Lachlan Coulson This is a gorgeous movie made by a gorgeous spirit.

Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

Philippa All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

ksf-2 L.W. Lawes wrote the original story, which has been made over a couple times. Garfield had only been in Hollywood a couple years when he made this. Garfield and Sheridan star as Tommy and Kay, with their trials and tribulations, as Tommy is in and out of jail. Pat O'Brien is the warden, his antagonist. Grant Mitchell and Burgess Meredith are in here with minor roles. The usual prison flick capers. Escape attempts. Prisoner scuffles. Pretty well done. Volume goes up and down, but the picture quality is quite good. Must have been restored. Directed by Litvak.. he and Garfield also made "Out of the Fog" together. Sadly, Garfield croaked pretty young at 39, of heart issues. He had been caught up in the communist scare of the 1940s. For a really Great Garfield film, see "Postman Always Rings Twice". Much better all around. Postman shows on Turner and may other channels pretty often.

edwagreen John Garfield was at his best here in this 1940 prison drama. He is a cocky individual, too sure of himself due to political ties, who soon finds himself in prison for robbery.He thinks he can play the system but soon finds out otherwise by Warden Pat O'Brien. Garfield is tough, but also quite realistic.Burgess Meredith plays a college graduate also in prison who leads an ill-fated escape attempt which the Garfield character refuses to participate in due to his fear that bad things always befall him on Saturday.Ann Sheridan plays the faithful girlfriend, and pulls out all the stops in the death scene with Garfield.This film subtly is anti-death penalty. It brings out how a dimwitted person was executed for a police killing during the attempted breakout. It also showed how Garfield paid the ultimate price for a murder he didn't do. He just wouldn't be believed as circumstances warranted that.

dougdoepke Cocky gangster (Garfield) goes to prison where he gradually reforms until given a break by the prison warden (O'Brien). Then problems ensue.Typically gritty Warner Bros. fare from the pre-war era. Garfield shows he's in the same gangster class as Cagney and Robinson. Watch him spit out dialog faster than a machine gun burst while doing a tough-guy routine. And who better to double-cross him than that slippery lounge lizard Jerome Cowan who could machine gun his own dialog as a reporter in dozens of period films.But the real scene stealer is scrawny, athletic Burgess Meredith, a brainy con who outwits the prison head-doctor (Grant Mitchell) in the movie's best scene. He may be the least-likely looking con I've seen; still, he and Garfield make a dynamic leadership team (as long as it's not Saturday!). On the other hand, goofy Big Boy Williams strikes me as a matter of taste.It's a compelling, if not original, plot that redeems Garfield without whitewashing him. Still, I'm not sure what his actual capital crime is when they lead him away, especially when the all-powerful Production Code insisted that justice be served on this side of the pearly gates. Nonetheless, his scenes with the warden (O'Brien) are nicely shaded gems of growing respect, while a lovely Sheridan is affecting as the luckless girlfriend. As this gutsy little programmer shows, star-studded MGM may have had the gloss, but plebeian Warner's had the grit.

Michael_Elliott Castle on the Hudson (1941)** 1/2 (out of 4) Pretty much a scene-by-scene remake of the 1932 drama 20,000 YEARS IN SING SING has gangster Tommy Gordon (John Garfield) being sentenced to prison but he's not worried because he thinks his "connections" will get him out. Soon Tommy realizes that those on the outside want him to remain in prison so he thinks about escaping but the Warden (Pat O'Brien) tries to talk some sense into him. Spencer Tracy and Bette Davis were the stars of the original film, which is slightly better than this one thanks in large part to see the two legends working together. If you've seen that version then nothing here is going to come as a shock to you because I wouldn't be surprised if Warner just dusted off the previous screenplay and used it again, just changing names this time. That original film wasn't a classic so if you haven't seen it then you'll probably be caught up in the story plus we get Garfield turning in another winning performance. His character was too large of an ego and comes off as a major jerk but Garfield could always play these characters and in the end make you care about them. That's what pretty much happens here because after Tommy takes his beatings he finally comes to except prison life and how it actually is. Garfield is so believable in the part that you can't help but want to see him succeed in what he's doing no matter what he was convicted of. O'Brien plays his character countless times before in a number of Warner pictures. That heart of gold who takes in the bad and makes them see how good they could be. O'Brien and Garfield work extremely well together and they're certainly the main reason to check this film out. Ann Sheridan plays the girlfriend and isn't too bad in the part but the character is so poorly written that she becomes quite annoying due to how stupid she is. Burgess Meredith plays a fast-talking convict who tries to talk Garfield into escaping and Guinn Williams is the lovable lug head. Warner made a ton of gangster and prison pics and while this here isn't nearly the best, there are at least enough good moments to make it worth viewing but I'd still catch the original first.