Hellen I like the storyline of this show,it attract me so much

Matialth Good concept, poorly executed.

BoardChiri Bad Acting and worse Bad Screenplay

Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

blanche-2 "City of Fear" is a 1959 B movie starring Vince Edwards, Patricia Blair, and Lyle Talbot. Directed by Irving Lerner.Vince Edwards is the imaginatively named Vince, a prison escapee who believes he's carrying a lot of heroin in a cannister. He plans to sell it and then take off with his girlfriend (Blair). There are a few people in his way, but in his drive from the person, he's able to dispatch them. One of them is his fellow escapee, who becomes very sick and dies.Vince is actually carrying a lethal cannister of cobalt-6, and it's making him ill, though he persists with his plans. Meanwhile, city officials know what he has and are desperate to find him.This script has been made I don't know how many times, most notably Panic in the Streets (1950). It's fairly well executed here by Lerner's touches, one where Vince drives away from a gas station and the cannister has rolled out of his car, and another where he's trying to open it, to no avail.I never considered the brooding Vince Edwards to be much of an actor. He's Ben Casey gone rogue here. Patricia Blair is a knockout. The actress Kathie Browne has a nice cameo - she later appeared in many television shows and was married to Darren McGavin. Finally, one of the great character actors, Lyle Talbot, enjoyed a 56-year career before dying at the age of 94. At the time of his death, he was working on his biography. A shame he didn't finish it - it would have been a great read.

Spikeopath City of Fear is directed by Irving Lerner and stars Vince Edwards, Lyle Talbot, John Archer and Steven Ritch. The latter of which co-wrote the screenplay with Robert Dillon. Music is scored by Jerry Goldsmith and cinematography by Lucien Ballard."Last night a convict by the name of Vince Ryker escaped from San Quentin. After stealing what he believed to contain a pound of pure heroin.....does not contain heroin, it contains Cobalt-60 in granular form." Cheap, compact but very effective B thriller from the tail end of the first noir cycle, City of Fear thrives on sweaty paranoia played out amongst Los Angeles locations. It's a ticking time bomb structure, convict man thinks he has a gold mine in his hands but actually holds something that is killing him by the hour. This lets in the police procedural aspects as the cops and scientists try to locate convict man and his radiation container. Urgent! Not only to save the convicts life, but also the city from probable disaster!OK, the science does not add up, nor does the fact that convict man never once gets to open the container to inspect his supposed golden haul! But the claustrophobic feel is high and the sense of doom married up to the helplessness of the protagonist, brings it into the noir universe. Ballard photographing is always a plus, though he does not get to show his considerable talents much here, while Goldsmith, in one of his first musical scoring assignments, couples dramatic thrusts with jazzy reflections to great effect. Edwards (Murder by Contract) makes for a good noir loser. 7/10

HeathCliff-2 It's not a classic by any means. But it has its virtues - the black and white cinematography, the great jazzy soundtrack by Jerry Goldsmith, and particularly the extensive on-location shooting in and around Los Angeles. There are lots of scenes of 1950s cars cruising the street, store fronts and interiors - more than average, because they're looking for the protagonist. Living in LA, I especially enjoyed that. As for the plot, I've seen three or four similar plotted stories the last year - someone is contagious and threatens the city, or is carrying something radioactive, etc. This one had a slightly less plausible plot line, since the police weren't particularly protective. But I soaked up the ancillary elements - the acting was passable, the camera-work and lighting were above average - and I'm a sucker for the '50s.

moonspinner55 Pulpy, wildly overwrought, but entertaining co-feature from Columbia has a pre-"Ben Casey" Vince Edwards starring as a convict who breaks out of San Quentin with a container he thinks is "a pound of 100% snow", but instead of heroin it's actually radioactive Cobalt 60 and any exposure could decimate Los Angeles. Not a compact thriller (even at 75 minutes!), this suspense film is full of behind-the-wheel montages and bits of generic police business. Edwards smolders like a reckless mad-dog stud, yet when he's required to disguise himself as a businessman with glasses, he's adept and convincing at this transition. The other actors in the cast aren't as versatile, and the mechanical writing and directing certainly doesn't liven them up (they're all stock figures, though Vince's girlfriend does get in a few funny wisecracks down at the police station). Photographed by Lucien Ballard, the movie has a great, gritty look full of L.A.'s neighborhoods and back streets, and the tension does manage to build successfully even though just about everything in the picture is second-rate. **1/2 from ****