Stometer Save your money for something good and enjoyable

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

blanche-2 "Contraband" is a Powell/Pressburger collaboration, and a lot of the techniques they use are reminiscent of later films, such as the 49th Parallel and "The Red Shoes."The story concerns a Dane, Captain Anderson (Conrad Veidt) on a freighter that is stopped for inspection by a British warship. He asks for passes for himself and his first officer, but when he is ready to leave, he finds that the passes have been stolen by two passengers, Mrs. Sorenson (Valerie Hobson) and Mr. Pidgeon (Esmond Knight). He rows to shore and finds Mrs. Sorenson and decides to stick to her like glue. Before long he's involved with a German spy ring.This is a good film with both Veidt and Hobson giving wonderful performances. They have good chemistry and the script gives them the opportunity for some repartee. The background of the movie is interesting. One message was to to elicit compassion from the Scandinavians, as they emerge here as the heroes. Obviously it was before Denmark was invaded, and the British hoped to have their help. The last scenes are quite exciting. This doesn't come up to a 39 Steps but it's still enjoyable.

bkoganbing When Contraband came out in November of 1940 Denmark had been invaded and occupied for several months. If there was a pretense of neutrality before, there was none now as the Danes were forced to be allied with the United Kingdom and its Commonwealth. Conrad Veidt and Valerie Hobson star in the Powell/Pressburger spy thriller done in the vein of Alfred Hitchcock. Lots of resemblance with Hitch's classic The 39 Steps. Veidt is a Danish sea captain who is not real happy about being neutral and the risks it imposes on people like him trying to earn a living transporting trade goods. After a British inspection of his ship, two passengers fly the coop with his ship's log and landing clearances. One of them is Valerie Hobson and Veidt makes an unauthorized landing of his own to apprehend Hobson and her partner.Soon enough he's up to his Danish ears in all kinds of intrigue concerning smuggling. He and Hobson pair off well, very much like Robert Donat and Madeleine Carroll in The 39 Steps. Veidt who was known in America primarily for those smooth villainous roles like The Thief of Bagdad, Escape, and Casablanca could easily have transitioned to an all purpose continental leading man like Charles Boyer had be immigrated to America in time of peace.It's not a Hitchcock like classic. But Contraband was a film pleasing enough to British audiences back in the day.

fordraff The advertisement about this film from Kino Video led me to think I was going to see an exciting spy story with noirish overtones and a Hitchcockian twist.It is nothing of the sort.If Hitchcock had made this film, smooth, suave Cary Grant would have had the lead, and he would have been opposite a cool, sophisticated blonde. Before the film had ended, Grant would have melted her coolness for a final kiss or, as in "North By Northwest," an implication of sexual surrender.Here we are asked to accept Conrad Veidt, at age 47 and looking every year of it just three years before his death, in the Cary Grant role and Valerie Hobson, twenty-four years his junior, in the cool blonde part. There is just about no one further removed from Cary Grant than Conrad Veidt. However, it was interesting to see him playing someone other than a villain, but at the same time, I realized that such roles were his forte.Of course, Valerie Hobson isn't blond. And here she looked like Merle Oberon and acted as stiffly. There were absolutely no sparks between Hobson and Veidt, to say nothing of the dialogue which was totally unwitty and without any double entendres. I suspect that Kino's publicity about the Hitchcockian touch had in mind Hitchcock's "The 39 Steps," where Robert Donat and Madeleine Carroll must put up with each other against their wills.I cared nothing for the characters. The film had no narrative thrust (what happens next?). It was a total waste of my time.

ekarle The plot is well paced and fun, although a bit convoluted. But, Conrad Veidt and Valerie Hobson are the hidden pleasures in this film. She's beautiful and witty. He's tall (very), handsome, and debonaire. Together they're very sexy: their relationship here is reminiscent of that of William Powell and Myrna Loy in the Thin Man and Cary Grant and Eva Marie Saint in North-By-Northwest. The scene in which they break the bonds in which the villains have tied them is wonderfully erotic. Above all, Contraband demonstrates how film makers (outside of Powell and Pressberger) missed the boat in not taking advantage of Veidt's sophisticated persona, understated acting skills, and comedic flair.