Hellen I like the storyline of this show,it attract me so much

Claysaba Excellent, Without a doubt!!

Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

mark.waltz That's how William Powell's Emory Slade describes his reputation as a temperamental former star who becomes a Hollywood talent scout when 20th Century Fox plans a film version of the 1931 Broadway musical revue "The Band Wagon" (and which MGM later added a story and more of its songs to). Only a few of the Dietz and Schwartz songs are heard here before Fred Astaire and Cyd Charisse danced in the dark, and the storyline here is much darker, too.Powell plays an actor with many personal demons, very much unlike his most famous character of Nick Charles, and even darker than his Broadway mogul, Florenz Ziegfeld. Here, Powell is promoter, not producer, that role being given to the equally legendary Adolph Menjou, while Jean Hersholt (of the Oscar's Humanitarian Award) plays himself as the representative of the Motion Picture Aid Society determined to help the down on his luck but stubborn Powell.As for Betsy Drake as the young ingénue chosen for the lead in the musical, she is certainly lovely, but lacking in superstar magnetism. She is a fine singer and dancer, but I can't believe anybody would buy her as the next Judy Garland or Betty Grable (Cary Grant, maybe, but he married her...) The musical numbers are cut down to two separate segment "auditions"-one live ("New Sun in the Sky"), the other a filmed screen-test that is shown at the Chinese Grauman's where Drake sings and dances the title song and a bit of "I Love Louisa".As a musical, I recommend "The Band Wagon" far more than this, but this is a unique credit in Powell's career, one of his darker dramatic parts, and highly recommended for that. Mark Stevens seems out of place here as Drake's love interest, but there is an amusing cameo by future "Caged" matron Hope Emerson as Powell's gruff landlady.

donofthedial This looks like it was meant to be a June Have film...one that she turned down.Dreadful film. Only worth watching for William Powell and people like Adolph Menjou. Mark Stevens - not so hot. Betsy Drake. The worst. Can't act sing or dance. Whines well. Magnificent cleavage, though. Yeah, right. You could play Scrabble on her 'chest'. No way any guy was going to wait two years for her. That dancing! Snakes on a plane.Really, Bill Powell is the only reason to see the film, except to see how badly a play can be transfered to film in one case such as this - badly vs THE BANDWAGON just a few years later which is a masterpiece.

tireless_crank This was introduced as the 'rarely seen' Dancing in the Dark when it showed on the Turner Classic Movie channel - and after seeing the first half I knew the reason why. William Powell's character went from a totally self-absorbed PITA to a lovable, caring personality in a blink with little of import to cause that change. Mark Stevens, while a handsome man, is just a cardboard figure; but the absolute worst was Betsy Drake. There is not a single spark of life in her and it is totally unbelievable that any fellow actor could believe she would project on the screen and want to cast her as any part, let alone a lead. Whenever she speaks energy just drains off the screen and I gave up the movie just after the audition scene. Of course the songs are wonderful and I always wondered why the real Bandwagon only had truncated versions of such great songs. Try thinking of Betsy Drake singing on half the screen and Cyd Charisse on the other. The comparison is so one-sided that Betsy Drake might even be some strange unknown gender - human but with no gender-based allure.

cnb This is the sort of movie that makes me think, "Please don't let some new viewer of musicals think that this is what great musicals are like." William Powell and Betsy Drake are horribly miscast, and the wonderful Dietz-Schwartz songs that shine four years later in "The Band Wagon" are staged here in unappealing, off-kilter ways. For example, the final number tries to jazz up the sexy ballad "Dancing in the Dark," renders it in a completely unromantic manner with some very odd dancing, and inserts a ridiculous Dutch couple skit in the middle of it in order to include the song "I Love Louisa" (which was conceived as a German-style song).IMDb says the film was originally in color, but the print I saw looked for all the world like something that had been colorized! I am not dismissive of all Fox musicals, but thank heaven MGM got hold of the title and the songs and made a much better movie with them.