Carmencita

1894
5.7| 0h1m| NR| en| More Info
Released: 14 March 1894 Released
Producted By: Edison Studios
Country:
Budget: 0
Revenue: 0
Official Website:
Info

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

Genre

Documentary

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Cast

Carmencita

Director

William K.L. Dickson, William Heise

Production Companies

Edison Studios

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Carmencita as Herself

Carmencita Audience Reviews

Mjeteconer Just perfect...
StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Mandeep Tyson The acting in this movie is really good.
Hattie I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
Horst in Translation ([email protected]) Here and there you find a short movie which may have been not considerably better if they had music and color available back in the last years of the 19th century, but this one is pretty much the exact opposite. Carmencita is still showing us a nice dance and giving us a beautiful smile, but the effect of this one would have been so much better with the wild Spanish or Latin music she was listening and colors that make her gorgeous dress look even more majestic. Still it's an okay early effort from Dickson and a good watch for silent film enthusiasts with an unusually high running-time of 45 seconds for Dickson's movies from that year. I t looks like so much fun how she's wildly shaking her arms and legs and I'd definitely have loved to join in in her dancing.
Michael_Elliott Carmencita (1894) *** 1/2 (out of 4)Infamous Edison short, which features the title dancer, quite famous at the time, doing one of her dances. The film runs only 24-seconds but who today could really imagine how much trouble this film would get into with such a short running time. The movie was famous because it came under a lot of censorship issues wherever it would be played. The most famous incident happened in Boston where it was pulled from theaters after a preacher complained that it was sinful. We only see a brief bit of the dancer's leg (below the knee) so that should tell you something. There's certainly nothing great here but from a historical standpoint this is a very important film.
Boba_Fett1138 This film is part of the series of short Edison films featuring circus and vaudeville acts. Subject in this movie is the American dancer Carmencita. She was quite popular as a dancer at the time and a much asked painting subject for painters. She was also the first every woman to appear in front of the camera in an Edison film, which also makes her the first every woman to appear in an American shot movie. But that's about as historically interesting as this movie gets.The image quality isn't the greatest but the movements look at all times smooth and that's of course what was most important for Edison and Co. at the time. Camencita shows some twirling, with kicks and high arm movements. Her arms got out of the frame at times and the camera also didn't seemed to be steady. Perphaps it was standing on the same stage as Carmencita was dancing on, which caused the light camera shaking?Interesting for those wanting to check out the early Edison Manufacturing Company films, but it's nothing too great or significant. 6/10http://bobafett1138.blogspot.com/
diddleysquat This short film was included several years ago in a documentary about Thomas Edison and his early movie-making experiments. It's timeless - an absolute classic!The video itself is jumpy and splotchy, and primitive by even the earliest silent film standards. But by anyone's measure, the dancer is amazingly good, and this peek into the distant past is well worth watching, if the opportunity arises.It would be nice if someone put together for commercial sale a collection of very early experimental film projects like this one. Few are likely to be as fascinating as this, but it's amazing to see how dramatically video technology has changed - and how relatively little change there has been in our entertainment preferences.