Wordiezett So much average

Claysaba Excellent, Without a doubt!!

Spidersecu Don't Believe the Hype

Staci Frederick Blistering performances.

Leofwine_draca THE BRAVE ARCHER AND HIS MATE is the fourth and final entry in the Chang Cheh-directed series that Shaw put out in the late '70s and early '80s. Watching it comes as a bit of a shock to anybody familiar with the previous movies, as the cast is totally swapped around for this one. Venom star Phillip Kwok is now the middle-aged hero played by the youthful Alexander Fu Sheng in the earlier films, while Fu Sheng himself plays in support as the bratty off-spring of a rival character.It's certainly a complex way of doing things, and as a film this is fitfully entertaining, although bogged down in too much narrative. The story is delivered in heavy chunks of exposition that feels so dense you want to press the pause button just to take stock of what you've been told. Inevitably the film remains entertaining thanks to the level of professionalism you see displayed in terms of costume, effects, and scenery, and of course the outstanding fight action.Once again Cheh can't resist using his Venoms actors to deliver the outstanding fight spectacle, much of which is consigned to the climax. Chiang Sheng shines as an evil prince although Lu Feng is underutilised as a random clan leader. Wang Li gets a lot of screen time here, playing the crazy frog fu guy played by Wang Lung Wei in the first two movies. Fu Sheng is an annoyance rather than an asset, although Kwok shines in his lead role. One further film, a spin-off called LITTLE DRAGON MAIDEN, was to follow.

poe426 Keeping in mind the fact that asking for continuity in a kung fu movie is akin to asking for understanding and compassion from a politician, THE BRAVE ARCHER AND HIS MATE opens with Kuo Tsing (Kuo Chui) and his bride arriving at Peach island only to discover the bodies of several of his 6 teachers and an unfinished written message. Chang Cheh seemed to have a penchant for martial arts murder mysteries, and this one's a prime example. Evidence points to the bride's father, Huang, a druggist nicknamed "Eastern Evil." Blind master Ko, a survivor of the alleged attack(s), sends Kuo after Huang, suggesting that he might want to remove Huang's daughter's head in the meantime. It turns out that Ouyang Fung ("Western Poison") has been tricked into killing Kuo's teachers by the ambitious but unscrupulous Yang Kang- who dies after being poisoned by impaling himself on a sword. All of the foregoing is deducted by Kuo's wife, Yung Er. Kuo and Yung Er decide to take Kang's orphan son and raise him as their own on Peach Island. The boy, Yang Guo, grows up to be Alexander Fu Sheng. He's raised along with the Wu brothers, Siao and Sau Man, and the lovely Fu Er- who all use Fu Sheng as a punching bag until he outfoxes them and teaches them the error of their ways. In the ruins of the Iron Spear Temple, Guo meets the aged Ouyang, now a mad hermit driven mad by the reading of a kung fu manual purposely written to drive him mad by Kuo. Ouyang "adopts" Guo and promises to teach him "frog fu." Frog Fu, apparently, is a mystical martial art that allows the user to use air (?) as a weapon: Guo has only to "push" air at an opponent to send him flying. Alexander Fu Sheng mugs his way through the movie, but Kuo Chui steals the show: he's absolutely brilliant in this movie (thanks in no small part to the character as written and the actor as directed). Again: continuity be damned, this is one kick-ass kung fu movie.

petep Oh my god, I am nearly speechless over the 100 minutes of madness I just witnessed. No one will ever read this but I'm going to work my way through it. First of all, the description on some sites is accurate except for Fu Sheng's "cameo." He is indeed one of the leads, but just not in the first half hour. This was like 3 crazy movies put together. The first half hour is like this traditional and serious kung fu story starring Kuo Chue where he avenges his teachers. It's good but it's compressed, like an entire film into a half hour. Then many years pass and Kuo Chue is a teacher, along with his wife, and a very smart but mischievous Fu Sheng is one of their students. He encounters a villain from the film's opening and that causes some trouble. Then the last part has them taking Fu Sheng to a new school, but when they show up it's under attack by completely new enemies, and a really long back story is given for all of that. Oh, and being the 4th film in the Brave Archer story, where Fu Sheng played Guo Jing, the star in the previous 3 films, this time Kuo Chue (who I'm a big fan of anyway), takes over the title role, and Fu Sheng is playing someone else! Haha why would they even bother trying that? It was crazy, it was all crazy, and kind of a mess, but I love this genre, I love Chang Cheh, Fu Sheng, the venom mob... I'll give this a slightly positive score, but for even the plot alone you'll have to keep up on a ton of fast moving subtitles to try and make any sense of it all. As of this post I still haven't seen the 2nd and 3rd film in the series, but the 1st one is pure gold! Go check it out!!

Brian Camp BRAVE ARCHER AND HIS MATE (1982) is the fourth and last film in the Brave Archer series directed by Chang Cheh and based on two novels by Louis Cha (Jin Yong), "Legend of the Condor Heroes" and "Return of the Condor Heroes," which were both made into TV series around the same time (1982 and 1983, respectively). The first three films have all also been reviewed on this site. This fourth one is apparently the first one to draw on "Return of the Condor Heroes" and introduces a new hero and a whole new story arc. As a result it comes with a complete and total change in casting. The young kung fu couple dominating the first three films, Kuo Tsing and Huang Yung, were played by Fu Sheng as Kuo Tsing in all three films, Tien Niu as Huang Yung in the first, and Niu Niu as Huang Yung in the second and third BA films. Here the film opens with two completely different actors in these roles, Kuo Chui (who played crazy old "Uncle Naughty" in all three of the earlier films) and an actress who's completely new to me, Huang Shu-yi. Other characters from the first films are played by different actors here as well. Fu Sheng is on hand, but he plays Yang Guo, son of Yang Kang, Kuo Tsing's sworn-brother-turned-bitter-rival. Yang Guo is seen as a baby in the opening sequence in which his parents die in an encounter with various other parties including the lead couple, Kuo Tsing and Huang Yung, and Yang Guo's dying mother turns the baby over to them to raise him.When next we see the boy, he's grown up to be Fu Sheng, who, in order to appear as a believable teenager, flounces around, makes funny faces, and acts in a petulant manner. His adoptive parents don't want to teach him kung fu because they fear he'll be a bad seed like his father so they teach him only Confucian precepts, while his sister (the couple's biological daughter) and two other boys learn kung fu from Uncle Kuo. Eager to learn kung fu himself, Yang Guo sneaks off to Iron Spear Temple where he encounters Ouyang Feng, "Western Poison" (Wang Li), who'd been in the fight at the beginning of the film and been trapped in the temple ever since and only vaguely recalls enough of the details to give young Yang Guo a version distorted enough to lead him to think his adoptive parents killed his real ones. Western Poison also teaches him frog-style kung fu. (Ouyang Feng is a central character in Wong Kar Wai's unique take on the whole "Condor Heroes" saga, ASHES OF TIME, 1994, and is played in it by Leslie Cheung.)All this seems to be leading somewhere, but then the film shifts gears as three of the characters, Kuo Tsing, Yang Guo and a kung fu student of Kuo Tsing's, all head over to the priests at Choy Yang Palace where they get into a scrape with a group of Mongols seeking to meet the reclusive Dragon Girl, who resides in a tomb on the site. We hear the whole story of the Dragon Girl but that goes nowhere and we get a final series of rousing fight scenes involving characters who are so new to the story that we have no stake in who they are. The fights are good but we don't really care at this point. From a kung fu fan's standpoint, it's a disappointment because Fu Sheng, one of the two greatest martial arts stars at Shaw Bros. at the time (Gordon Liu was the other) doesn't have any significant martial arts action other than a few lame frog-style moves that send opponents flying and thrusting back without any contact. The other kung fu student in the finale is played by Chin Siu Ho, another notable kung fu talent at Shaw's, and he hardly fights at all either. The main fighting is done by three of the original Five Venoms—Kuo Chui, Chiang Sheng and Lu Feng, along with Wang Li, the "honorary" Venom. The first major extended kung fu sequence in the whole film occurs at the 67 minute mark, with only sporadic action afterward until the final battles in the last ten minutes.It's a nice touch, though, to see the lead couple played in a more mature fashion than they were played in the first three BA films. (The characters are 20 years older, after all.) The actress who plays Huang Yung, Huang Shu-yi, is quite good and more of a hard beauty then the average Shaw Bros. starlet of the 1980s. However, despite the title, the film is less about this couple than about Yang Guo and his coming of age.Overall, the convoluted plot and structure don't add up to much of a film, particularly after the distinct pleasures of the first three BA films. They just seem to be going through the motions here. Also, it seems to set up a direct sequel to showcase the Dragon Girl. Instead, the next movie, LITTLE DRAGON MAIDEN (1983), retells part of the story told here but with an all-new cast and then continues it with the saga of Yang Guo and his time spent with the title maiden, the same Dragon Girl described above. (Yang Guo is now played by Leslie Cheung who shares scenes with his future ASHES OF TIME character, Ouyang Feng, here played by Lo Lieh.) It's a better film than BRAVE ARCHER & HIS MATE, but still not as good as the first three BA films, although it does boast an awesome condor. It's as if the whole new crew assigned to the sequel decided to simply make their own version with no interest in preserving the continuity (such as it was) of Chang Cheh's four-film series. I can't blame them.