VividSimon
Simply Perfect
Pacionsbo
Absolutely Fantastic
Tayyab Torres
Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Paynbob
It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
SimonJack
Other reviewers have noted the fine cast in "Casanova's Big Night." Bob Hope was an excellent stand-up comedian, but his shtick in movies begins to wear thin rather fast. Part of it may be a lack of freshness among his writers, and part may be his performances. This film has an interesting premise, and some good comedy "action" scenes. Two things that boost it a notch or two above most of his films are the excellent costumes and sets in this film; and Hope's performance as a foreign baroness, especially his hilarious dance scene with the main villain, The Doge. The supporting cast are all quite good, and some big names in Hollywood of that time. Joan Fontaine, Basil Rathbone, Vincent Price, John Carradine, Raymond Burr and others. After I watched the film recently and saw Lon Chaney Jr. in the credits, I had to go back and watch his part again. The makeup was so good I still couldn't identify him clearly in Emo the Murderer.
bkoganbing
One of Bob Hope's funnier comedies was Casanova's Big Night which finds tailor's apprentice Hope exchanging places with the great Casanova who is played by Vincent Price in an unbilled cameo.Casanova's been down on his luck lately and he's beating it out of town owing the butcher, baker, and candlestick maker as well as his valet, Basil Rathbone. But after Dutchess Hope Emerson and her son Robert Hutton catch Hope in Casanova's outfit, Rathbone and the creditors decide to let the ruse continue.Emerson wants to hire the world's greatest lover to seduce her son's intended, Audrey Dalton, because she feels she's a titled goldigger. True, but that's beside the point. The proof will be if the great lover can steal a certain petticoat with a crest embroidered on it.The Doge of Venice Arnold Moss and his two scheming aides Raymond Burr and John Carradine also have their doubts that Hope might not be the great Casanova. What could ever give them that idea? By the way Cassanova's Big Night was unusual for Hope in that he went the entire film without one Crosby joke. The palace intrigue is as thick as a cement pudding, but Hope manages to bumble through it with the help of Joan Fontaine who is one of the creditors. As is the case in all his films, she develops as a soft spot for old ski nose.Paramount gave Hope an unusually good supporting cast here and they all perform well. Of course fans of the classics might well recognize that the plot was lifted from The Three Musketeers.But can you imagine the havoc that three Bob Hopes would have caused Venice?
artzau
Hope was at his peak when this film was made. It has many of the same elements as his Monsieur Baucaire, a costume drama about a person above his station carrying out an impersonation, getting involved with good looking chicks, fighting comic duels, etc. Hollywood back in the late 40s and early 50s was not above recycling a hit. I love seeing these old films again with the great comedians of those times, Danny Kaye, Red Skelton and, of course, Hope. Their timing and ability to make the corniest gags work still amazes me. Also, this film has so many of the wonderful character actors that made the old studio productions such a treat. These are faces that only the most serious of trivia buffs will recognize and put the names on, but here we have Arnold Moss, Frank Puglia, John Carridine, Lon Chaney Jr., John Hoyt, Primo Carnera, Hugh Marlowe and a very young Raymond Burr. The comparisons by another reviewer with Woody Allen are interesting but, hey! Hope was first.
Coxer99
The jokes may be old, but the great timing of Bob Hope will keep you laughing throughout this comedy about the great romancer. Keep an eye out for Raymond Burr, who has a small role in the film.