Citizen Langlois

1995
6.6| 1h9m| NA| en| More Info
Released: 10 October 1995 Released
Producted By: Canal+
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Budget: 0
Revenue: 0
Official Website:
Info

This French documentary pays homage to a young man whose passion left a rich and valuable legacy to the world of cinema. Henri Langlois was one of the co-founders of the Cinematheque Francaise, a museum which contains many rare artifacts from early cinema as well as one of the most extensive film archives in the world. This documentary will be most meaningful for those already familiar with Langlois' story. Through old film clips and interviews, Langlois is seen as an eccentric but charismatic young visionary obsessed with preserving and locating old films. Filmmaker Edgardo Cozarinsky uses scenes from Citizen Kane to compare the portly iconoclast to Charles Foster Kane, in that both Langlois and Welle's fictional newspaper magnate where avid collectors, and both were men of mystery.

Genre

Documentary

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Cast

Director

Edgardo Cozarinsky

Production Companies

Canal+

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Citizen Langlois Audience Reviews

Cathardincu Surprisingly incoherent and boring
SoTrumpBelieve Must See Movie...
PodBill Just what I expected
Moustroll Good movie but grossly overrated
Andres Salama A very intriguing and interesting documentary, about an hour long, on Henri Langlois (1914-1977), the founder of the French cinematheque. It was directed by Edgardo Cozarinsky, an Argentine director usually of documentary films, who was then living in France.The movie has a lot of great archival material (both of Langlois as well as directors and actors praising him), unexpected humor, as well as many poignant moments. Langlois was one of the first people in the world concerned with the preservation of films (in one of the funnier parts of the movie, an old ad is shown boasting how before the movement for movie preservation started, old movies were usually turned into shoe polish). Intriguingly, Cozarinsky speculates that Langlois' life long work was rooted in his desire to recover his lost childhood. You see, Cozarinsky explains, Langlois was born in Smyrna, who was at that time a part of the Ottoman Empire. During the First World War, Smyrna was captured by the Greeks, but in 1922 the Turks were able to occupy it again, not before burning it, and European families had to flee the city. Langlois was among them, a young child at the time, and he saw how all his possessions were lost in the fire. So in Cozarinsky somewhat psychoanalytical interpretation (how Argentine to do this) his work in film preservation was an attempt to recover his childhood. Narrated by Niels Arestrup.