Confetti

2006 "Three weddings. One happy couple."
5.7| 1h40m| R| en| More Info
Released: 05 May 2006 Released
Producted By: BBC Film
Country: United Kingdom
Budget: 0
Revenue: 0
Official Website:
Info

A mockumentary that follows three couples as they battle it out to win the coveted title of 'Most Original Wedding of the Year'.

Genre

Comedy, Romance

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Confetti (2006) is currently not available on any services.

Director

Debbie Isitt

Production Companies

BBC Film

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Confetti Audience Reviews

Nonureva Really Surprised!
Stoutor It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.
Salubfoto It's an amazing and heartbreaking story.
Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.
D A Delightful British mockumentary may not have all the sustainability and directional thrust of a vintage Guest film but still offers a refreshing and original venture into the popular up-and-coming genre of fake non-fiction. Taking place over several weeks, Confetti comically documents three very unique couples and their eccentric quests to win over a bridal magazine's "most original wedding" contest. With the help of an offbeat pace, these couples are transported to the surreal world of grossly irrelevant party planning, as imagined by two wacky staff party lovers.It sounds like mildly stimulating entertainment, and for the most part it does play out as an elegant time waster, but this inventive mock-up must not be overlooked when viewing all of the subtle, quirky direction that creator Debbie Isitt employs to give this film some remarkable shades of sincerity against the absurd contest parody. Each of these fabulously improvised couples help make the wacky farce as eclectic as possible, and while everyone embraces their roles, some viewers will feel loud silences being awkwardly filled in by the hard working cast. At times, there is simply too much space for the improv comedy to truly take hold with this cast, but many subtle hints at brilliance lie beneath the half-great attempt, justifying a viewing to any open minded, mature yet irreverent adults.
tmt24 This Film has an ass kicking humor and excellent crew cast.Don't Miss out this all time of totally excellent opportunity of humor, and stomach age.. ;)The story itself is nothing to get exited about but it is the humor and the characters that is worth seeing.Don't miss out, just run along down to the nearest store and buy it don't go to the movies, too much noise from all the other laughing people. ;)Miss a little bit more comedy scenes, but it is still enough, but why stop there.. hahaha
rjjh-1 Well its a typical British movie. That being its pretty poor. What is it with British films and British filmmakers. I can't remember the last decent British film. Its not even funny. The only reason to watch this movie is Jessica Stephenson. But when other reviewers mentioned comic talents in this movie, there isn't any. Martin Freeman, from Office fame, was not funny in the office. He was the unfunny one where as the main comic talent from the Office was obviously Ricky Gervais. The others mentioned are from poor comedy shows on British TV and when you add that to an unfunny script you have a typically unfunny British film. The other actors I recognised were bit part players from the great Alan Partridge series. Them being the guy who played DAN from the 2nd series and Lynn, Alans much maligned PA. So this film. As a comedy, its unfunny. If your expecting a great comedy, forget it!
Jawsphobia Simplicity can either work for a film or against it. Confetti just happens to rise above the fad of reality TV enough to comment on it and on some of our comfort zones.There may be some repetitive reaction shots and either you appreciate the inclusive spirit of the film or you don't. That may influence a few ratings.Martin Freeman (Hitchiker's Guide to the Galaxy, Shaun of the Dead) once again turns his reaction-to-absurd-surroundings schtick to new heights. The rest of the cast is excellent but he manages to ground the movie.Though the directing is deceptively simple for much of the film it is definitely not just coverage. There are brilliant shock value moments and sustained beats of comic discomfort. Despite the mock documentary format, the ending presentations allow a display of razzle dazzle style.