptation of Choderlos de Laclos' timeless classic seems to work only on two levels: as a jaw-dropper for lush costume design and as an involuntary cautious warning against plastic surgery!! Just see what lousy jobs those doctors have done with Deneuve and Rupert Everett! While Deneuve now goes into a kind of Joan Crawford territory, has difficulty in flexing her facial muscles and has mouth ticks, Everett has had so much Botox that his forehead shines like a surfing board, and he seems perfectly fit to play the creature in a Frankenstein movie. Incapable of moving any muscle from the tip of his hair to his chin, it was fun just to turn off the volume and wonder what "emotions" he was supposed to portray!! Lovely Nastassja Kinski is once again totally wasted (what's the problem? can't she get a better agent or isn't she interested at all in making decent films?) and likewise is wonderful Danielle Darrieux (who has aged so gracefully and is still beautiful in her 80s).Josée Dayan has worked a lot for French TV, and must be 1) a very good sport 2) a quick-shooting, budget-respecting, producer's dream kind of director. That's the only explanation I can think of to the fact that, whenever a French miniseries adaptation of a great writer (Cocteau, Hugo, Druon, Balzac, George Sand, Beaumarchais etc) with famous stars gets a green light, she gets to direct it. And she consistently gets to make them always blah. This is really bad, sorry to say, don't waste your time - especially if you're a fan of the stars. And God forbid those plastic surgeons!! My vote: 1 out of 10 (well, 3 out of 10 if you're in the mood for a mean laugh...)

sumrrain As for how this production looks:This mini-series is absolutely gorgeous. The director captures the essence of 1960s French Riviera without over-glamorizing, which is a good thing, because it is not necessary. The outdoor scenes (especially the horseback ones) are stunning. Costumes are very accurate and well thought out, especially for the female leads. LeeLee Sobieski looks alternately frumpy and seductive, just as most 18 year olds do in real life; showing a girl still figuring out how to present herself to the world. Deneuve's high society duds are probably the most spectacular, as they should be. Her character is draped in vivid reds and evocative jewelry. Kinski's clothes are virginal and chunky for the most part, as befits the wife of an ambassador...and yet her passionate exoticism cannot be held in check, and wins over repression in the end.The storyline is the one we know well. I won't belabor telling it again. The mini-series was supposedly shot in both french and english language, but I did not find this to be true. I saw the english version. Some scenes were definitely shot in english, but others were simply dubbed...and it shows, which is too bad. If you rent or buy the DVD, I would advise watching it in french with english subtitles (if you can't speak french). Most, if not all, of Kinski and Everett's scenes in the english version were shot in english, while Deneuve and Everett's were mostly dubbed. In fact, there were only a few moments in the entire thing where Deneuve's lines were in english. For me, this created distance between her character and me as a viewer. Of course, her character is viciously evil and not one you would normally identify with, but villains CAN be empathetic. I did not find that here. Rupert Everett is slick and Machiavellian, with a slight vulnerability that is just right. LeeLee Sobieski is much more believable in this role than Uma Thurman was in the 1988 version. Nastassja Kinski, as Marie Tourvel, is the standout here. She does a marvelous job of representing the character arc (virginal wife to repentant adultress) that is required. Kinski wrote the book on portraying these kinds of heartbreaking roles (Tess, Magic of Marciano, American Rhapsody, The Claim...) and it is a shame she has been largely overlooked by Hollywood. I highly recommend this mini-series, but watch the DVD in french with english subtitles, in order to get a better grasp of Deneuve.