Clean

2004 "When you don't have a choice, you change."
6.8| 1h51m| NA| en| More Info
Released: 01 September 2004 Released
Producted By: ARTE France Cinéma
Country:
Budget: 0
Revenue: 0
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Info

After she ends up in prison and loses custody of her son, a woman struggles to assimilate outside her former life and remain clean long enough to regain custody of her son.

Genre

Drama

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Clean (2004) is currently not available on any services.

Director

Olivier Assayas

Production Companies

ARTE France Cinéma

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Clean Audience Reviews

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.
Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
e-70733 The mental state of the character and the overall rhythm of the film are synchronized, which is a typical example of the excellent cooperation between the writer, the director and the actor. However, I always feel that it is a bit too utilitarian to deal with such a subject that implies many aspects of the drama conflict into a one-man show. There are still some details in the play that are worthy of repair and enrichment. Fortunately, Assayas used a skillful lens language to create a convincing atmosphere of telling and dispelling the flaws in some scripts.
Boba_Fett1138 No doubt that this is a professionally made movie but the story is truly lacking at times. The getting clean and finding conciliation with her son seem like two totally different things in the movie, even though they are obviously connected to each other. It's one of the reasons why I regard this as a disjointed picture.Other reasons are that not all story lines seems that relevant in the movie movie and not all get wrapped up properly. Some characters in the long run are pretty redundant ones. It makes the movie move slower than really necessary at times. The movie is already quite short now but in my opinion it could and perhaps also should had been even 10-20 minutes shorter.You can say a lot of things about this movie but you can't accuse it of not being original. Despite not having a so original story, the movie at all times keeps a realistic and original approach of things. I think this really says something about the directing qualities of Olivier Assayas.The movie gets entirely carried by Maggie Cheung. She acts in 3 totally different languages for a large part in this movie. You have got to respect that! Which other actor can say he or she is capable of doing that? But no, it wasn't always a character I could sympathize with, since she is still a kind of offbeat person. It still was the movie that introduced the western world to Maggie Cheung. Nick Nolte also of course plays one fine role, though his role is perhaps a bit more limited than you would expect. And man, how heavy was he on the bottle during the filming off this movie? At times his hands were shaking and he was touching his head. Something tells me this wasn't acting or part of his character. Nolte is of course notorious for his drinking problems. The Nick Nolte character and the Maggie Cheung character also don't really feel connected in this movie. as if they were making two completely different pictures at the time on their own. It just doesn't feel right, not even when they're together in the same scene. It feels like two captain on one ship, with each of them taking their own course.See it's for its fine directing but don't expect to be blown away by a terribly sad or powerful dramatic story.6/10http://bobafett1138.blogspot.com/
lastliberal It takes a hell of a lot to keep me up past my bedtime, and it was this outstanding performance by Maggie Cheung (Jet Li's Hero, 2046) with support by Nick Nolte (Affliction, The Prince of Tides) that did it.All you need to know about the film is in the summary. The story of a woman or man trying to battle their demons and get their life on track is as old as film itself. It is Cheung that brings the magic to the story and gives a performance that stands out from the rest. Using three languages was powerful, and certainly puts here a step above others.Writer and director, Olivier Assayas, provided the perfect vehicle to display Cheung's ability. Cinematography by Eric Gautier (A Guide to Recognizing Your Saints, The Motorcycle Diaries) was brilliant.Cheung fans will be thrilled; others will be amazed at Nolte's ability.
Roland E. Zwick To get the full, globe-trotting flavor of "Clean," one need simply note that Emily Wang is a Chinese immigrant living in Paris with her British rock star boyfriend, and that their child is being raised by the young man's parents in Vancouver, Canada. All I can say is that "Babel" clearly has nothing on this film when it comes to international story lines spanning widely varying cultures and time zones.Though a French film, "Clean" actually begins in the English-speaking section of Canada where Emily and her husband, Lee Hauser, both heroin addicts, are desperately attempting to jumpstart Hauser's fading music career. The couple seems to be patterned somewhat after John Lennon and Yoko Ono, since everyone around them seems to think that Emily's undue influence on him is bringing him down both personally and professionally. When Hauser dies of a drug overdose, Emily - who earned some renown of her own as a music show hostess on an MTV-style interview show on French TV a decade or so back - is arrested for heroin possession and sentenced to six months in prison. Upon her release, she returns to Paris, agreeing not to have any contact with her son until she can kick her drug habit and make a decent life for herself.As a cautionary tale about drug addiction in the music business, "Clean" doesn't show us anything we haven't already seen in countless films (and VH-1 specials) on this very same subject before. Yet, although the movie is a bit too scattered in its focus at times, when it is zeroing in on the things that really matter - Emily's attempts at overcoming her addiction and her efforts at forging a meaningful relationship with her young son - it is poignant, profound and deeply touching. The movie is blessed with a pair of outstanding performances by Maggie Cheung as Emily and Nick Nolte as Hauser's father, a kindhearted soul who believes in forgiveness and who offers a helping hand to a woman whose life, despite all her best efforts, is constantly teetering on the edge of disaster. Their scenes together, as the two characters reveal their fears, insecurities and even tentative hopes to one another, are both spellbinding and breathtaking, and show us what fine movie acting is really all about.