Acensbart Excellent but underrated film

Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

aceellaway2010 I saw this movie when it came out, in a PX movie theater in West Berlin. I found it very Funny, particularly because of Dyan Cannon's hysterical performance.Roger Ebert goes to quite some stunning detail in revealing the plot and then mind numbingly completely stuns you when he says it is basically a remark of ...."The African Queen"! Absolute RUBBISH! It is nothing like The African Queen, no resemblance WHATSOEVER. I don't know what he was on when he wrote the review ,but trust me you too will be completely baffled as to why or how he could come up with such a notion.But this is a very undemanding film, and if you accept it, at face value a very pleasing way to spend a couple of hours.

moonspinner55 Spotty road-comedy has Dyan Cannon escaping from the booby hatch and hitching a ride with trucker Robert Blake. He's rather charmed by her after the usual hysterical preliminaries; seems she's not so crazy after all, and is on the run from bounty hunters hired by her nefarious husband. Cannon's natural effervescence is always a treat, and Blake is surprisingly warm and personable, but Stanley Weiser's screenplay isn't much more than a doodle. Some big laughs, and it does improve after a very sloppy opening half-hour. Mario Tosi's vivid cinematography is very good, though Joseph Sargent handles the direction like a traffic cop. ** from ****

Woodyanders Flighty, but willful and endearing wealthy screwball Madie (a winsomely daffy and bubbly Dyan Cannon) escapes from an asylum she was put in by her cheapskate jerk of a psychiatrist husband. Madie hitches a ride with grumpy, rough-around-the-edges cowboy trucker Charlie Callahan (nicely essayed with scruffy, rugged grace by Robert Blake), a profane, surly, seriously down on his luck grouch who just recently got divorced and is up to his eyeballs in debt. Charlie grudgingly agrees to drive Madie from the Pennsyvania Turnpike to the California coast in his massive 30-ton, 13-gear Diesel behemoth, arguing with her every mile of the way and eventually falling for the sweetly ditsy lass. Spunky little old lady cop Maxine Stuart, her brawny goon partner Dick Durock, and overzealous truck repossessor William Lucking give chase. Directed with typical consummate adroitness by "The Taking of Pelham One Two Three" 's Joseph Sargent, with a slight, but efficient script by Stanley Weiser, a jaunty score by the ubiquitous Charles Bernstein, sparkling, polished cinematography by Mario Tosi, a flavorful country and western soundtrack, a pleasingly breezy and playful lighthearted comic tone, plenty of eye-catching scenery, solid cameos by Michael Lerner as an oily, patronizing shrink and "Assault on Precinct 13" 's Darwin Joston as a drunken trucker, and a terrifically dynamic, luminescent chemistry between the two well-matched leads, this fitfully amusing and good-natured tongue-in-cheek road movie romp possesses the right mix of silly charm and goofy laughs to qualify as a perfectly enjoyable piece of fluff.

ColemanDerrick As an overlooked movie when originally released, this is one of the better films to watch on video. It is also one of the films that gave HBO and the other movie networks great material to televise. Coast to Coast is a fun, timeless tale of two people out of their elements, bonding, and making the most of situations in the lighthearted, Hollywood manner everyone wishes could carryover in real life. This is a fancy feature to view along with Silver Streak and Mother, Jugs, and Speed. While it never reaches the violence displayed in those two pictures, Coast to Coast is a great flick to watch at home, on a date, or whenever you want to look at a film from the 1970s era.