Hellen I like the storyline of this show,it attract me so much

MamaGravity good back-story, and good acting

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Justina The film never slows down or bores, plunging from one harrowing sequence to the next.

Rodrigo Amaro Never trust the ratings in here, some say from time to time, cause they never reveal what lies beneath some underrated precious jewels and also some overrated classics. "Critical Condition", however, deserves the current negative evaluation, not much because it's a terrible picture, cause it's not in fact. The problem is that the movie is so misguided despite its effective (and few) positive scenes that you suspect the talented people involved in its making were way over their heads in thinking they're creating good comedy. Richard Pryor alone, only in stand-up routines, and we all know it that his films worked better if he had a partner - not even if a brief companion being Pryor and Gene Wilder one of the most interesting duos of comedy. But the supporting cast assembled makes this a little enjoyable, though not going too far.I believe the setting given here would benefit more a thriller/horror movie than a comedy but if the writers think they can find real humor in it, well, it's their opinion. Pryor is a scam lawyer who is sent to jail after being framed in a suspected deal with some mobsters. Knowing that he's about to get killed in prison, he acts like an insane person during trial much to everyone's belief and sent to treatment on a mental facility for 21 days in order to establish if his crazy or not. But during a huge storm that cuts the power and contacts of the place, he manages to get out of the psychiatric warden and ends up getting confused as an important medical doctor whose arriving was long waited there. Now it's up to this fake doctor to help the staff of this chaotic hospital filled with regular patients (who comes up with this stuff, a mental hospital glued next to a regular facility?), managing his best and worst in a place with almost no electricity, with its disappearing administrator and with a dangerous criminal (Joe Dallesandro) on the loose, and just like him also trying to get away from there.Half an hour goes by without any laughs, and almost with no understanding of what those loud characters are saying for the most part. Only when the absurd starts to take place is that movie progresses, gets a little involving yet eternally confusing and lacking in substance. But already too late. And what Michael Apted was doing with this comedy? He's trustworthy directing drama and action flicks; his direction here feels very uninspired, more like "in it for the money" (and I bet no one got paid all that much). I'm not recommending "Critical Condition" but if you wanna see it for yourself there's room for enjoyment in scenes like the "Apocalypse Now" parody with Pryor putting a helicopter inside of the hospital to generate energy in the building; the great presence of Rachel Ticotin as the substitute administrator, a fine dramatic effort in showing how important decision must be during troubled conditions; Bob Dishy finally getting a noteworthy and extended role as the doctor who puts pressure on everybody including Pryor. Randall 'Tex' Cobb, Joe Mantegna, Bob Saget, Sylvia Miles Jon Polito and a few others have fine roles, the best they could get. Well, final diagnosis: not worthy of much attention, suffers from a severe case of lack of great humor, and it's almost a waste of time. The medication for it can be found in all other Pryor's movies. This one is just wrong. 4/10

videorama-759-859391 For a Pryor film, this one is disappointing, or may'be I just found it weaker than normal, but anything with Richie in, is worth it. Here in a great titled flick, he's a framed escapee, made a psychotic patient, that has him now masquerading as a hectic doctor. But the jobs does have it's perks, with Pryor examining a young hottie's goodies, one standout scene in the whole mad affair. This film is very entertaining, though, as in seeing how Richie will get out of this. The film has a very interesting cast, including a bit part with Wesley Snipes as an ambo, and Joe Mantegna, has a heartless, hospital director, who's taken a hostage by our loonies. The cast on the patient's arm scene with Pryor laying the cast on pretty thick, with Pryor showing a young intern, was another funny moment. As was too, him trying to convince the hospital board of his psychotic state, when he describes in unsavoury and disturbing detail, pictures that our show to him. The film's not unfunny. It's just not as funny as most of Pryor's stuff, where as you know, with his films, the bar is set pretty high. It's still bloody enjoyable, the "what a shame factor" present. Again in the end, it all ends well, for our framed ex con/conman, Pryor. Still one for Pryor fans.

Tim Kidner Though the subject had potential and one or two jokes were reasonable, this comedy really did fall flat on its face. Though I appreciate Richard Pryor when he's good and has decent material, I was never a follower of him, so hold no allegiance to the comic, so no extra points just because he stars.It looks as if it was made in the 1970's, as were the attitudes to all the poorly targeted subjects within it. Bumbling, obvious slapstick followed by cheap, unfunny stereotyping at the psychiatric hospital. This where the potential lay, but not taken.The worse bits were to come - mawkish melodrama where the 'patient' becomes the Emergency Room consultant and Pryor tries to bond with the poor suffering patients. The 'romance' even worse. I almost wanted hospital treatment myself! However, the sidekick scenario of a power cut due to a thunderstorm and thus everybody on life support etc getting in all sorts of trouble was a good one and about the only redeeming feature.Unfortunately, the ending that seemed to be a shoot-out (I lost the will to care, let alone work out who) was very tedious and boring and I willed it all to be over, by any means necessary, including a power-cut in my home!

lost-in-limbo Tick off another Richard Pryor comedy vehicle, which actually wasn't too bad even though it had him playing the same sort of comic role and the humour could be put off by its heavy-handed running themes. Pryor stars as an ex-con who poses as a psycho to get out of a jail sentence, so the judge sends him to a hospital where he would find himself posing as an emergency room doctor one night in his attempt to escape during a cyclone because the doctors don't believe him to be insane. This hospital comedy is zany, crude and very often unhinged, as Pryor plays it neurotic with a certain deadpan quality and across him was the lovely Rachel Ticotin. The support cast surrounding him are quite good in their deliveries. Ruben Blades, Sylvia Miles, Joe Mantegna, Bob Dishy, Garrett Morris, Randel "Tex" Cobb, Bob Saget and John Polito. The hodge podge story throws around many ideas and gags in a downright chaotic manner, from mistaken identity to offbeat medical techniques and displaying confidence in those around you to act upon your own judgement leading the way. "Critical Condition" is far from a lethal injection, as in the end it all comes together in an amusing haphazard way led by the likable comedian Pryor. "He doesn't need a second opinion".