FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

AshUnow This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Lidia Draper Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

Kayden This is a dark and sometimes deeply uncomfortable drama

cjudge-23429 Makes no sense why anyone would film a western called Comanche Station and use Indian hairdos that were not at all Comanches......who wore their hair long. The Indians here (and also in Garden of Evil) look more like Mohawks or Pawnees. Quite a big error that only one other reviewer mentions.

zardoz-13 Budd Boetticher's "Comanche Station" isn't as entertaining as "Ride Lonesome." Randolph Scott's stalwart hero rescues the wife of a white man, Nancy Lowe (Nancy Gates of "Hitler's Children"), abducted by Indians. Later, three mangy owl-hoots join him at the stagecoach swing station, Comanche Station, that gives the place its name. Later, Ben Lane (Claude Atkins of "Rio Bravo") and two younger gunslingers, Frank (Skip Homeier of "Day of the Badman") and Dobie (Richard Rust of "The Great Gundown"), ride along with Jefferson Cody (Randolph Scott) as he escorts the woman back to her husband. Burt Kennedy penned the "Ride Lonesome" screenplay and he seems to have recycled the basic elements for "Comanche Station." Like "Ride Lonesome," the Scott hero in "Comanche Station is taking somebody to a far-off destination, just as he was taking a captive outlaw to a noose in the former film. Predictably, the Native Americans are on the warpath, and they are determined to kill the protagonist Cody as is his old adversary, Ben Lane, who lets nothing stand in his way. Along the way, the Native Americans kill Frank with an arrow, while Ben Lane dreams up an idea that he can take Cody. The rugged scenery is a plus for this dusty horse opera. Claude Akins makes a great villain, while Scott is his usual, straightforward knight in denim armor. The characters aren't as interesting, and the narrative plods and is often predictable.

talisencrw I have really enjoyed Randolph Scott's presence in films at both both bookends of his career, having previously seen him in the pre-Code 'Hot Saturday' (1932) and his last film, Sam Peckinpah's first great film, 'Ride the High Country' (1962), as well as a few in between ('Pittsburgh', 'Virginia City' and 'My Favorite Wife' most readily come to mind), so I thought it was high time to visit some of his most influential films, the Western collaborations with Budd Boetticher.Scott has a really unique presence in these films. So far, I have seen three of the seven they made together, and he doesn't romance, he seems a tortured, troubled soul, even in the almost comedic, 'Buchanan Rides Alone'. This was another excellent script by Burt Kennedy, finely scored and photographed. It was clear that this was a well-run filmic organization, that really knew what in tarnations they were doing. Rare is the film that is short but sweet. I consider this a 'Goldilocks and the Three Bears' kind of movie, in that it's not too long, not too short, but just right. Though not quite as good as its predecessor, 'Ride Lonesome', I still didn't have the heart to give it a lower rating.I know the Western genre as a whole tends to get short shrift these days, but when you see the great ones, it makes you really glad somebody made them--and that Boetticher and Scott made a lot more than simply seven together.

MartinHafer This is the final film that was directed by Budd Boetticher and starring Randolph Scott. Like their previous collaborations, they both work together to produce Westerns that manage to rise above the mediocre norm. In this film, a fairly typical plot idea is executed very well--with a grace and style that make the film well worth seeing.Randolph Scott, as usual, plays a nice but tough guy. He's brave enough to come into a Comanche stronghold in order to negotiate for the release of a White woman kidnapped by the tribe. However, trouble is in store when three drifters come upon Scott and the woman. It seems that the leader of this group (Claude Akins) is a real rogue and plans with his men to kill Scott and the woman. It seems that the woman's husband has offered a reward for her--and it can be collected dead or alive! So what did I like about the film? First, as usual, Randolph Scott is amazing. He plays the perfect cowboy hero--tough, slow to speak and anger but also a decent man through and through. Plus, he's much more believable than the bigger than life characters John Wayne usually played. I loved Wayne's films, but he was always too tough and too in command. Scott is much more like a very capable 'everyman' character. Second, as usual, Boetticher deliberately underplays the action--producing a muted but also quite believable film. Third, the film had a really nice ending--quite the twist.You can't do a lot better than a Scott/Boetticher western. While this isn't their best, it certainly is quite good.