Charles Manson Superstar

1989
6.5| 1h40m| R| en| More Info
Released: 17 September 1989 Released
Producted By: Video Werewolf
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Budget: 0
Revenue: 0
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For forty years, Charles Manson has survived most of his life in what he calls 'the hallways of the all ways,' the reform schools, jails and prisons that have been his home and tomb. His thought was born in the hole of solitary confinement, apart from time and beyond the grasp of society. In his cell, he created his own world and speaks his own language: he has concluded that there is only the mind. From convincing his followers to move into the desert to train for the apocalypse, to leading a murderous crew through a string of devilish murders, you will see and hear from Manson himself of how he created a preconceived terror based on his philosophy of life. Manson claims that the so-called 'straight' world outside of prison is but an inverted reflection of the underworld in which he has lived. To him, the reality that presidents and law-abiding citizens accept begins in the hermetic alternate universe of criminals, cons and outlaws.

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Director

Nikolas Schreck

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Video Werewolf

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Charles Manson Superstar Audience Reviews

Pluskylang Great Film overall
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.
wadechurton As one long fascinated by the Manson story, watching this documentary movie was a mostly disappointing exercise. The slightly somnambulistic narrative is based on some painfully dodgy research (for example, a woman who is most definitely not Manson's mother is shown, despite what the soundtrack implies), and an equally unfortunate tendency to get rather 'cosmic', in the sense of trying to create an air of malevolent apocalyptic convergence and doom. To this end we learn from the opening preamble that 'the time-grid we know as August 8th to 9th has always been a magnet for events of savage purification'. The narrator lists the bombing of Nagasaki and the inaugural meeting of the KKK, but suddenly runs out of legitimate examples and offers such desperate toe-curling makeweights as the birth dates of Ed Gein and Unity Mitford, and the 1985 LAPD announcement of their pursuit of the Night Stalker serial killer. Thus he proves that the time-grid we know as August 8th to 9th hasn't been a magnet for events of savage purification at all. On a positive note, it is good to see the actual geographical areas in which the original events took place. Thanks to the makers for driving around the LA hills with the camera out of the window. Anyway, we're here for more than just some ultra-cheapo graphics and a stoned-sounding narrator reading out a b minus high school essay, because a large percentage of 'Charles Manson Superstar' is taken up with exclusive prison interview footage with the man himself. Don't get too excited, though. Speaking entirely in vague generalities, Manson has only one thing to say and that is 'I'm an old man. I don't want to talk about my crimes and I don't need the world's attention on me, so I'm acting the crazy-man so that you'll just go away and leave me alone.' Over the decades many a journalist has taken the pilgrimage to go poke Manson and see if he bites, and all they get is the same 'crazy Charlie' show. Ask him something specific and at best he replies with a foggy metaphor. At worst he just starts into one of his elaborately pointless rants and ends up moving the viewer to tedium. True, there are moments when one can discern the sort of sinister persuasiveness, charisma and even the fatal personal charm which could conceivably convince a group of damaged and drug-messed followers to commit bloody murder, but he's on screen far too often blathering away unchecked and the forced familiarity soon breeds contempt and eventual disinterest. Which, one is tempted to believe, is exactly what Charles Manson desires.
iamsethh The film itself is interesting to see because it's a great example of a documentary that gets across the exact opposite message of what the filmmaker intended (Triumph Of The Will is another). The basic film goes between two types of footage. One is made up of still photos and stock footage (sometimes "enhanced" by lame psychedelic effects) with narration. The narration, read in monotone, sounds about like what you might expect a pseudo-rebel middle school student to post in a Manson chat room - It's Manson's familiar history told with glowing admiration and peppered with phrases like "Manson only reflects the society that imprisoned him" and references to "the conditioned masses" that consider Manson to be the half witted turd that he is. The narration criticizes Manson's victims and his keepers, while praising Manson. The filmmaker, Nikolas Schreck, also managed to score a lengthy prison interview with Manson. The interview delves only slightly into what Manson is infamous for (the pointless, envious, brutal murders of his racist hate cult), and instead centers on Manson's "philosophy". Manson's philosophy, as anyone who has seen him interviewed knows, is basically that everyone is phony and screwed up except him. He really says nothing else in the interview, and whenever he reaches a point in his monologue where he might otherwise say something informative, he instead makes a contorted face and giggles or does some kind of karate dragon dance. He is un-chained and un-handcuffed in the interview and is free to walk around the room. Whenever the filmmaker asks a difficult question (though, not much more difficult then "say something to the camera that you have always wanted to tell people"), Manson masterfully intimidates him off the topic by standing and approaching him or touching him, at one point taking one of his hands and caressing it for several seconds. The entire thing is scored by bootleg recordings of Manson's tortuously bad music.
rufasff This documentary is a dubiously sympathetic, though fascinating; look at perhaps the most famous killer of his generation. The film makers trace the personal history of Manson; challenging conventional takes along the way(and sometimes doing some very sloppy research, John Lennon DID NOT write the song "Helter Skelter") and letting the viewer judge for themselves. They accomplish this, almost in spite of themselves, by including long slabs of interviews with Manson done in the late eighties. He rails against "PC MFS!(!), shows a truly passionate and poetic side; and reveals that his often sampled, seemingly meaningless ramblings are probably the result of mental illness due to long stretches of solitary confinement. How naturally evil and violent was this individual? The film lets you judge for yourself. Watch it if you can find it. 9 out of 10.
littlelittlesteven This documentary is without doubt,for me,the best on the subject. Lots of great information presented from a point of view different than the usual. Add to that a lengthy,revealing,exclusive interview with Manson himself and you've got an exceptional video.Very informative!