Noutions Good movie, but best of all time? Hardly . . .

DubyaHan The movie is wildly uneven but lively and timely - in its own surreal way

Salubfoto It's an amazing and heartbreaking story.

Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

christian-larson Chronic stars Tim Roth and its the story of a nurse that takes care of multiple patients. I really liked this film. The cinematography in this film is one of the best I have ever seen. The way the camera moves and the long and eerie takes throughout the film really gave this film more realism. The color grading is perfect as well. The performances are great and the characters are magnificent. The storytelling in this film is phenomenal. You can tell what will happen (sometimes) and it can be predictable, but its the way its executed that really makes this film special. The direction is top notch and there are a lot of ballsy decisions made in the ending that literally made my jaw drop. There are some problems though. The pacing is really slow and there are a lot of unnecessary scenes. I understand that the director is trying to set up a mood, but it really makes this film really long, even though its only 1 hour and 30 minutes. The structure is also troubling since the first part is a completely different movie than the second and third part. Overall, this is a depressing, bleak, gloomy, great film that really makes you feel weak when the credits roll. 8.5/10

dbrayshaw What I write could be viewed as a spoiler, so be warned.Yes, this movie has very little action; in fact, it moves at a snail's pace. And yet, the story is a profoundly moving account of the work nurses do for the terminally ill.David is a male nurse who feels deeply for those who struggle with end-of-life issues. Out of his own sense of love, he does what he does, not some deep seated confusion. It is how he has learned to deal with last stage perplexities.How many of us would even venture into that world, for even a week, much less an entire career? Cleaning patients, dealing with their daily needs, and servicing them in whatever capacity they desire is comparable to the Make A Wish foundation.As more and more baby boomers advance in age, these realities will gain greater exposure and discussion regarding what options a terminally ill sufferer has will widen. This is the point of Tim Roth's marvelous portrayal, that, in the end, compassion must reach beyond the norm, to assist in an effort to end suffering.This compares greatly to Mother Teresa's focus on the needs of the dying. Her way, which may be a more godly way, is to be a servant and friend to those at death's door, remain with them until the last breath. Maybe sentiment will one day reach farther watching them slowly die.

Turfseer While Mexican director Michel Franco's story about a palliative care worker may not be completely developed, his overarching theme proves to be quite illuminating as well as disturbing. His protagonist is the driven David, very well-played by Tim Roth, known for work in wide variety of independent and mainstream features.Chronic is divided into three segments focusing on the three patients David cares for. The first has little dialogue and focuses on David taking care of an emaciated woman whom we later learn is named Sarah. The camera is fixed at a distance and we see David assiduously attending to Sarah, carrying her around as she is unable to walk and propping her up in the shower, as he bathes her. Soon afterward David is attending the woman's funeral and is approached by the niece of the woman who seeks information as to her aunt's last days. David declines to speak with her. Franco's theme soon becomes apparent—family members keep their distance from relatives chronically ill, facing their last days. Only the palliative care worker—in this case one who appears to care deeply about his patients—seeks to get involved by engaging with the dying, on a deeper emotional level.David so identifies with his patients that when queried by strangers at a bar, he refers to Sarah as his wife, an AIDS patient, who has just died. In the next and most compelling segment, David goes as far as going to a bookstore and purchasing books on architecture in order to converse with his next charge, John, a former architect now debilitated by a devastating stroke. Again, it's the extra effort he puts in to take care of his patients that's so impressive (he voluntarily takes over the night shift for the next nurse on duty free of charge). Unfortunately, John's family doesn't take too kindly to David allowing John to watch pornography on his laptop, and soon he's being accused of sexual harassment and forced to leave John immediately. Again the theme of society's aversion to confronting mortality is reiterated. There is nothing salacious about David's actions—he simply seeks to improve the quality of life for his patients and bring them a measure of humanity and dignity in their dying days.What causes David to be so self-sacrificing? Franco presents David's backstory in dribs and drabs—contact via the computer and in person between his ex-wife and daughter provides a sketchy picture of a man who was forced to deal with the terminal illness of his son—ultimately deciding to pull the plug much to the chagrin of family members. There's not much more to what makes David tick but he's the kind of saint that makes people uncomfortable. Franco's portrait of David's devotion to his patients is uplifting and reminds us that we should all be more sympathetic to those facing end of life issues.In the last segment, David forms a relationship with a woman undergoing chemotherapy and ultimately facing a terminal diagnosis. Again David's engagement of the dying is cathartic, but Franco now shifts gears by injecting another issue into the narrative involving assisted suicide. David's ambivalence about how he handles this situation is brought out and this is how the story basically ends.There is a coda, however, that some critics found specious (Super Spoilers ahead). David, who jogs in his spare time, is suddenly hit by a car and is killed in the final scene. Franco perhaps is hammering us a bit too hard when the devoted healer ironically meets an untimely end himself.Chronic is not for everyone. It's slow-moving and its protagonist is not much of a developed character. Nonetheless, the theme of compassion for the dying and society's aversion to such a subject, is a wake-up call for the majority of us who choose not to reckon with the reality of our own mortality.

cinesocialuk Writer-director Michel Franco's 'End Of Life porno' doesn't shy away from showing us the human body in all its sweating, vomiting, defecating ugliness during the final gasps of people who have been ravaged by illness.Tim Roth is quite excellent as the quietly spoken, polite, diligent nurse who abuses with loving, suffocating careRight from the get go David showers a dying patient with an uncomfortable thoroughness that borders on the obscene.Not wanting to let his viewers off easily, the camera lingers on this awkward moment, instantly pricking our eyes up about this strange and devoted man's behaviour and motivations.