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Beanbioca As Good As It Gets

ShangLuda Admirable film.

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

malmborgimplano-92-599820 John Waters recommended this film in his essay "Why I Love Christmas" ("I wish I had kids. I'd make them watch it every year and if they didn't like it they'd be punished") and you can definitely see why it's his kind of film, a low budget radical punk anti-Hollywood original. If it hasn't already been remade it would be a good property for a gifted filmmaker to take on, as its faults, including a certain lack of narrative focus and coherence, a painfully low budget and too many unattractive male cast members with receding hairlines, are easily remedied, while its essential material is great: a man driven into a violent psychotic breakdown by his inability to reconcile the corruption and cynicism of everyday American life with its ideal of innocence and purity as represented by our fetishistic worship of Christmas and its god, Santa Claus, who in his delusions he tries to become. As Waters notes, this is not one of those Christmas-themed horror movies, but a psychological thriller thick with bitter sociological satire. It's "Taxi Driver" with jingle bells.There are definite Watersian touches in this film (the raunchy sounding vintage Christmas recordings, kitschy Christmas lights and moments of dirt-black social commentary, including allusions to Geraldo Rivera and his exposure of rampant child abuse at Staten Island's Willowbrook institution, which was still in operation when this film came out) but I also see echoes of Cassavetes and Scorsese in its raw depiction of the unfashionable boroughs of New York City and its decidedly unglamorous inhabitants. What I like best about it though is that it takes on the American obsession with having a merry Christmas and shakes the living daylights out of it, pointing out that for many of us there is no such thing, and even when it does come along there's likely to be some nut out there--a reckless driver, a jerk at the party, or even a member of our own family--waiting to ruin it for us.

Woodyanders Meek middle-aged toy factory worker Harry Stadling (superbly played with heartbreaking pathos and conviction by Brandon Maggart) has a decidedly unhealthy fixation on Santa Claus: He lives in a home adorned with a motley array of St. Nick-themed items, tries to get his indifferent coworkers to take pride in the toys that they manufacture, and even spies on the neighborhood kids with binoculars and keeps tabs on their behavior in a series of ledgers. However, one fateful Christmas Eve Harry has a severe mental meltdown and goes dangerously off the deep end with his Santa obsession.Those expecting a typical and conventional slice'n'dice body count opus will be seriously disappointed; instead writer/director Lewis Jackson offers something much better and more ambitious: A quirky, vivid, and often darkly humorous psychological character study of a deeply tragic and troubled soul who elicits from the viewer a complex blend of fear and pity. Best of all, Jackson not only grounds the premise in a thoroughly believable workaday blue collar reality, but also provides a handy helping of spot-on stinging social commentary on the crass commercialization of the yuletide season. Moreover, this film delivers a wonderful wealth of inspired oddball moments: A raucous Christmas office party that degenerates into a drunken fracas, Harry marking a bratty kid's house with muddy hand prints, Harry happily dancing at another Christmas party (Harry's speech to a bunch of little children at this particular party is an absolute loopy hoot!), Harry getting stuck in a chimney, Harry being chased by an angry torch-wielding mob, a police station line-up of sidewalk Santas, and a truly bonkers magical ending that's probably all in Harry's unbalanced head.While Maggart clearly dominates the movie with his top-notch portrayal of a fascinatingly sincere and well-meaning, yet still lethal and unhinged individual, he nonetheless receives sturdy support from Jeffrey DeMunn as Harry's fed-up long-suffering younger brother Philip, Dianne Hall as Philip's more sweet and tolerant wife Jackie, Joe Jamrog as lazy and irresponsible coworker Frank, and Peter Friedman as callous executive Mr. Grosch. Philip Cosnoff does a wickedly dead-on caricature of Geraldo Rivera as preening television reporter Ricardo Bauma. Popping up in small parts are such familiar faces as Mark Margolis, Patricia Richardson, Rutanya Alda, and Raymond J. Barry. Kudos are also in order for Ricardo Aronovich's lustrous cinematography and the wonky electronic score by Joel Harris, Julia Heyward, and Don Christensen. A marvelously singular treat.

TheBlueHairedLawyer Poor Harry, all he wants is to show his colleagues, family and neighbors how much Christmas means to him. But he's a little on the nutty side, literally obsessed with Christmas, from tacky ornaments filling his house to writing down the shortcomings of the kids on his block. It isn't long before he snaps, decides to be Santa and starts attacking! What can I say, this movie is great! Not only does it have that nostalgic slasher film atmosphere, but it also features decent acting, a comedic yet creepy cast of characters and festive soundtrack. You won't get much better from Friday the 13th or A Nightmare on Elm Street, this one is very underrated!

Robert W. Christmas Evil is no feat of film making. You'd be hard pressed to find anyone convince me of that. That being said there are some things about this film that make it stand out from other slashers that came after or even before it. It has a distinctive Psycho vibe to it and it is clear that the director actually cared about this film and was trying to make a good solid horror flick. I didn't find it nearly as campy as other B-horror 80's flicks I have seen and the performance by our lead actor is downright disturbing. Certainly it borders on being comedic in some sort of twisted way but so much of the style, scenes, sound effects and acting is just too weird and creepy to be funny. I absolutely understand why this has become a cult classic in certain circles because as far as I know and can tell this was really the first movie to turn everything sacred about Christmas into a terrifying idea. Yes, Black Christmas was set at Christmas time but our killer is literally obsessed with Christmas, children, Santa and having his dreams shattered as a child. I'm not a film expert and I rarely notice things like camera angles or specifics in cinematography and yet I couldn't help but notice some of the smart and equally creepy shots in this movie.Perhaps in the most disturbing concept Sesame Street 70's alumni Brandon Maggart who has also had a lucrative Television career is fascinating in this movie as the completely deranged killer. I know many of you that hate B-movies will scoff and wonder if I'm crazy but Maggart is excellent in this. He displays his very best Norman Bates given the very shallow character development he gets. His mental breakdown and obsessions drives this movie and honestly his performance is far better than a movie like this deserves. I anxiously awaited his snap when he would finally lose it and he is actually a very good actor who makes such a ridiculous film concept seem viable. Its almost a one man show for him because every other person in the movie are small supporting roles so the main focus is squarely on him and it actually probably makes the film that much better. How incredible he is from the time he puts on the suit for the first time through delivering the gifts to the hospital (just a jaw droppingly disturbing scene) to his murderous spree. Not the kills are where the film really starts to get campy because they are ridiculous and poorly shot with dollar store special effects. But thanks to (once again) the music and the camera angles...it is just disturbing. Jeffrey DeMunn (a recognizable character actor) plays Harry's brother and does a solid job. Same with Dianne Hull as his sister in law. They don't get a ton of screen time and they are there strictly to show how far Harry falls from humanity.I have honestly never seen a horror film like this. I mean, it didn't just freak me out but it legitimately got under my skin. It just felt wrong...the killer is completely sadistic and his descent is terrifying to watch. As a horror fan I would never add this to my collection because I simply don't think I could watch it a second time and yet I have to give it kudos for style and just the sick dark nature of it. Writer and director Lewis Jackson has virtually no other credits to his name and I'm actually surprised because I keep emphasizing there is some talent here. The problem with the movie is the story is incredibly weak. I mean, it would have made a great difference to have something other than Harry spotting his Dad dressed as Santa and fooling around with his mother to leave a disturbing impression on him. If some aspects of another B-Horror Christmas classic Silent Night, Deadly Night mixed with this they would have had a real terrifying movie on their hands. I have to call it like I see it and this is brilliantly crafted in so many ways. It drags and dawdles a lot but its like a horrifying car wreck that you can't look away from. His Santa suit is so well done and every time you see a child on the screen you feel sick to your stomach because this guy is truly so messed up. Watch this but with caution because it is something really sick. Only horror fans looking for something outside of the box should watch this one. The last half hour of the film turns into a bizarre homage to Frankenstein and just about nearly de-vilifies our killer and makes him an anti-hero. But I would argue with anyone who says this belongs in a "campy horror" film section. It is a bizarre and twisted film that needs to be seen to be believed. 7/10