Camp de Thiaroye

1988
7.7| 2h34m| NA| en| More Info
Released: 06 September 1988 Released
Producted By: ENAPROC - Entreprise Nationale de Production Cinématographique
Country: Tunisia
Budget: 0
Revenue: 0
Official Website:
Info

A Senegalese platoon of soldiers from the French Free Army are returned from combat in France and held for a temporary time in a military encampment with barbed wire fences and guard towers in the desert. Among their numbers are Sergeant Diatta, the charismatic leader of the troop who was educated in Paris and has a French wife and child, and Pays, a Senegalese soldier left in a state of shock from the war and concentration camps and who can only speak in guttural screams and grunts.

Genre

Drama, War

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Director

Ousmane Sembène, Thierno Faty Sow

Production Companies

ENAPROC - Entreprise Nationale de Production Cinématographique

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Camp de Thiaroye Audience Reviews

Jeanskynebu the audience applauded
Livestonth I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible
Numerootno A story that's too fascinating to pass by...
Isbel A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
raskimono Camp de Thiaroye by Senegalese Director is a war movie without a war. Set on an army post in Senegal towards the final days of WWII, it follows a regiment of the French West African Armed Forces who have returned from a tour of duty in Europe. The story is an allegory for the resistance movement to colonialism that sprung up after the war and led to the end of colonialism. Often bloody, it captures the relationship between American soldiers stationed in Dakar, French commanding officers and the French West Africans while touching on issues of racism, inferiority complex and black on black relationships. Never one to lead the audience, Sembene takes his time staging scenes often with beautiful framing that eats up the edges of the screen. It may leisure and some scenes are didactic but it never wavers in its utmost honesty and its eventual humanism resulting from a cataclysmic ending that is both gripping that echoes the refrain that maybe we are all crazy. It is one of the better movies of this master of cinema and in this reviewer's opinion, a 10/10.