Limerculer
A waste of 90 minutes of my life
FirstWitch
A movie that not only functions as a solid scarefest but a razor-sharp satire.
Kirandeep Yoder
The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.
Leofwine_draca
CHARLIE'S COUNTRY is a well made piece of social drama from Australia. The concept of the film is to explore race relations between white Australians and the Aborigines, and it's not a very happy story; as expected, racism and the general treatment of Aborigines as second-class citizens has led to poverty and hopelessness on a massive scale. I enjoyed the way that these themes played second fiddle to what is essentially a character-focused drama telling of one old-timer's efforts to get by.I was absolutely delighted when I found out this film's protagonist was played by none other than David Gulpilil, who I've loved ever since I saw his debut feature, WALKABOUT. Gulpilil is typically excellent here, bringing his world-weary character to life with an unheralded realism; he's lived this situation, you can see it in his eyes. CHARLIE'S COUNTRY is a slow film, ponderous in places, but the quality of the direction and the naturalism of the acting is what sees it through.
nithig
I love this film. First I loved 'The Tracker' because at last the indigenous man is not a victim or worse, a joke. Now comes Charlie's Country. To Australians the very word 'country'signifies the relationship of indigenous Australians to their country. To an international audience I wish to say this: to me a sign of true art is that there are moments of transcendence. Times when it is impossible to connect rational dots any more. Life flows. Then we awaken from this willing trance and watch superb film making happening, telling a real story, not some bullshit story but real, y' know people, my people. In this Rolf de Heer & David Gulpilil have created a play of universality, the essence of being human will be recognised by any viewer especially those who have experienced how devastatingly concrete the raw use of State power is upon an individual; let alone an individual from a totally different culture, a living culture. Welcome to the new world order. And gratitude to these two men who created this film.
timbosssss
I was captivated by this film from the moment I saw the trailer and after seeing it in the cinema today I walked away unable to think of anything other than what I just saw. This should become an Australian classic in it's approach to what has been seen many times before in Australian cinema. Charlie's Country is a single perspective (as the title hints) that doesn't force anything but rather let's you see life from the perspective of a complicated human who is idealistic yet vulnerable. This handled with precision from it's lead. David Gulpilil's performance in this film will hold you from beginning until the end. His portrayal of Charlie gives important insight to the issues facing the indigenous people who have lived on the land for centuries. Rolf de Heer has chosen to simply capture a character and never sways from his perspective, he unfolds the film in impeccable timing. You can feel the passion for the project through the lens. This role was obviously crafted for Gulpilil (he co-wrote it with de Heer) and this is definitely his career highlight. The camera often holds on his eyes and he has a way of portraying his character just through looks and reactions that never feel contrived or forced.Ian Jones' cinematography with it's careful yet raw tracking shots follow Charlie as he goes about his business, really pulls you in while remaining true to the sometimes harsh landscapes and living conditions. There is a temptation for film makers and cinematographers to oversaturate the landscape or make it look overly bleak and this is handled with utmost care and craftsmanship here.The score by Graham Tardif is minimal and serves the story well, the piano motif's are used in key moments but ultimately represent Charlie's soul. I find that many film makers in Australia often use sound as an afterthought but is used in a very clever way in several scenes, holding the frame and allowing you to simply hear what is going on.It is great to see some fine supporting talent in the likes of Luke Ford, Gary Sweet, Peter Djigirr, Bojana Novakovic and Dan Wyllie. They help lift the film in it's moments of humour and moments of despair, counterbalancing Gulpilil's performance with perfection in casting choice.This is essential viewing for lovers of Australian cinema, and hopefully garners many awards come Australian and International award season. The Cannes Un Certain Regard best actor award was very deserved for Mr Gulpilil.
kbor86
This depicts the current situation that the indigenous face as a cultural consequence of invasion in 1788. It is acted out with precision by award-winning David Gulpilil and directed beautifully by de Heer to capture the nature and landscape of regional Australia. A very important piece of Australian history, told in a heartfelt way. Scenes of Northern Territory in Australia are captured exactly how the state is, a humid climate, torrential rains, greenery. There are a few bits of comedy throughout, which are presented in a respectful way. Fantastic show of traditions. Rolf de Heer should be commended again for another fantastic movie. Gulpilil won best actor in Cannes for this, not surprisingly. Every Australian must see.
