Cubussoli Very very predictable, including the post credit scene !!!

AnhartLinkin This story has more twists and turns than a second-rate soap opera.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

brandyjirik I remember when this was happening.People were scared to go outside,we were constantly looking over our shoulder's, terrified..there seemed to be no rhyme or reason why these killings were happening.While the movie may have seemed slow at some points,it was interesting to get an idea of what was really going on inside the minds of these murderers.

LeonLouisRicci There are Parts of this Indie Movie that are Extremely Well Done. There is the Cinematography that is Stunning at Times, the Performances are All Very Good, and there is an Ominous, Chilling, Creepiness that Permeates the Picture.But the Montage is Awful. The Overall Feeling that the Viewer is left with is Frustrating and Unsatisfying. it Seems that the Filmmakers Opted for Restraint and Offered a Cold and Overly Calculated Movie and it tries so Hard to be Unconventional and Non-Hollywood that They Forgot that this is a Movie.It is Pieced Together with a Shaggy Assemblance of Disjointed Drama that Scene for Scene is OK but a Film is a Combination of Scenes that are Put Together to Create Seamless Storytelling and this Fails Monumentally on that Level, Especially in the Final Act.The Pieces in this Misassembled Mess are on their own Remarkable and it is Obvious that there is Talent in this Creation, but all of that is Wasted as the Finished Film just leaves too much to be Desired and as Enlightened Entertainment or Even a Character Study the Completed Film Falls Apart and that is Inexcusable. Overall, it Cannot be Recommended as a Film that is Worthy of its Subject Matter or as a Film as Completed. Because the Movie just can't Escape the Feeling that it is Incomplete and Ill Fitting.

colonel52 This is a purely fictional account of what really happened. the movie is slow and boring and inaccurate. It seems to be made to draw sympathy to 2 killers who deserve no sympathy. Very little is shown of the actual killing, it is all about leading up to the actual killing event.I saw another movie which had them shooting thru a tail light that was removable, and caught by 2 detectives who tracked down the car. In this one they cut a hole in the trunk, and were caught sleeping in the car. This movie downplays the actual crimes and the intent and motivations, which makes it a bogus film.Someone should make a accurate movie of this event, to offset crap films like this one.

Markus Emilio Robinson Admittedly going in with very little knowledge of the actual events behind the true story which "Blue Caprice" is based on (the Beltway sniper attacks) other than the fact that two men (one was a minor) had engaged in a series of public shootings on the east coast, during a span of three weeks in October 2002, the most intriguing aspect of this film is how its focus is not on the shootings themselves, but the relationship between the two killers, Lee Malvo and John Muhammad.Synopsis: After being pretty much abandoned, a sixteen year old Caribbean boy named Lee, played by Tequan Richmond (who is also the best thing to come out of that crappy "Everybody Hates Chris" show) seeks guidance from an American man named John (played by Isaiah Washington, who gives the performance of his life). The boy becomes absolutely mesmerized with his new found father figure, even though John is an openly abusive man, who is mentally unstable and holds an unhealthy disdain for the world around him. Quickly transforming into a cult leader-type, John begins to brainwash this damaged child, as "Blue Caprice" careens towards a cold blooded final 20 minutes.While John Muhammad is painted as the monster he truly is, with the way I have described the plight of Lee Malvo, his sixteen year old accomplice, I realize that there are readers who will be turned off simply because I do make it sound as though director Alexandre Moors shines a sympathetic light on a killer of innocent people. Now, is "Blue Caprice" meant to give a sympathetic portrayal of Lee Malvo? The answer is, yes. BUT (and this is my opinion, of course) even though Malvo did engage in heinous acts and I do sympathize with the victims of these shootings, if it really went down the way this movie depicts, then maybe audiences are right to feel sympathy for this kid.Final Thought: Whilst not as emotionally impactful as I would have liked it to be, "Blue Caprice" still packs a punch as a highly interesting dissection of a mutated father/son relationship, due to a combination of haunting performances from the two leads and some intriguing camera-work. So, between this and "Fruitvale Station", it has been a good few months for feature film directorial debuts.Written by Markus Robinson, Edited by Nicole I. Ashland