Ben Parker
The scenario is promising: a manipulative crippled daughter, estranged parents and their new lovers, the promise of a game of Chinese roulette, potentially sinister or magical caretakers of a mansion... There were so many interesting things that might have happened... Perhaps with a mid-script overhaul this could have been a cool horror movie.But the finished product is a lot of sound and fury signifying nothing. The cast are like a bunch of stilted marionettes staring at each other, saying abstract things. People behave like directionless props; there's no tension or drama, and nobody cares. I believe there may have been some kind of master plan at work here, but something got sucked out of it between concept and page and the whole thing is just empty and pointless.A movie with great potential, but it needed about 12 more rewrites than Fassbinder gave it.
Prof_Lostiswitz
A family of rich industrialists has one child - a teenage daughter crippled by some disease she caught 11 years before (probably Muscular Dystrophy). She has every luxury imaginable, and her parents are superficially polite to her - but underneath, they despise her. Her mother, especially, hates her enough to kill her; yet she maintains the appearances of a caring parent.Both parents have adulterous affairs going - ever since the daughter Angela became crippled by her illness, as the girl sweetly informs us. They both go off to their country chateau at different times on various pretexts, and turn a blind eye to what the other spouse is probably doing. Angela is left in a glittering emotional desert, a gilded cage; her only source of companionship is her mute governess/nanny, a pleasant young lady with a mischievous smile.Angela has grown to be as elegant and cruel as the people around her, although we can sympathies because we see that there was no way she could learn better behaviour - I like to compare her to Catherine Sloper at the end of The Heiress (1949). She arranges matters so that both her parents book the chateau for the same weekend; so one adulterous couple surprises the other "in flagrante delicto". Being civilised people, they laugh it off and sit down to dinner, determined to enjoy the weekend as a party - but then Angela and the governess turn up. Angela is the most perfect portrayal of a "yuppie b*tch", but we can still feel for her. (At one point she asks the caretaker's son, "Would you be able to love a cripple", and his silence tells us all we need to know.After she has installed herself at the chateau, she drags herself around the hallways opening various bedroom doors and peering maliciously at the adulterous couples inside; they stare back in unhappy resentment. Later the couples propose to relieve their boredom by some game, so the mother comes up with a bright idea: target shooting! She forthwith aims a pistol out at the courtyard where her daughter is hobbling along; it takes the "other woman" to gently restrain her by holding her hand.Later, at supper, Angela proposes that they should play her favourite game, "Chinese Roulette", in which one group tries to guess the identity of some individual selected by the other group, by means of indirect questions. The questions become increasingly ruthless and cutting; it becomes apparent that this game is as fiendish as Chinese torture and as deadly as Russian roulette, though it uses words instead of bullets. I don't believe in spoilers, so I won't tell you how it ends.The photography in this movie is absolutely stunning; many of the scenes are shot through (or reflected in) glass, suggesting the glittering falsehood and superficiality of these people's lives. The colour composition is exquisite, words cannot really describe it. The slow movements of the characters are choreographed almost like ballet. The spooky music is just used at intervals making this feel like a horror movie (which it really is). Fans of "evil child" movies should check out this one, which raises everything to the max.The director, R. W. Fassbinder, said that he wanted to portray what happens when parents fail to love their children. RWF has a reputation for making art movies with obscure meanings, but this isn't one of them - it's a very rewarding experience, I urge everyone to see it. Everyone is entitled to make the odd clunker, and the guy hit the mark more often than not.
m67165
This film is intense. I found it quite entertaining as a psychological thriller. You wonder how far will these people go into the game. Will anyone break? Will the violence become physical? It kept my interest to the very ending, which was a good one.
celsokl
Sometimes directors guarantee a place in Cinematography Hall of Fame and all of a sudden every work from them become masterpieces. "Chinesisches roulette" is a nice example of an overrated movie. The messed up family and the psychological battles are nice, but no espectacular work for sure. The actors sometimes seem to be intentionally exaggerating, sounding and looking completely artificial. Save a coin for the little girl. Das ist alles.
