Carnival Boat

1932 "A hardy lumberjack tamed by a showboat girl!"
5.4| 1h2m| NA| en| More Info
Released: 19 March 1932 Released
Producted By: RKO Radio Pictures
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Budget: 0
Revenue: 0
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Buck is a hard working lumberjack, but likes to have fun. Buck's father is the foreman and wants Buck to take over when he retires. Buck is in love with Honey, a show-girl on the carnival boat, but she won't live in a lumberjack camp.

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Director

Albert S. Rogell

Production Companies

RKO Radio Pictures

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Carnival Boat Audience Reviews

Karry Best movie of this year hands down!
Evengyny Thanks for the memories!
Console best movie i've ever seen.
Jonah Abbott There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Michael_Elliott Carnival Boat (1932)** 1/2 (out of 4)Jim Cannon (Hobart Bosworth) wants his lumberjack son Buck (William Boyd) to take over his job when he retires but the son just isn't really going for it. A problem happens between the two when the son falls in love with showgirl Honey (Ginger Rogers).CARNIVAL BOAT was a low-budget movie from RKO that was probably playing under a much bigger film and was quickly forgotten about by the public. Even film buffs have forgotten it, which is understandable considering there's nothing "classic" about it but at the same time there are some pretty interesting things that make it worth viewing.The best thing about the picture is the lumberjack setting with us getting to take a look at the type of equipment that was used back in the day by these loggers. There are some very fun scenes built around this including one with an out of control train. The highlight comes towards the end when a bunch of logs jam up a dam and we get a very fun action scene.I thought the three leads were quite good in their roles with Bosworth stealing the picture as the cranky old man. Edgar Kennedy and Marie PRevost are also on hand in small supporting parts. At just 61 minutes there's certainly nothing ground-breaking here and the love story is quite predictable but it's still worth watching.
Spondonman It's an early and primitive RKO Pathe film from the young Ginger Rogers - the next year she teamed up with Fred and never looked back. And William Boyd still had a couple of years to go before he became Hopalong Cassidy for the rest of his life.Story relates the trials and tribulations of a logging company which is visited by a showboat containing an entertainment troupe; Ginger and Boyd love each other much to the opposition and disgust of his father wonderfully hammed by Hobart Bosworth. It's pretty much run of the sawmill stuff, except maybe in watching the cavalier attitude workers had to moving gargantuan pieces of timber around in some scenes, whenever it was timber anyway. The runaway train sequence was taken at warp speed - but you should know how it'll all end. That's right, Ginger was worrying about her (tree) feller for nothing!I didn't see a carnival and only a little bit of boat but it's short and almost sweet with a harmless inconsequentiality to preclude serious criticism; worth an hour of my time.
bkoganbing Up and coming star Ginger Rogers takes a distinct second place to the special effects in a story about the men in a logging camp and the women on a Carnival Boat they should avoid. Ginger's partnered with William Boyd who was not yet Hopalong Cassidy.Boyd is the son of the camp foreman Hobart Bosworth who is feeling the effects of his age. He'd like to see his son succeed him as foreman of the camp, but Fred Kohler has an impressive record for the job and he's not squeamish about what he has to do for that promotion.At the same time Ginger works a Carnival Boat which provides the men of the woods some amusement and like the saloons of the old west relieves them of their wages. Boyd likes Ginger, but Bosworth doesn't feel she's a suitable bride for his son.I think you can probably figure out where and how this is all going to end. The plot is trite, but the special effects that include a runaway logging train and a river log jam are really first rate for their time. It makes Carnival Boat something to see if one can.
Neil Doyle If it weren't for the way the logging camp scenes are photographed, including railway chases aboard the lumber train and stunts that have to be seen to be believed, CARNIVAL BOAT would pass the time quickly as a routine story of a little romance against a splendid outdoor setting.WILLIAM BOYD plays the man who wants to become lumber boss and follow in the footsteps of his father. His romance with a showgirl (GINGER ROGERS) provides conflict for the father/son relationship when dad wants his son to ditch the girl and concentrate on becoming a foreman. Ginger's role is rather small, but she makes the most of a few touching scenes whereby she realizes she might be the wrong sweetheart for the lumberjack. FRED KOHLER makes an impressive "heavy" as the villain of the piece, a man not only willing to fight his rival but attempting to kill him.EDGAR KENNEDY (doing his slow burn schtick) and HARRY SWEET provide the comedy relief, but it's all of the action stunts that steal the show and turn it into a better than average programmer from RKO. The dangerous stunts performed aboard moving trains full of lumber are especially well photographed, as are all of the scenes involving the cutting down of timber and setting free a log-jammed waterfall.A much better film than I expected, giving WILLIAM BOYD a strong hero role that he makes the most of.