Sean Amos
Bran Nue Dae experience is nothing but hunky-dory and It indeed presents a memorable experience. The delivery is pleasant, tight and often hilarious with a toe-tapping soundtrack. A story of self-discovery and exploration yet, it clearly hints the importance of freedom and human experiences. While being salubrious with spontaneous dance-acts, it also delivers some clever Broadway or Fred Astaire style footwork and fancy vocals. The nut-shelled coming of age story of fifteen-year old Willie also interjects a message about the hardships of Australian Aboriginal lives, their involvement with religious beliefs as well as their social problems as alcoholism and poverty. However, the success of Bran Nue Dae lies in the fact that it can be viewed both as a pleasant story of love, dance and music as well as a sociological journey into Australia, her history and the elements of her society. Either way, the audience is bound to love the light-hearted pace of this 85 minute production.Bran Nue Dae was screened at the University of Peradeniya, Sri Lanka, with kind courtesy of the Australian High Commission on 12th June 2012.~ Sean Amos
blackfirepro
The past decade has seen the revival of the American musical. We've had Chicago, The Phantom of the Opera, and of course Sweeney Todd. Now here we are in a new decade, and musicals are still going strong. I loved this movie. Bran Nue Dae is an absolutely pointless film with an over-the-top plot and useless characters. But it's just so much fun. How could anybody not like this film? Rocky McKenzie is Willie, an aborigine boy in the late 1960s who is made to leave his home town of Broome to go to boarding school in Perth. The school is a Catholic School that trains its students to be priests. Willie is highly favoured by the school's headmaster, Father Benedictus (an eccentric "villain" played wonderfully by Geoffrey Rush), until he is caught stealing Coca-Cola from the school's kitchen. When Father Benedictus tries to punish Willie, he runs away on a journey back home to Broome. But Father Benedictus is hot on his heels, and Willie must then team up with some want-to-be hippies and an alcoholic old man to reach his goal.This is a film much in the style of 1976's Bugsy Malone, a film that I absolutely adored. The story is pretty week and the plot has no point whatsoever. But it's just a wild, fun roller-coaster of a movie. The songs and comedic and catchy (especially a number called "Nothing I Would Rather Be" which takes place in the school's chapel), and the film moves along at a swift but pleasurable pace. It's a pretty corny movie, but then again, why shouldn't it be? It's a musical, and a pretty good one at that. Every scene is filled with an exciting dance number, a tender romance, or some loopy and hilarious joke of some sort. Of course, the story can't hold up to much scrutiny, but it's not supposed to. This film isn't interested in deep spiritual ideas or commentary on the human condition. It exists for no other reason but to entertain you, which I'm sure it will.While I was watching this, I wasn't thinking about the convenience that almost everybody in this movie is heading to Broome, or that most of the characters (except maybe for the old man) are pretty shallow, or that for some reason when one person starts singing and dancing, everyone else somehow knows exactly what to do and organizes themselves into neat little dancing lines. I was just taken along for the ride, and I was loving every minute of it. I loved watching numerous Aborigines dancing on Church pews and somersaulting over the altar. I loved watching Geoffrey Rush attempt to do dance steps while disciplining people in a rather ridiculous German accent. I loved watching all these corny and ridiculous stereotypes interact before my eyes. And by the way, this film is filled with stereotypes. Stereotypes of Germans, Aborigines, old men, prostitutes, Priests, preachers, and hippies. Even so, this is far form a stereotypical film. It's one of the most original I've seen in a long time. There isn't one scene here that you would find in another film in the same context. It's goofy and weird and illogical, but who cares? We're having a great time.Now, this isn't one of those musicals where the singing and dancing flow seamlessly together with the dialogue. In fact, sometimes when the characters suddenly start singing it's laugh-out-loud ridiculous. The musical numbers are in no way subtle. They stick out like a sore thumb. But does it really matter. Did we come to see this for an opera of some sort? No! We came to see Aborigines dance and Geoffrey Rush try to fake a German accent. And if we came expecting just that, you'll be more than impressed. However, if for some reason you want this film to explore some deep meanings, search elsewhere. This is not for you. At no point in this rather short movie was I bored. I was always waiting to see what happens next and what crazy misadventure young Willie will encounter. This movie entertains. That's what it does. It entertained me like I haven't been entertained in a while. Now I'm not saying I don't like serious films. I probably even prefer them to this sort of thing. But every once in a while, I just want to be entertained. That's what I got from Bran Nue Dae.From a technical standpoint, the film is also pretty impressive. I am extremely fond of the photography in this film. Every shot has a meaning to it. There is one particular scene in which two lovers are swimming with each other under water. It's so perfect and simple. There isn't a flaw in that scene. The colours in the movie are rich and the shots memorable. Andrew Lesney (The Lord of the Rings, King Kong) has outdone himself this time. The overall colour scheme of the film seems to be yellow orange and blue, and it works exceptionally well. It's a shame that this film won't get much notice up here in America. I find it extremely unfortunate that we must search clear over to Australia to find descent entertainment these days. American films form Hollywood are becoming more dumb and generic every year, while the independent and foreign films make a come-back. Unfortunately, the general public will hardly see any of these alternatives, but instead will continue to go to these mind-numbing, Hollywood CGI fests. Last year's Best Picture winner, The Hurt Locker, only received a fraction of the recognition it deserved. Well, enough of these sentiments.In a decade full of new and exciting musicals, Bran Nue Dae is one of the most original and creative. The songs are catchy and the characters witty and the photography striking. I liked this movie a lot, and I wish it the best of luck when the awards season comes around later this year.www.colewebbharter.com
Russ Stewart
Bran Nue Day has its heart in the right place it just doesn't quite pull it off! Its basically a musical road movie but its just a bit too silly for my tastes. There are some good elements - it moves along nicely, there are some good performances (Jessica Mauboy for one, Ernie Dingo is OK too), reasonable songs, its bright & paints Australias Broome in an attractive light. Other parts really could have done with some work though. The Tom Budge character (he plays Missy Higgins hippie boyfriend) is a complete joke & Geoffrey Rushs character is over the top too. Some of the choreography & miming are so bad, characters pop in & out with little relevance & the finale is woeful. With all that it is a pretty reasonable excuse for a mindless popcorn movie, it thats what you are looking for, this is your film.