Boston Blackie Goes Hollywood

1942 "WHAT A MOVING PICTURE...when Blackie moves in on this blonde picture! Hollywood gets a new kind of thrill!"
6.2| 1h8m| NR| en| More Info
Released: 05 November 1942 Released
Producted By: Columbia Pictures
Country:
Budget: 0
Revenue: 0
Official Website:
Info

Blackie receives a call from a friend who asks him to retrieve some money from his apartment and deliver it to him in California. Performing this good deed, he is accused of theft, but is allowed to proceed to Hollywood to help the police find a lost diamond.

Genre

Crime, Mystery

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Director

Michael Gordon

Production Companies

Columbia Pictures

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Boston Blackie Goes Hollywood Audience Reviews

GamerTab That was an excellent one.
Evengyny Thanks for the memories!
Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
Logan By the time the dramatic fireworks start popping off, each one feels earned.
binapiraeus This time, Boston Blackie REALLY gets a taste of his old 'job': a rich friend of his phones him to 'break' into his apartment and crack his safe to take out 6000 dollars and bring them to him in L.A. - but... Inspector Faraday catches him right 'in the act', with the safe open and the money in his hands; so THIS time, he thinks, he's got him for good! Of course, now the usual cat-and-mouse game follows, with the money and a precious jewel changing hands countless times (and Blackie meeting some of his old 'pals' from Sing Sing days...), with escapes from planes, hotel rooms and even elevator shafts - hilarious fun, as always! (With the cops being dumber than ever before...) And for a change, nobody gets murdered this time - so you could really call this a VERY entertaining, funny family crime movie, suited perfectly for any 8- or 10-year old; but nonetheless equally fun to watch for adults...
bkoganbing Boston Blackie and sidekick Runt as they're about to go to Florida on a vacation get a transcontinental call from their good friend, playboy Lloyd Corrigan. Get $60,000.00 from a safe in his apartment and bring it to California. Corrigan has a couple of hoods pointing guns at him as he makes this call and of course Chester Morris thinks something is up. So Morris and George Stone get the money and make the trip with NYC cops trailing them because they think he's involved in a nice jewel heist also having taken place in California.Columbia was doing both the Boston Blackie and Lone Wolf series at the same time and the plots were pretty interchangeable. Both retired master criminals, both with helpful sidekicks, both living good and no visible means of support, and both with cops constantly questioning them every time some notorious crime breaks at which they're always innocent. My own theory is that they lived off the proceeds of their previous criminal lives, the money having been laundered clean and untraceable. Just what were Blackie and the Runt vacationing from?In this Lloyd Corrigan who's a good hearted and empty headed soul with too much money to burn always finds someone to help him burn it, usually of the female variety. That was Corrigan's function in all the Blackie films he did. Columbia starlet Constance Worth fulfills the function here, she's a poor man's Rita Hayworth.Corrigan does have himself peripherally involved in the stealing of a legendary jewel, it's up to Morris and Stone to get him out of the jackpot if they can just shake loose from NYPD's not so finest Richard Lane and Walter Sande. They do it as usual with aplomb.This one is a nicely paced Blackie entry that also features an up and coming Forrest Tucker as one of the hoods. This is a good one for a potential Blackie fan to be introduced to.
blanche-2 "Boston Blackie Goes Hollywood" is another entry into the 14-film BB series. Boston Blackie doesn't exactly go Hollywood; I guess the producers wanted a snazzy name. These series - Blackie, The Saint, The Falcon, Nick Carter all follow a formula - the hero is an amateur detective, a smooth fellow who has flirted with the dark side of the law who usually has a sidekick and always has an officer of the law either angry with him or after him.This time Blackie is in trouble with the law - as usual - because as an ex-jewel thief, he comes under suspicion every time there's a heist. This time it's the Monterey diamond, even though Blackie is in New York. Then his good friend Arthur Manleder (Lloyd Corrigan) calls from Los Angeles, and he's in trouble and in need of $60,000 out of his safe. Of course the police enter Manleder's apartment just as Blackie is making a large withdrawal from said safe. The Boston Blackie police are completely moronic so Blackie and his short friend Runt (George E. Stone) are always able to get away, often in diabolically funny ways. This time is no different.What distinguishes these various series is the personality of the actors, which makes telling The Falcon and The Saint apart since George Sanders played both. Boston Blackie is the most amusing, starring the personable and well-tailored Chester Morris. The scripts have very witty dialogue - better than the others, in my opinion - and it's delivered well by Morris who has grace and cool under fire.I find these movies very enjoyable. Look for a young Forrest Tucker and also Lloyd Bridges, who has a small role.
Wilbur-10 The first Boston Blackie film I've seen, so don't know how it compares to others in the series. In this entry Blackie ( a reformed jewel thief ) has to transport a large sum of money to a friend in Los Angeles, whose gotten involved with a typically dodgy 'B' movie female who's in with the mob. Film has typical character array from these type of early film serials; Boston Blackie is a wise-cracking handsome hero, his sidekick is a snivelling strange looking man/child called 'Runt' whose only purpose seems a perverse kind of comic relief, while we also have the dumb Police Inspector and his even dumber Sergeant.Even for low-budget crime films of the type, this seems like a below-average entry in what is probably a below-average series. That said the film potters along nicely and is fun for those with a big nostalgic streak - despite the last third of the film degenerating into farce.Incidentally the title is misleading, as the only Hollywood connection is the use of L.A. as a location for the second half of the film!! Even then we aren't treated to any exotic outside location shooting - never trust an ex-jewel thief