Plantiana Yawn. Poorly Filmed Snooze Fest.

MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The Couchpotatoes I can't say I watched alot of Argentinian movies but this one is certainly worth a watch. Also because the movie is based on actual events, it made it even more captivating and interesting to watch. The seventies, it's actually not that long time ago, were not really good times in Argentina if you had the idea of criticizing the actual regime. The military dictatorship of that time was systematically eliminating dissidents to the regime. In this story, that is sometimes hard to watch, we witness the kidnapping and interrogations of some alleged 'Desaparecidos'. It was not a good time to have 'lefties' ideas. The acting was very good, as it looked all very real and disgusting. A good movie from Israel Adrián Caetano. I will look for more of his movies.

Claudio Carvalho In 1977, the goalkeeper of the Almagro team Claudio Tamburrini (Rodrigo de la Serna) is illegally kidnapped from his home, arrested by the government forces and sent blindfolded to Sere Mansion, a clandestine detention center. His acquaintance Tano (Martín Urruty), who had been tortured for a long period, had falsely accused Claudio of being a revolutionary. Along the months, Claudio is kept nude and handcuffed together with the prisoners El Gallego (Lautaro Delgado), El Vasco (Matías Marmorato) and Guillermo Fernández (Nazareno Casero) and submitted to all sort of humiliations and tortures, until the night they decide to escape from their imprisonment in the old mansion.The dramatic "Crónica de una Fuga" is a true recollection of a dark period of dictatorship in South America sponsored by USA to fight the communism, more specifically in Argentina. The story is very well acted but limited to the situation of Claudio and the other three prisoners in the Sere Mansion and their escape. However it omits, for example, that Tano and the other prisoners have been certainly dropped airborne from an Air Force airplane (the Jeep indicates Air Force Argentine, and this was a common practice in the dictatorship period). My vote is seven.Title (Brazil): "Crônica de uma Fuga" ("Chronicle of an Escape")

gradyharp One of the aspects of this excellent film from Argentina is the disturbing fact that it is based on actual events. Director Israel Adrián Caetano (with Esteban Student and Julian Loyola) created the screenplay from the main character's memoir - 'Pase libre' by Claudio Tamburrini - and in doing so bring a sense of immediacy and unfiltered truth to this tale of the 1977 military dictatorship in Argentina during the time of the 'Desaparecidos' or terminal evacuation/elimination of dissidents to the regime. CHRONICLE OF AN ESCAPE (Crónica de una fuga) relates the capture of soccer goalie Claudio Tamburrini (Rodrigo de la Serna, remembered for his magnetic portrayal of Alberto in 'The Motorcycle Diaries') during a soccer game in 1977 when he was abducted, blindfolded, and taken to a house of detention as a suspected revolutionary. Claudio is beaten, interrogated, starved, and forced to live nude, blindfolded and in handcuffs chained to his palette along with other detainees - Guillermo Fernández (Nazareno Casero), El Gallego (Lautaro Delgado), El Vasco (Matías Marmorato) and El Tano (Martín Urruty). Each of the detainees is repeatedly tortured and deprived of the 'necessities' of living until after four months the group decides to escape. The tension of their ingenious escape provides the film with a tense and riveting closure, and at the end of the film the destinies of each of the detainees is revealed. Though the world knows some of the details of the military junta in Argentina that lasted from 1976 to 1985, observing the calamity in the form of real individuals who suffered pleads the case for understanding the atrocities better than simply reading media accounts. The manner in which Caetano directs his superb cast is enhanced by the extraordinary cinematography of Julián Apezteguía and the moody and creatively subtle musical score by Iván Wyszogrod. The cast is uniformly excellent: though the men who play the evil torturers have not been named in this review they are all very strong actors. This is a tough movie to watch and the audience should be aware that the prisoners appear in the nude throughout the film (if that is a problem for some viewers). In Spanish with English subtitles. Very strongly recommended, especially in this time when the concept of 'detainees' is so very much in the public eye once again! Grady Harp

otroale Yes, this time we can be sure. This movie will bring home the first award since "la historia Oficial". But the great thing about this movie is that it does not need any award to prove how great it is. When you have some great performances, specially from the best south-American actor of his generation, Rodrigo de la Serna (Diarios de Motocicleta), and a director who has achieved his most mature work, and all of this to tell a story so sad, deep, breathtaking and energetic, you can't go wrong. I was lucky enough as to see this film on a preview, so this is the first vote it receives at the IMDb. But believe me, this movie has future of top 250. Not that it needs it, anyway. Finally, if you are from Argentina, and you think that we have had enough with this type of stories, think of all the missing tales similar to this one, that we'll never know of. They are at least 30.000. So we need to continue filming and writing about the seventies, until one day we'll be able to say. "This won't happen again"