Brown's Requiem

1998 "In L.A., The Law Is Still For Sale."
5.7| 1h44m| R| en| More Info
Released: 01 November 1998 Released
Producted By: J & T Productions
Country: United States of America
Budget: 0
Revenue: 0
Official Website:
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Fritz Brown is an ex-LAPD, recovering alcoholic who now splits his time repossessing cars for a used car lot and staffing his one-man private detective agency. When a filthy caddie named Freddy "Fat Dog" Baker wanders into Fritz's office one day, flashing a wad of cash, Fritz is hired to follow Fat Dog's kid sister Jane, who is holed up with a Beverly Hills sugar daddy named Sol Kupferman. Kupferman is a 70 year-old bag man for the mob, and Fat Dog claims that "Solly K" is up to something evil that may harm Jane. The trail leads Fritz to an encounter with his dark past in the person of Haywood Cathcart, current head of LAPD internal affairs and the person who kicked Fritz off the police force.

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Director

Jason Freeland

Production Companies

J & T Productions

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Brown's Requiem Audience Reviews

ThiefHott Too much of everything
Intcatinfo A Masterpiece!
Invaderbank The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.
mikeallen21 Brown's Requiem is a gritty, realistic, detective story. Michael Rooker is top notch and very believable. His supporting cast is excellent.The casting was spot on. William Sasso of Mad TV fame is spectacular. He really is a versatile actor that needs more and larger roles. Brad Dourif adds some veteran skills and Selma Blair gives a good performance as an enticing teen with trouble always in tow.If you like realistic suspense/thriller situations you will love this.It lifts the veil of the shiny city and shows the dirty, dangerous underbelly of a large city filled with unpredictable misfits.Dark, not so perfect, lead character with all his flaws and fears trying his best to do right against the odds. Rooker can be VERY menacing when backed in a corner!
merklekranz Michael Rooker is an antihero private investigator, who gets involved with a nasty case revolving around incest and murder. Rooker is excellent as the boozing detective. Selma Blair is more in the background, while Brion James and Brad Dourif have small roles. Although the story is pretty straightforward, there are a couple of minor surprises. The bad guys seem to underestimate Rooker, and that often works to his advantage. The final showdown with Brion James is both exciting and satisfying. Character development is good, the pace is acceptable, and overall, "Brown's Requium" is entertaining, although at times the film is a bit confusing ....... - MERK
Harun Musho'd I am amazed that, given the reviews of the film (all apart from two rate the film highly), how this film managed to score so poorly. Indeed, I think it's a huge shame that it didn't get a better cinema release in this country. I only saw it on video.I thought it was excellent thriller in the noir tradition. There are three standout elements. First, the plot and feel of the film. These are faithful to James Ellroy's book, more so than in the case of LA Confidential. I was amazed how much of the detailed plot was included (and believe me Ellroy plots are detailed!) Secondly, Cynthia Millar's haunting piano score was probably largely responsible for my second viewing of the film. Thirdly, Michael Rooker's performance. I had only ever remembered him as the villain in Sea of Love, a part he played well but not outstandingly. Here, though, his hangdog expression served him excellently. He is a modern Robert Mitchum, born to play noir leads. Actually he's better, Mitchum was too smooth.Highly recommended. Go see it and give it more deserving marks on the board than it has at the moment. I haven't mentioned Jason Freedland's contribution, but I hope to see more from this talented director, given his superb first attempt.
moovguy All of these reviews worth their salt catch on to the fact that this is a great adaption of the book. What they fail to mention is that the locations in this movie really give it that dark, haunting feel that is the underbelly of Los Angeles. LA is not all bright, blaring sunlight and perfectly straight rows of palm trees. The city's most interesting aspect is hidden in its shadows and the film captures that look perfectly.