TrueJoshNight Truly Dreadful Film

VividSimon Simply Perfect

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

edwagreen One of the best British movies that I've seen. This is certainly in the tradition of the 1946 heartbreak "Brief Encounter."This gem of a film deals with the ensuing custody battle between a couple and the wife's sister. The problem is that their third sister, the mother of the child, has died and the father, an alcoholic, is not capable of raising the child. We learn that at one time the father had a romantic interlude with his wealthy sister-in-law.The little boy, Nicholas Gledhill,gives the most phenomenal performance. Interesting to read that this young lad has never appeared in another film. The cruelty that this child has to go through when he stays with his wealthy aunt-from the children from the private school that he attends. The film demonstrates how mean other children can be.The film is so good because it shows two diverse sisters-one who is wealthy and the other, poverty stricken especially when her husband, a defeated candidate from the Labor Party, loses his job.The musical score is fabulous and absolutely haunting. The ending will tug at your heart with its Titanic like tragic occurrence.This is a memorable film, well told.

ptb-8 One of Australia's great films of the 80s...big, lavish and crafted for an international audience.......along with GALLIPOLI, THE LIGHTHORSEMEN and MAN FROM SNOWY RIVER, "Careful"..is different in that it is set in Sydney harbourside suburbs of the 1920s......most period films made at this time are set earlier and are rural.....also like the sublime masterpiece THE IRISHMAN. The cast for "Careful" is theater professionals who fit the passionate personalities the extremely emotional and personal roles demand. Their transformation to film is also thanks to the great director Carl Schultz who also made the superb Australian films GOODBYE PARADISE and TRAVELLING NORTH. Much under employed here and almost forgotten ...... Nicholas Gledhill is still in Sydney theater and occasionally appears in fringe productions.Robyn Nevin is the supreme being of the Sydney Theatre Company and the great Wendy Hughes is the goddess of the Australian screen.....see NEWSFRONT for that confirmation. The late great John Hughes such a genuine Australian man in his perfect realisation of the irresponsible but lovable main male character "Logan". This film is Australian screen perfection, however the end credits come too early.

jtur88 Nicholas Gledhill's portrayal of a child is one of the best I've ever seen. He was eight at the time, and the character seems more like five---and a really excellent capture of the body language and expression of a child of that age mystified by the odd grown-up world around him. The worst distraction in the film was the music, which never seemed appropriate, like it had been composed for a different film, in an earlier decade. A few acting performances were overbaked, but in general it was OK. Oddly, Nicholas never appeared in another film.

Bill Kamberger Surely one of the best modern films about childhood, this swept the Australian Academy Awards and remains a thrilling film experience. When a young boy is left orphaned, his two aunts wage a bitter custody war over him. We see the adults' actions from the boy's point of view, with all the wonder, confusion, and naive wisdom such an outlook would provide. The events have a wry edge even in tragedy and remain gripping even in happiness. Stay tuned through the final credits for one of the best epilogues in film history.Wendy Hughes plays the dark side of Auntie Mame, and she is both entrancing and repulsive, ludicrous and heartbreaking. The late John Hargreaves delivers a shattering cameo, and young Nicholas Gledhill deserves to be named in the company of Jean-Pierre Leaud, Anton Glanzelius, and Haley Joel Osment. The child's-eye direction is never less than astonishing, while the cinematography and music are gorgeous enough to take your breath away. If you thought the squabble over Elian Gonzalez was great drama, wait till you see this!