Mjeteconer Just perfect...

VeteranLight I don't have all the words right now but this film is a work of art.

Sexyloutak Absolutely the worst movie.

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

JohnHowardReid Though competently directed by the currently "in" idol, Budd Boetticher, this is a fairly routine adventure/romance. Robert Ryan seems miscast as a laconic, two-fisted (thanks to a double in his fight scenes) hero, but Anthony Quinn is even less sympathetic as his greedy partner. The girls, Mala Powers and Suzan Ball, seem determined to be picture postcard pretty, but little else. In fact, nearly everyone's clothes in this seedy outpost in the West Indies are always remarkably clean and shiny. However, as usual, it's the villains who come off best in both writing and acting. Indeed it's George Mathews who ascends to the top spot in his Hollywood career as the ex-captain Meade. And Technicolor is also cleverly utilized (by cinematographer Charles P. Boyle) to give "A" stature to a basically "B"-budget picture.

Howard_B_Eale CITY BENEATH THE SEA lacks the complexity of Budd Boetticher's "best" work (his later "Ranown" westerns, the earlier THE BULLFIGHTER AND THE LADY), but it's highly sweet-smelling trash, with great wise guy performances by Robert Ryan and Anthony Quinn. Filled with almost as many double entendres as the most eyebrow-raising Sam Fuller works of the same period, it succeeds as pure entertainment even if you don't care a whit about the so-called plot (a race to discover sunken treasure amidst voodoo spells, wild dames and Technicolor Jamaican scenery). Good supporting performances by Mala Powers and Karel Stepanek, crackling dialogue and bizarre underwater scenes (part matte, part miniature, part studio tank). Don't expect RIDE LONESOME or SEVEN MEN FROM NOW and you'll find plenty to enjoy.

bob the moo Two deep-sea salvage divers, Brad Carlton and Tony Bartlett, arrive in Jamaica for a job. They are contracted to recover gold from a cargo ship that has just gone down with all it's hands. They search the co-ordinates they have been given but find nothing. Taking time off from the job, Brad begins to fall for the captain of the ship they contracted and dreams of a quieter life, while Tony is approached by the (supposedly dead) captain of the sunken ship with the real co-ordinates and an offer of a cut of the gold if he salvages it without telling the ship's owners.The exotic location, the beat of voodoo drums, beautiful women, comradeship, sinister villains, what else could this be but a B-movie! Even the gaudy colours from the very start reveal this to be what it is. The plot is pure B but is still reasonably enjoyable. It is strongest at the start where Brad and Tony are together, whereas for the middle section they follow separate stories and the film sags a little bit. The ending is OK but seems to lack real excitement or tension. The central relationship between the two men is interesting when it is tested and I wish that the film had explored this more – as it is, it appears to break and be mended in a matter of minutes without much detail.The direction is on a par with the quality of the film. The underwater scenes are quite flat and are clearly as near to being in a real sea as I am right now. The limitations of whatever soundstage or tank they filmed them in means that the scenes all occur in small areas, which again takes the edge off a little too much. The setting of the film calls for an exotic feel but the majority of the cast are American (white) actors. Even in a scene where voodoo dancers dance round a fire it is clear that the skin of those involved is very pale, this is maybe to be expected from the period and in shows in the fact that the non-white support cast are credited with names like `half-caste woman'. It makes no difference to the quality but does make it feel a little fake.The main drawing point for the film is the strength of the two leads, although this is diminished by their separation in the middle section. Quinn is larger than life and a fiery character, he hogs the attention and the only weakness is that he fails to bring out the complexity that he suggests in his character when it is needed (the final third). Ryan is a talented actor and underplays next to Quinn. His presence alone kept me watching although it is undeniable that this is below the quality of his most memorable work. The support cast are OK and fit the B movie billing much better. So in place of characters we get `feisty girl' `bloated villain' `pathetic crooked businessman' etc. They all do OK and never forget their station.Overall this is a watchable B movie that has all the little touches that make it such. The plot could have been used a lot more effectively in regards the friendship of the two divers but it is watchable nonetheless – mainly due to good performances by both Quinn and Ryan.

Sleepy-17 Genuine chemistry between Ryan and Powers lifts this a notch above fodder. But what happened to Susan Ball, her performance is almost not there. The camaraderie between Ryan and Quinn is the crux of the story, and unfortunately it doesn't work. There is a fun underwater earthquake that topples the "city", but spectacular it ain't. George Matthews makes a very sleazy villain.